Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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A Dreamy Video, Remix with Loscil, and Other Christina Vantzou Gems

You know that feeling, on a hot day, of someone running an ice cube down the back of your neck? Or perhaps, going deeper, the dream of plunging into a frozen lake? That visceral, primeval emotion, that chill that prickles the hairs on your head – that might start to describe the eerily-lovely wonderlands of Christina Vantzou. Brussels-base artist Vantzou was the visual imagination behind The Dead Texan (with Stars of the Lid’s Adam Wiltzie), releasing an epic audiovisual masterpiece that paired cinematic ambience with video realizations. Vantzou has continued as a composer, with two records on Kranky Records (easy …

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Staying Mobile, Imperfect; Music and Talk from Robert Lippok, To Rococo Rot

It’s festival season, a time for pre-packaged artists, album-perfect live sets, pristine digital worlds that sometimes literally come from the folks at Google. And there’s nothing wrong with that. But maybe now is a good time to look to the other avenue – to keeping things rough and loud, flawed, live in the sense that has mistakes. Robert Lippok, the always-busy, long-working Berlin-based artist, can celebrate both that messiness and obsessive control. As a soloist, he’s been a staple on Raster Noton; he’s also known for being one third of To Rococo Rot. 2014 is bringing new things from both …

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A Building-Sized Net as Canvas, Overlaid with Light Paintings from Mobile Phones

“Interactive architecture” has long been a phrase, a future echo – something coming – but it’s been tough to say what it would look like when it arrived. In the collaboration of Janet Echelman and Aaron Koblin this month, we see one form it might take. Koblin and Echelman joined forces to celebrate the 30th anniversary of the TED Conference in Vancouver, in a massive 300-foot literal web (and Web) hung high above the water. Koblin is the well-known digital artist, now at Google, but the material of the work is rooted partly in old-world technique. Echelman – here sponsored …

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Toronto Mayor Rob Ford vs Ableton Push

This is … real. This is really the famed “crack-smoking” mayor of Toronto, laying down a beat live with Ableton Live and Ableton Push. And it’s definitely not an official Ableton artist endorsement, nor is Rob Ford a certified Ableton trainer. (Though if he does want to consider another career…) Well, some people do find Push addictive. Next: Putin on monome? If you aren’t impressed by Ford randomly jabbing pads, you might watch this instead, via Synthtopia:

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A Digital Label and Online Radio With True Depth – Talking Shop With Dewtone

Turn your radio on. In an age saturated with a tyrannical quantity of choice, tuning into something consistently inspiring matters more than ever. Our resident sound seeker Matt Earp looks into one channel that’s providing just that. Dewtone is a fantastic place to go for a range of music, so much so that it’s worth investigating the person behind it. Matt talks to Dewtone’s Dustin Morris about how he’s making this work. -Ed. Dewtone has been a complete joy to my ears ever since I found it – and the more I explore it the more I love it. I …

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Surveilled, Controlled, Exhausted: Augmented Dance on Machine-Human Interface’s Dark Side

If BODYLINE BORDERLINE takes your breath away, perhaps you can thank the fact that it takes the dancers’ breath away. Computer vision in dance is now an accepted trope, to the point of being nearly cliché. The challenge is in part that the human eye’s capacity to follow nuances in movement contrasts to the crude capabilities of even the most sophisticated digital systems. But there are also opportunities for new angles on the material. Whereas so much dance with vision has focused on sparkly wonderlands of particle effects and the like, blissful mirror amusement parks, BODYLINE BORDERLAND has a different …

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Surveilled, Controlled, Exhausted: Augmented Dance on Machine-Human Interface's Dark Side

If BODYLINE BORDERLINE takes your breath away, perhaps you can thank the fact that it takes the dancers’ breath away. Computer vision in dance is now an accepted trope, to the point of being nearly cliché. The challenge is in part that the human eye’s capacity to follow nuances in movement contrasts to the crude capabilities of even the most sophisticated digital systems. But there are also opportunities for new angles on the material. Whereas so much dance with vision has focused on sparkly wonderlands of particle effects and the like, blissful mirror amusement parks, BODYLINE BORDERLAND has a different …

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Egyptrixx x A N F: Audiovisuals as Surface, Texture, and Trip to Alien Volcanoes

It’s real, and yet, it isn’t. It’s the sound of percussion, but it resonates in an otherworldly way. It’s the flaming, blood-red surface of a volcano, but it’s melting before us. Some of the most evocative digital works walk this line, transport us to a place our brains can accept, yet not entirely believe, universes just past the reaches of our imagination. And so the collaboration between Egyptrixx (Toronto’s David Psutka) and A N F (Berlin visualist Andreas Nicolas Fischer) congeals around the notion of texture and surface. In generated geometries, globs of interplanetary resin, space insect innards about to …

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Palette Snaps Together Controls for Music, Creative Software

It seems everyone is thinking in LEGO these days. There’s littleBits, which snaps together analog components with magnetic connections. There’s Patchblocks, which connects digital modules you can then re-program onscreen. And now, there’s Palette, a set of controller blocks that snap together and connect via USB. It gives you knobs, sliders, and X/Y controls for manipulating any software – from music to apps. The crowd-funded project looks smart in both hardware and software design. And software easily extends what it can do – whether you’re playing a DJ set in Traktor or editing graphics in Photoshop. (Smart segues between those …

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