Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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myriambleau

Watch Myriam Bleau’s beautiful work with glass and discs

The beautiful thing about performance life in the post-digital age is that it opens up what musical practice itself can be. It means an AV artist might draw as much on the tradition of painting or sculpture as on music. It might blur the boundaries in such a way that it’s hard to say which medium you’re looking at at all. SONAR and MUTEK as festivals have grown in their brand to present AV work, but to me they’re at their best in those particular magical moments when you feel as if the performer has invented their own medium. By …

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Andrew Quinn / Nikolay Popov AV performance.

How one community was mapping the future of visuals this summer

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker events emphasize something else: craft. This summer seemed a particularly historic moment for not one but two tools – each of them built by small teams who make art themselves. We already covered the Berlin gathering for Isadora, the visual performance tool that has rich …

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Photo: Adam Michaud.

Venetian Snares has a new album and warms up Poland

Summer music season, like summer movie season, can feel, well, repetitive. It’s blockbusters and popcorn fare, both ways. But there are some diversions from that narrative. And one is the award-winning festival Tauron Nowa Muzyka, in Katowice. That town is building on its industrial past, literally – the festival takes place on the site of a coal mine. But it also suggests a new direction both for electronic music and Poland itself. Now in its eleventh edition, Tauron Nowa Muzyka is reaching beyond its normal premises. And this makes a perfect excuse to talk about raw source of fresh energy …

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foxtrott

Starting music is the theme of a Novation product launch next week

Novation are promising something new on the 1st of October. Let’s just say whatever [redacted] may be, we’ll cover [redacted] when the time is right. But what I find interesting is the way they’re introducing the message. Just as Ableton did with Push, the message is about “starting something” – about getting past that initial creative impulse. I think we’re seeing a shift in the way we talk about music technology in general. The old way of selling was to make the process as mysterious as possible. Serious professionals would tell you how they had the killer tool that you …

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deadmau5talent

deadmau5 wants EDM DJS to actually play, produces Tumblr poetry in the process

deadmau5 has a message for DJs: don’t just DJ. here is what i dont get [Tumblr] And we couldn’t agree more. For once, bless the mouse – and, give the man some credit, he has a sense of humor and self-deprecation. (That’s his image above, not ours.) But keep reading – things are about to get cut-up surreal poetic in just a second.

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concubine

Concubine, the free album you need, has an app-made video to match

Can you think, dance, and dream at the same time? We get to debut a new video for Concubine, and it’s the perfect time to look at what this duo has accomplished in 2015. Concubine, the project from Noah Pred and Rick Bull, is never cold, but it’s always expressing several sentiments simultaneously. It’s at once hypnotic and cerebral, visceral and abstract. Smartly-calibrated percussion politely swings atop future-prog funk flights of fancy. It’ll get a little cheeky, but within a song framework that’s been obsessively constructed. And the album itself is put together similarly. Driving dance tracks are effortless interspersed …

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animooghands

New Animoog for iPad Fixes Everything; Hear it Go Indian, Do Improv

Forget for a moment whether it says Moog or not. Maybe it could say “Rogue” or “Brogue” or “Kylie Minogue.” Animoog would still be one of the handful of software instruments that really make the iPad feel like a proper synth. And yes, it is also beautifully polyphonic, expressive, features an interface that could only work on iPad, and sounds amazing. There’s been just one problem: amidst an avalanche of Apple OS updates, that synth wasn’t always working reliably. And the love from the developer (yes, the famous one that rhymes with “Vogue”) didn’t seem to match the love from …

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noah

Sophisticated Rhythms: 2 Mixes, 2 Approaches, For Your Listening Pleasure

Mixes have become another essential reflex of this age of overabundance, a way of navigating in material form the rhythms that come our way. I turn this weekend to mixes by two close friends. Matt Earp, aka Kid Kameleon (top), has been a CDM contributor in the past; his background spans music and technology and a wide breadth and depth of knowledge in those areas. Noah Pred is simply one of the finest DJs and producers I know, the ever-tasteful mind behind the massively underrated but prescient label Thoughtless Music. Each mix is singular in purpose, full of the sort …

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