Forget sterile, corporate convention halls. Instead, this week the Communist-chic East German radio facility Funkhaus will be transformed into the sort of synthesizer summit only Andreas Schneider and his crew could imagine. It’s called, somewhat confusingly, the “Superbooth” – a reference to what had been a jam-packed exhibition stand at Frankfurt’s Musikmesse. Now, instead of squeezing into some tables and shouting over the din of a trade show, the happening that was in Frankfurt has a sprawling space. Just how big? Well, let’s let Andreas take us on a tour of the wonderful rooms of the wonderful building where all …
Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.
Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.
Now, following a century of recording and broadcast, where does musical performance go next? That challenges not just space or culture, but reimagining the place of time itself in the performance. Berlin is a fitting place to contemplate time. Once home to Albert Einstein, it helped incubate modern general relativity. At its southwest is Mendelsohn’s Einsteinturm; it has the Kaiser Wilhelm Society in its DNA. Adlershof, a short S-Bahn ride away, is home to the enormous BESSY II synchotron photon radiation source (particle accelerator.)
SoundCloud has become a popular punching bag for the music press. The formula runs something like this: choose a screaming headline predicting the company’s doom, run some out-of-context business numbers and some negative quotes by an unnamed source, then (presumably) rake in clicks.
Let’s be clear: there should be no excuse for the press in our sphere, including this outlet, to treat International Women’s Day as a chance simply to talk about women in music. That obligation is year-round and daily, or we simply aren’t doing our jobs. But that’s not the origin of Women’s Day, anyway. The history, rather, is one rooted in organizing for change. (Like so much modern grassroots advocacy, indeed, it comes from the labor movement just after the turn of the last century.) It’s about people working finding fair opportunities for their work. Focusing energies around an annual …
Can the metronome get a new lease on life as a smart wearable device? That’s the gambit of Soundbrenner, a Berlin-based startup that hopes to do for metronomes what the smartwatch and fitness wearables have for those categories.
Ed.: There’s a record release entirely in etched glass, shaped like a pyramid. There’s an artist who is not only post-genre, but post-gender, and trans-… human. There’s a collective that steps calmly from grimy basement to global festival, talks about occulture and “magick,” and juggles queer partys and zines. For anyone sick of the predictable grinding machinery of the music industry running business as usual, this should be irrefutable evidence that UnReaL, and the artist Born In Flamez, are something different. We arranged a rare interview with the collective and BIF to enter that world – a science-fiction now that …
I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.
The path from past to future has become delightfully twisted in our modern age. Some of the best new technologies mix old techniques with new. They treat the computer and electronics not as a separate entity, but for its potential hybridization. And one great example of that is gamut inc, a project that explores instrumental-electronic interactions. Founders Marion Wörle and Maciej Sledziecki came to visit us at the MusicMakers Hacklab we’re hosting at CTM Festival in Berlin. And they brought the most extraordinary inventions along.