Ashley Elsdon is now bringing Palm Sounds’ obsessive, superb content of mobile music to CDM. It’s the first of several new channels launching this summer.
Robert Henke in his post-Ableton life has continued to see his stock rise on the media art scene. But in some ways, that’s a funny thing. You’ll very often see Robert in one of two guises – as club act, or large-scale AV event. Yet the very thing that makes his style so distinctive is […]
Getting in the zone is a beautiful thing – that feeling when music seems to almost play itself, when it really feels new. Just like you do a lot of preparation and practice as a musician to get there, when you make instruments, you’re endlessly learning how to make help people find that zone. And […]
I’m lucky to be part of a community of people who both make things and share things, who learn by doing but also learn by teaching. CDM is of course about creating music as it is about creating tools for music. So, this year I’m extending what we do to sharing music. We live in […]
We’ve seen a minor renaissance in mobile music gear – KORG’s volca series, Teenage Engineering’s tiny Pocket Operators, the Gakken synths, Roland’s boutique series, and more. (We’re a believer in this – that’s why CDM co-produces the MeeBlip synth.) But while these small instruments are great, they wind up getting tossed into a bag. That […]
Today, at last, we can announce an evolution that’s been a long time coming. CDM is one site, with one name. And we return at last to both music and motion coverage – all in one place.
Few electronic labels or acts have an identity as well defined as raster-noton, and its co-founders Bytone (Olaf Bender) and alva noto (Carsten Nicolai). And I don’t just mean single cycle waveforms or quick bursts of noise, hard-edged projected high contrast geometries or digital aesthetics, though those associations will certainly spring to mind. Even as […]
In today’s media saturated world, the skill of successfully setting music to picture is more important to artists than ever. With that in mind, we’re pleased to get to join a scoring competition – and take the opportunity to better learn the craft.
What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters […]
You have to love German. In English, I can string together whole paragraphs that try and fail to capture the potential of electronic sound. In German, we get to call an event Technosphärenklänge – a word whose utterance is a timbral adventure in itself. And in an event with that name promising to be a […]