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CDM is CDM

Today, at last, we can announce an evolution that’s been a long time coming. CDM is one site, with one name. And we return at last to both music and motion coverage – all in one place.

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From "Grid Index," Carsten Nicolai catalog, raster-noton.

raster-noton founders on how they found visual inspiration

Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as the label has expanded in its musical scope in recent years, it has retained a sense that aesthetics themselves matter, that its artist roster are capable of painting with sound and exposing the process of using technology. Understanding where that comes from visually is key …

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Practice video scoring with us, and win iZotope, Korg prizes

In today’s media saturated world, the skill of successfully setting music to picture is more important to artists than ever. With that in mind, we’re pleased to get to join a scoring competition – and take the opportunity to better learn the craft.

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Graham Dunning; photo by Julien Kerduff.

This month, a far-reaching convergence of ideas in music

What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters of how music is made and how it impacts people? I rather believe in the latter. And that could be why Berlin is the place where so often people gather to work out the next big thing. There’s no single music research center, no formal …

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Music and math unite, from Chowning to Rhythmicon

You have to love German. In English, I can string together whole paragraphs that try and fail to capture the potential of electronic sound. In German, we get to call an event Technosphärenklänge – a word whose utterance is a timbral adventure in itself. And in an event with that name promising to be a landmark for the electronic music sphere, CTM Festival is bringing together pioneering machines and pioneering humans. It’s a convergence of the worlds of mathematics and music that has never happened in this combination on one stage before – and we’ll take you there.

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Photo: Andrew Kalat.

Watch breaking music gear news from CDM on Periscope

Now hear this. CDM is now on Periscope, the live video service. We’ll be bringing you some quick, breaking videos around Anaheim and LA to start, including impromptu chats and demos from the NAMM show with the latest music gear. Check us out at: https://periscope.tv/cdmblogs And for more: CDM on Facebook CDM on Instagram (gear pr0n, coming right up!) CDM on Twitter Photo (CC-BY-ND) Andrew Kalat.

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RYAT's production setup.

In LA, looking to what new tech means for music makers

This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.

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Call for participants: a Hacklab to change perspectives, in Belgium

In the past weeks, I’ve had the good fortune to talk to astronauts and aeronautical engineers, to artists in residence in space centers (with ESA) and aboard “vomet comet” airplane microgravity experiments (in Russia). A common theme has emerged. Just as images from space once transformed our perception, the next frontier is sound. From spatial sound to works responding to spaceflight, drones, and aeronautics, there’s a chance to change the way we hear and imagine. And so, after we start February at Berlin’s CTM Festival imagining future rituals, we’ll move later in the month to Leuven, Belgium to explore the heard place. You’re …

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Welcome to a new CDM.

CDM quietly turned eleven years old this year (after humble beginnings). But it’s not where we’ve been I want to share – it’s where we’re going. And that begins with a new site design and server infrastructure. You’ve been absolutely extraordinary in your support as readers and, more than that, a community, as we’ve grown over the years. But that means building a new platform so we can explore new places.

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What’s the electronic music that’s not on the top 2015 lists?

It makes some people cringe each December as much as the appearance of WHAM! and Paul McCartney (oh, “Wonderful Christmastime”). It’s the end of year lists in electronic music. I have no particular problem with them, except that they’re limited in what they tell us. We get surveys that allow people to learn what the most popular music is by determining which music they … already think is the most popular. It’s like the musical equivalent of the Myers-Briggs test, or reading a horoscope. Sure, it’s entertaining, but the secret is, you’re basically just looking in a mirror and confirming …

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