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How Dutch archives turned into a Lakker AV show about water

Wade in the water, indeed. Set the Irish duo Lakker loose in a Dutch film archive, and what you get is a dense, heavy experimental techno album and a live show exploring the Netherlands’ ongoing battle with the sea. It’s a 2016 album, but even if you caught it before, now we get some insight into its evolution into a live audiovisual show. Even before you get the sense of the historical narrative behind it, the music itself is evocative, dark, and rich. I actually like that we’re calling all this music “techno” now – this isn’t in the four-in-the-floor …

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Watch artist Blawan go hands-on with the monster Arturia MatrixBrute

The term “beast” may be overused in describing synthesizers, but the massive, heavy, feature-packed Arturia MatrixBrute certainly deserves the term. Now, we get to hear and watch as Blawan takes us on a tour. Blawan is one of my favorites in adventurous techno, not least for his unique skills in playing live – because finding great DJs is still considerably easier than finding artists who can produce on the spot. So he’s a smart match to launch a new series pairing artists with gear, run by Electronic Beats and German-language Bonedo. Now’s a good time – the MatrixBrute has been …

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dadamachines is an open toolkit for making robotic musical instruments

There was a time when using controllers to play music was still novel. Building them was a technically complicated task, limited to a handful of individuals – most of whom had to keep solving the same basic problem of how to get started over and over again. Now, we know, that’s no longer the case. There are controllers everywhere. You can buy a finished one off the shelf. If you want to customize and modify that, it’s easier than ever before. If you want to make your own, that’s easier than before, too. And the result is that musicians separate …

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Photo: Bobby Collins.

Step inside the mystical sound world of Circular Ruins

Circular Ruins’ auditory landscapes are rich and strange, hypnotic rituals of loops and layers. They’re dark, but somehow un-menacing – safely resonating with whatever dangers live there. The artist speaks to us here about process, and zeitgeist, and cassette tapes. And we get to premiere the full release. We have a look round his studio and rig along the way. Circular Ruins happens to be Marijn Degenaar, who also happens to be on the design team at CDM. Oddly, friends and I have each done a double-take there, discovering his music through some other channel only to find out later …

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Photo (CC-BY) Martin Hearn.

Get the sound of an abandoned US surveillance tower, free

Over fifty years ago, it was built in West Berlin atop a mountain of rubble to listen in on the Communists in the East. And now, the infamous Teufelsberg UA National Security Agency tower can lend its cavernous sound to your tracks. It’s available as a free plug-in for Mac, Windows, and even Linux, and it’s open source. Someone found this idea appealing already, as the impulse samples we wrote about previously became the creators’ most popular download. But now, you get a plug-in you can drop in your host. It’s actually a pretty nice array of stuff here: Lush …

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What if you could touch and feel a score?

What if scores could be touched and felt instead of only read? We’ve just come from a deep, far-ranging discussion with artist Enrique Tomás, a researcher at the Interface Culture Lab in Linz. It’s part of Enrique’s residency with CTM Festival and ENCAC – European network for contemporary av creation, who also support some of our work. And it’s presented as part of another of our MusicMakers hacklabs at CTM Festival. It’s worth sharing some thoughts already. One of his more compelling illustrations of this was his PhD project, tangible scores: Credits: Enrique Tomás – PhD at Interface Culture Lab …

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Photo: Natisha Shpaner.

Videos for Mary Ocher’s moving avant-pop reflect on a violent world

Music can still have something to say. Not just a hackneyed protest song or music that wears politics like dress-up, but – something to tell you. When it hits you, you can sometimes feel a bit weak in the knees. That was the impact for me of Mary Ocher’s new album, two tracks of which get video treatments. The songs themselves have a message, but then their meaning becomes even more stark in the music videos – reason to share them here. I’m slightly self-conscious that the way I knew about this album was initially in being asked through a …

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Robin Fox talks epic AV performances and rare synthesizer archives

There’s barely a performance medium that Robin Fox hasn’t touched, not a form with which he hasn’t moved us. From laser AV spectacles to exhibitions to work with contemporary dance (including the wonderful Chunky Move), this Australian artist is the kind of multi-faceted mind we adore. And so we sent Anahit Mantarlian for a marathon interview, so we can all geek out accordingly. -Ed. Audiovisual experimentalist Robin Fox has been busy. In 2016, the Australian composer and laser charmer toured Europe, presented his latest show RGB to Atonal Festival, performed at the inaugural MUTEK.JP Tokyo, and opened an organization (alongside …

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Avalon Emerson's name keeps coming up - top tip. Photo by Tonje Thilesen.

Musical resolutions – hand-picked music to start 2017

Just as mixes need transitions, humans need pauses. So while some of the divisions of time are arbitrary, we need moments to step back and recollect. So CDM asked a cross-selection of producers and DJs to choose music from 2016 to begin our year. Maybe now – as the vacation spirit is wearing off and task lists are looming – maybe now is the time we need those most. This particular group of humans generally resisted the idea of making charts, as an empty exercise. But I suppose some of those individuals are the very people whose music selections I …

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Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

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