This is the new DJ mixer from Xone creator and Richie Hawtin

If a DJ mixer could be anything you wanted, what would it be? That question isn’t actually that easy to answer. DJ mixers have a fairly defined set of functions, and not a lot of obvious room for variation. They have become more or less a commodity product as a result. And even as we’ve seen high-end mixers, those have tended to be simply a spendier version of the same commodity. So, maybe the news that Richie Hawtin was working on a new mixer, teased out over the past few months, didn’t interest you at first. But, having had a …

Graham Dunning; photo by Julien Kerduff.

This month, a far-reaching convergence of ideas in music

What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters of how music is made and how it impacts people? I rather believe in the latter. And that could be why Berlin is the place where so often people gather to work out the next big thing. There’s no single music research center, no formal …


Here are 3 epic performances on modular that aren’t noodling

We revere the modular synthesizers of the past, but that ignores important innovations both in how modules are designed and how people play. Apart from the fact that Eurorack is quite a lot slimmer, lighter, and cheaper than its predecessors, we have vastly expanded the range of what modules do in ways that lend themselves to live performances. That’s not to say it’s for everyone – a modular performance still involves a lot of pre-patching for people, and there’s clearly something to be said for computers and standalone gear. But that’s perhaps partly the point: the modular solution can stand …


Change your mood with our favorite springtime mixes

In the age of the algorithm and overabundant streams, the mix might be more important than ever. Mixes can give us insights into tastemakers’ and producers’ imagination; they can be intimate and human at a time when so much of our music stream is faceless. But then, with so many mixes out there, who curates the curators? Meet a new feature on CDM, finding mixes across various genres. To kick off the series, CDM’s Zuzana Friday gives us her seasonal picks. The mixtape may have gone digital, but it’s no less relevant. -Ed.


Kyoka talks about her amazing new raster-noton sounds

raster-noton is already a beloved imprint for those who care about out-there sounds. But if you thought you’d heard every click and oscillation that name could bring, you probably haven’t heard Kyoka – the Japanese-born artist who always manages to wander out into new territory. And even before we had a chance to get the least bit tired of her last outing, she’s fresh from a trip to Stockholm’s EMS with something altogether different. CDM’s Zuzana Friday invites Kyoka over to charm and wow us all over again.

superbooth - 27

In photos, the synth nerd extravaganza Superbooth

It’s genuinely hard to describe the Superbooth in words. The synthesizer lovefest dreamt up by Andreas Schneider and team in Berlin was a collision between a festival and a trade show, scattered in impromptu fashion through the chambers of the former East Germany radio facility. Visitors wandered from knob-twiddling displays into quadraphonic concerts, from combined performance-demos by modular makers and artists to encounters with legendary synth pioneers over a queue for beer. And the whole week was an exercise in overabundance. Far from the linear experience of a convention floor, the maze of studios and halls at the Funkhaus venue …


Ex-DDR radio facility turns into an alternative synth show

Forget sterile, corporate convention halls. Instead, this week the Communist-chic East German radio facility Funkhaus will be transformed into the sort of synthesizer summit only Andreas Schneider and his crew could imagine. It’s called, somewhat confusingly, the “Superbooth” – a reference to what had been a jam-packed exhibition stand at Frankfurt’s Musikmesse. Now, instead of squeezing into some tables and shouting over the din of a trade show, the happening that was in Frankfurt has a sprawling space. Just how big? Well, let’s let Andreas take us on a tour of the wonderful rooms of the wonderful building where all …

Lucy Press Pic 2 (c) Riccardo Malberti

Listen to a beautiful sound bath by Lucy

Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.

Michal at work.

Conversations in live techno from the Polish underground

Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.

Minguet Quartett, The Long Now 2015, Kraftwerk. Photo: Camille Blake.

A festival to ponder the nature of time

Now, following a century of recording and broadcast, where does musical performance go next? That challenges not just space or culture, but reimagining the place of time itself in the performance. Berlin is a fitting place to contemplate time. Once home to Albert Einstein, it helped incubate modern general relativity. At its southwest is Mendelsohn’s Einsteinturm; it has the Kaiser Wilhelm Society in its DNA. Adlershof, a short S-Bahn ride away, is home to the enormous BESSY II synchotron photon radiation source (particle accelerator.)