heisenberg

Cool Things Chrome Can Do Now, Thanks to Hardware MIDI

Plugging a keyboard or drum pads into your Web browser is now a thing. One month ago, we first saw hardware MIDI support in Chrome. That was a beta; this week, Google pushed it out to all Chrome users. So, what can you actually do with this stuff? Well, you can open a Web tab and play a synth on actual hardware, which is pretty nifty. Support is still a little dicey, but the available examples are growing fast. Here are some of the coolest, in addition to the MIDI example and demo code we saw last month. The examples …

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THXEclipseScreenshot

Q+A: How the THX Deep Note Creator Remade His Iconic Sound

How do you improve upon a sound that is already shorthand for noises that melt audiences’ faces off? And how do you revisit sound code decades after the machines that ran it are scrapped? We get a chance to find out, as the man behind the THX “Deep Note” sound talks about its history and reissue. Dr. Andy Moorer, the character I called “the most interesting digital audio engineer in the world,” has already been terrifically open in talking about his sonic invention. He’s got more to say – and the audience is listening. (Sorry, I sort of had to …

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spaceinvaders

This Hack Could Make Maschine Stand Alone; Here’s How It’s Going

shaduzLabs – maschinIO from Mickael Le Goff on Vimeo. Ever thought you’d play Space Invaders on your Maschine? You might. It’s rough days for people who like standalone drum machine gear. Native Instruments’ Maschine is great in combination with software, but it turns into a brick when disconnected from a computer. The mighty Akai has followed suit, replacing their vaunted MPC with more accessories for your computer or iPad. This stuff is the dream of marketers: you get all-in-one hardware/software solutions. But when you want to cut the cord from your computer or go beyond the stock functionality, it’s another …

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arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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AudioKit

Free AudioKit Lets iOS, Mac Developers Code Synths and Sound

AudioKit is a promising-looking new open source tool set for coding synthesizers, music, and sound on Apple platforms (though it could certainly be ported to other places if you have the time). The draw: you get not only a robust library but loads of examples and tests, too, for a variety of applications, in both Objective-C and Apple’s new Swift language. And it’s free. The contributors will look familiar – and the core engine comes from community contributions around that most enduring of synthesis tools, Csound. (For those worried about obsolescence and the pace of technology, Csound has its roots …

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ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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How Gestures and Ableton Live Can Make Anyone a Conductor of Mendelssohn [Behind the Scenes]

Digital music can go way beyond just playback. But if performers and DJs can remix and remake today’s music, why should music from past centuries be static? An interactive team collaborating on the newly reopened Museum im Mendelssohn-Haus wanted to bring those same powers to average listeners. Now, of course, there’s no substitute for a real orchestra. But renting orchestral musicians and a hall is an epic expense, and the first thing most of those players will do when an average person gets in front of them and tries to conduct is, well – get angry. (They may do that …

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Listen as a Compiler Makes Weirdly Good Blippy, Glitchy IDM Sounds [Free Tools]

What’s the sound of a computer program running? Normally, nothing – the number crunching that takes place as software allocates memory forms patterns, but not ones that might immediately make sense of sound. “malloc” is a C function that allocates memory in which code executes. But a simple hack takes the output of a compiler, and makes sound files out of it. It’s the equivalent disconnecting the pipe from a widget-making factory, and instead of producing useful tools, making cool shapes out of sugary icing – useless and delicious. It’s a sonification of the memory allocation and reading process itself, …

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Your Demoscene Moment: Organic Geometries, Acoustic Sounds, Beating Heart

Ah, so it turns out that demoscene animations don’t all have to feature bad trance music. (Sorry, had to be said.) Srdce is simply exquisite, fluid animations of blades of grass, waveform vibrations, geometric tangles, and the exploding fragments of a beating heart set to a touching song. It came in second at the Outline 2014 demoparty. Trans-cultural bonus: you get a (Slovak or Czech?) rendition of Emily Dickinson. “Srdce” means heart in Czech; the team originates from Slovakia. With beautiful instrumentation (banjo!), it’s a lovely way to spend two minutes. And all of this fits in 8MB of Windows …

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unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …

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