SoundCloud offices in Berlin.

Producers and DJs can now sign up to get paid for SoundCloud plays

SoundCloud’s ambitious goals for being the place where people share and discover music has always left it with a challenge. On one hand, it has to keep encouraging you to upload music – your tunes, your remixes, your DJ sets. It can’t just be a site for major label content, because then it loses to Apple and Spotify by default. On the other, it has to satisfy the needs of right holders – including when you upload music that they own. That’s an issue with your DJ set, of course, but it could eve be an issue with your own …

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Roland does subscription plug-ins and cloud rendering

Perhaps the most unexpected product news this month is Roland’s unveiling of RolandCloud. It’s a subscription service from the hardware maker, the biggest component of which is providing access to a range of software plug-ins. Roland, while one of biggest names ever in hardware and synthesizers, is still a relative newcomer to software. But their PLUG-OUT line has steadily built up to library of a few instruments. That includes modeled remakes of classic synths (SH-101, PROMARS, SH-2, SYSTEM-100) and one new synth (SYSTEM-1). Those instruments – and two just-announced new ones – are the first additions to the subscription service. …

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Rent-to-own Serum means Kanye doesn’t have to pirate it

Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.

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The likely end of Rane as we know it, with inMusic acquisition

Not all independent music gear makers last. And so we’ve learned this week that Rane, the Seattle area-based company founded way back in 1981, will see new ownership with a buyout by giant inMusic (of Numark, M-Audio, Akai, and related). That means, if nothing else, a transformed landscape for DJ mixers. At one end, you’ve got the big conglomerates – Japan’s Pioneer DJ, America’s inMusic. At the other, boutique makers are staking out increasingly specialized, low-quantity product. This sheds still more light on the significance of the new mixer from Richie Hawtin and Xone creator Andy Rigby-Jones. With Rane out, …

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Listen to how pop hits have evolved over the years

There’s a simple antidote to the endless circular “pop music was better in the old days” debate: actually listen to the songs. A new interactive tool lets you do just that. But warning: it may not be as pleasurable to turn back time as you think.

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Here’s what’s happening at Beatport after the SFX bankruptcy

The media landscape is changing, from Apple moving to streaming and adding content on Apple Music and Apple TV, to SoundCloud adding paid subscriptions and signing deals with majors. Meanwhile, the biggest player in dance music, Beatport, is about to be untethered from the EDM conglomerate that bought it.

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SoundCloud's base of creators - that's you - are one reason it isn't going anywhere. But now it needs to finally get its business model in order.

Inside SoundCloud, the move to revenue begins

SoundCloud has become a popular punching bag for the music press. The formula runs something like this: choose a screaming headline predicting the company’s doom, run some out-of-context business numbers and some negative quotes by an unnamed source, then (presumably) rake in clicks.

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Music is getting worse, unless of course it isn’t

Complaining about pop music is probably the safest form of musical clickbait imaginable. After all, who isn’t annoyed by at least some earworm, some teeny-bopper celeb? If you long for still more of that, we have another white guy shouting at a camera about it – and, to be fair, some of this is reasonably funny. There’s just one problem: is the argument that music is getting progressively worse actually true – or even asking the most relevant questions?

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Inside the making of a wearable metronome

Can the metronome get a new lease on life as a smart wearable device? That’s the gambit of Soundbrenner, a Berlin-based startup that hopes to do for metronomes what the smartwatch and fitness wearables have for those categories.

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iPhone app for making cover songs, a sign of a changing music world

The music industry is fantastic at hindsight. We’ve obsessed over the spread of online piracy, the death of the CD, then the impact of streams. But every measure of the business model is somehow framed around acquiring records. And it’s about passive consumption. We have to remember, though, that passive consumption is itself really the outlier. Until the dawn of recording, music only existed when you played it. Our current copyright and licensing system was first structured around sheet music. And that world never went away. Precise recordings can give you the experience of listening, but no technology can give …

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