The overview screen, for navigating - some overtones of both Kai's software from the 90s and the better stuff from Apple (Sculpture).

Substance is a new software approach to every kind of bass

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making enormous bass things out of other already pretty-large bass things. And it represents a nice latest chapter in what the boutique software developer has been doing with sound design

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mattvideo

Premiere: Lose yourself in these cutting-edge modular productions

Twirling timbres of Tiptop titillate, tantalizingly… a modular synth maker has made its own music label, and to kick things off, CDM gets the premiere of a hypnotic music video. First, the music video, made for the compilation’s opening track by Matt Lange. It’s the work of director Nicola De Luca, and I have to admire its simplicity: an entrancing rotating blossom, sculpted in video in a series of horizontal delays and three-dimensional transformations. Description: The video is a metamorphosis of forms that investigates kinetic connections between the motions of rotation and material decontextualization of objects. It takes inspiration from …

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femalepressure

On women’s day, imagining a new future in sound

Let’s be clear: there should be no excuse for the press in our sphere, including this outlet, to treat International Women’s Day as a chance simply to talk about women in music. That obligation is year-round and daily, or we simply aren’t doing our jobs. But that’s not the origin of Women’s Day, anyway. The history, rather, is one rooted in organizing for change. (Like so much modern grassroots advocacy, indeed, it comes from the labor movement just after the turn of the last century.) It’s about people working finding fair opportunities for their work. Focusing energies around an annual …

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teamsupreme

Watch LA crew TeamSupreme prove the power of a collective

We live in a world dominated by the mythos of the solo artist. And people can easily get down when they discover they can’t compete. But here’s one solution: cooperate, instead. That’s the story of LA’s TeamSupreme, documented in an extensive short put out over the weekend. And it might be better news than any new gear, especially if you yourself has been frustrated by the scene.

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RYAT's production setup.

In LA, looking to what new tech means for music makers

This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.

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fugue

Fugue machine is how Bach would have made a sequencer

I have two words for you: multiple playheads. Oh sure, you’ve got your piano rolls and your step sequencers and your arpeggiators. But can you roll like Johann Sebastian (or Arnold… as in Schoenberg)? Can you take a single melody, and make more complex patterns by echoing them, turning them upside down? That’s the idea behind Fugue Machine.

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IDOW Gear 6 (Eurorack)

I Dream of Wires Doc Gets Premiere; Here are Pics and Facts

The modular synthesizer, that wild animal covered in wires, has seen its once-endangered populations flourish and its revival in full swing. And now, it has its own movie. Some years now in anticipation, and with limited screenings here and there at film festivals, I Dream of Wires gets a wide release. The film is surely a landmark, but the launch is likely to be, too, bringing one of the modular synth’s greatest composers (Morton Subotnick) back to Berlin, Germany for a gala release performance, joined by video artist Lillevan. Mr. Subotnick is a rare figure, having made an impact not …

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siliconvalley

Apple Reality Imitates HBO’s Silicon Valley: ‘Radio on the Internet’

Silicon Valley, yet again, fails to be less weird than reality. Actual quote from the show: “So then it hits me – we could take this thing called The Radio and put it on this new thing called The Internet. And no one was doing it – no one.” In the show, to give this context, though, the character is talking about 20 years ago. Apple has actually claimed that running a radio station on the Internet “24/7” – that’s one radio station, broadcasting from the US and UK – is something groundbreaking. To compare: BBC Radio 1, broadcasting from …

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Delaydelus-w1

Daedelus and Bleep Labs Have Made a Sampler Delay Thing

The latest limited edition sound instrument animal has been born, and it’s a sampler delay … thing. Daedelus, the California producer who first popularized the monome, is teaming up with John-Mike Reed aka Dr. Bleep of Bleep Labs (designed in Austin, Texas and produced in America) to invent the Delaydelus. (Say that ten times fast.) Listen to Alfred’s spacey, trippy voiceover intro in the teaser video below, or stick around for the later videos in order to learn how it actually works. This being an “artist” edition hardware, there are some Daedelus-designed sounds to get you started. After that, you …

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moderna_main copy

Jetset Futuristic Dance Sounds for Summer with Moderna

It’s a long weekend in America, many bits of Europe, and other parts of the world, and that inflection point has arrived where the Northern Hemisphere looks forward to summer. So, let’s celebrate, turning attentions from dark, moody techno and experimental ambience to some splashes of color – techno plus all its further branches and blossoms. And that means turning again to our friend Moderna, aka Missy Livingston, of Ghostly International.

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