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A composition you can only hear by moving your head

“It’s almost like there’s an echo of the original music in the space.” After years of music being centered on stereo space and fixed timelines, sound seems ripe for reimagination as open and relative. Tim Murray-Browne sends us a fascinating idea for how to do that, in a composition in sound that transforms as you change your point of view.

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Coding the Club: How the Sensory Experience of Electronic Music Could Expand [Video]

Coded Matter(s) #5: Coding the Club from FIBER on Vimeo. For so much of the world, the club experience is nothing if not predictable. The sound, the aesthetic, the entire evening fit to a predictable mold. But drawing upon decades of work in experimental audiovisual performance, a new generation of sound and light artists are applying today’s tools to build live creations that can transcend all of that, that appeal directly to the senses and transform the architecture of the musical environment. One highlight for me this year was the chance to moderate an installment in March of Fiber Festival’s …

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Shake-to-Get-a-Free-Album: Apple Called it Too Useless to Approve

Nid & Sancy – The Cut up Jeans Technique app from Lab101 on Vimeo. Like an attention-starved Tamagotchi – or a two-and-a-half year-old toddler – this is an app that wants to shake around and gets easily bored. Yes, we’ve seen endless predictions that apps might replace albums. (I said it on a panel once, so I’m guilty.) But… how, exactly? In a novel and entertainingly-juvenile concept, the app R.A.N.D.Y. is a handheld dancing character who wants to be shaken around in order to keep the music playing. Worth it? Well, with the funky sounds of Belgian electronic/punk act Nid …

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A Tangled Sculpture of Lightbulbs, Stage to Elaborate Synchronized AV Performance

In a tree-like cluster of wooden branches, 60 electronically-fired lightbulbs glow in tightly-choreographed pulses along with music. The light sculpture becomes the setting for a kind of AV dance theater, forming an otherworldly environment for narrative movement. “A Man Named Zero” is the work of Nocte and a team in the UK of performers, pairing DJ with lightbulb accompaniment. Nocte realized the project in the creative coding tool Cinder (C++), which provides both the lightbulb control and slick-looking wireframe visual interface. Interestingly, the audio analysis isn’t just a straight FFT. Instead, using the open LibXtract library, the software “extracts” audio …

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Microsoft Embraces Open, Creative Coding: New Kinect openFrameworks, Cinder Integration

It’s not overstatement: the Kinect has changed vision on computers. It’s made a range of techniques more accessible and affordable, it’s spread what were once laboratory ideas into millions of homes, and it has gathered a swath of artists and inventors to using vision who never had before. But in the process, that open source world has changed Kinect – and Microsoft. No more do we need a bounty to hack Kinect. Now, Microsoft and the open source community can work together. Microsoft Open Tech is now embracing openFrameworks and Cinder, two fully open-source frameworks for creative coders and artists:

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Awesome Universe of Creative Coding, Explained in Five Minutes [Video]

“What’s creative coding?” At last, we have a five-minute video that, in rapid-cut wonder, explains the answer to lay people – and can be a serious dose of inspirational adrenaline to people doing it. (If designers and artists had locker rooms, watching this before tackling that next Processing tutorial might be in order.) Cover the big three of open-source, free-software toolkits for artists – Processing, OpenFrameworks, and Cinder – and showing everything you can do with them (from big-screen video walls to generative fashion), the video has nearly all the bases covered. In fact, the only thing missing is you: …

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Control in Mid-Air: Oblong Industries and G-Speak, Gone Gestural [Cinder]

Oblong g-speak from Oblong Industries on Vimeo. Los Angeles-based Oblong are doing some wonderful work with gestural interface design and their own homebrewed tech. I review a bit of what this means for the challenging area of building an entire music app today on Create Digital Music. (I feel if stories aren’t regularly overlapping on the two sites, I’m probably not doing my job.) But it’s worth watching the full videos for graphical evidence of the potential here. The team is working with free creative coding environment Cinder and IR sensing. Oblong Labs from Oblong Industries on Vimeo.

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An Orchestra of Lightbulbs Makes a Canopy for Theatrical Performance, in Cinder Code

Drawing from historical lightbulbs, powered by creative code (the open source, C++ tool Cinder), “So… I was at a party last night” is a symphony in responsive electric lights. The reactive portion is relatively simple – sound analysis switches lights off and on in clusters – but the objects themselves move to the fore. The bulbs and their natural physical characteristics makes for a fusion of digital choreography and 19th-century technology. Andrea Cuius-Boscarello, a veteran of Random International, United Visual Artists, and Cinimod Studio, collaborated here with a designer whose background crosses between digital and interior and physical, Roland Ellis. …

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A Kinect-Based Instrument; Polyphonic Theremin, No April Fool’s Joke?

It’s hard to assemble an April Fool’s Joke involving technology these days, because actual inventions keep proving stranger than fiction. When Google created a prank involving gestures for controlling email, it was only a matter of time before someone whipped up a prototype that actually did the job. The Moog Music company, therefore, may be asking for trouble. Their highly-entertaining polyphonic Theremin is spot-on parody, down to the “Stairway to Heaven” solo. And part of the geekier joke for Theremin players is the knowledge that the technology behind this instrument makes what they’re describing safely impossible. But what’s impossible with …

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Meet Cinder: Free Barbarian Group Code Framework Produces Stunning Work; Q+A

Cymatic ripple from flight404 on Vimeo. It’s a beautiful age emerging for people making art with code. Tools like Processing and OpenFrameworks are as much about a philosophy and way of life as a specific tool. They’re not only about free and open code, but lightweight syntax, pulling together libraries that make media “just work,” and getting artists from just “tinkering” to making things happen, expressing ideas as quickly and efficiently as possible. Robert Hodgin, Andrew Bell, and The Barbarian Group have been working on their own C++-based framework that’s at the core of the stunning work they’ve been doing. …

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