serum

Rent-to-own Serum means Kanye doesn’t have to pirate it

Somewhere – tonight, even – some unknown producer is going to make some brilliant new track using software. (Seriously, this is the world we live in.) And when they do, odds are they might well turn to a popular synth like breakout-hit Serum. The problem is this: someone getting started in producing is probably unwilling or unable to shell out US$189 for a single software instrument. So that individual is likely to pirate the software.

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Karachi Files, Pakistan, and music in displacement

We live in worlds of displacement. Some of those new geographies are chosen, are freeing. This is the age of cheap airfares, of migratory artists crossing oceans, of global communication and spontaneous international collaborations. Then, there’s the inescapable darker side: forced migration, refugees. There are flights of fancy, flights of exile. And as through the history of music, musical practice traces those human movements. Karachi, Pakistan has served as a stage for very different kinds of displacement and resulting creative expression. Some of those were explored recently, which I glimpsed in a festival held by Berlin’s Hebbel am Ufer (HAU) …

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Drum machines in your browser, and more places to find Web Audio and MIDI

Open a new tab, and suddenly you have a powerful, sequenced drum synth making grooves. Give it a shot: https://irritantcreative.ca/projects/x0x Or read more. (This latest creation came out in June.) This is either the future of collaborative music making or the Single Greatest Way To Make Music While Pretending To Do Other Work I’ve ever seen. But, as a new effort works on sharing music scores in the browser, it’s worth checking up on the Web Audio API – the stuff that makes interactive sound possible – and connections to hardware via MIDI. And there’s a lot going on, the …

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free

Splice Just Launched a Huge Database of Free Music Plug-ins, And It’s Completely Awesome

This week, we’ve done nothing but pummel you with loads of gear you want. So, while you’re saving up thousands … sorry, tens of thousands of dollars for new analog gear from the 1970s, you might not be in the mood to ante up for a compressor or bass line synth. If you also couldn’t be bothered to carefully scour my article on how the purchasing of software is about to change forever, let me spoil some of the fine print for you: Collaboration tool Splice just quietly launched the biggest, best-organized database of free plug-ins I’ve ever seen. Here …

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market

As Startups Lure Music Makers to the Cloud, A New Incentive: Money

For most music producers, managing media involves scattered files on hard drives and the occasional file transfer service. There are now three fresh big players vying to convince you to start uploading, managing, and collaborating on music production online. Unlike most music technology products, traditional bootstrapped affairs involving selling software or hardware, these companies have the Internet – and startup culture and funding – in their DNA. And they’re fundamentally services. blend.io is a Dropbox-powered tool that focuses primarily on collaboration, and began its life in Manhattan incubator betaworks. On the two coasts, two other companies have millions of dollars …

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Wu Tang Debuts Song in Hackable Form: New Track on Blend First

If the album business model is collapsing, the frantic rush to everything else is at least interesting. Hip hop as a genre, of course, came from a deconstruction and reconstruction of the album, from the early evolution of DJ techniques and sampling. So, the fact that Wu Tang is skipping the conventional release altogether is new, but it’s also connected to history. Sure, plenty of artists have gone for remix contests and the like. What’s different in Wu Tang’s case is that this time, the debut track “So Many Detailz” from their Parent Advisory will head straight to Blend as …

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Moby Opens Up Project Files for Remixing in Ableton, Pro Tools [Exclusive Details, VIP Code]

What do you do when you’ve been one of the biggest impacts on electronic music, outlasting a succession of trends and fads, remaining one of the best-known names in sound? I mean, you can’t just start giving things away, right? Actually, if you’re Moby, that’s exactly what you do. He wants you to collaborate with him – and he’s made it really easy (even if you want to get something out of the result). It’s safe to say Moby is different from many of his peers. At the young age of 48, Moby has managed to be a presence in …

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Add Musicians Across the World As Easily as a Plug-in: VST Connect Pro

With Facebook and WhatsApp and FaceTime and Skype, we can be chatting with anyone in the world. Why not also recording music with them, via MIDI or audio? Steinberg’s vision of bringing Minority Report-style hand-waving to moving your transport controls may or may not be something you’d actually want to do – cool factor aside. But the other announcement this week that echoes science fiction films is a technology for letting you record musicians from far-off places. (Remember video conferencing in 2001? Or that horrible scene in Back to the Future 2? I digress.) Online collaboration is something many, many …

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Turning 24 Touch Displays into a Multi-Player OS: Obscura's Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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Turning 24 Touch Displays into a Multi-Player OS: Obscura’s Steve Mason [NXNE]

15,360 x 3240 resolution on 24 interconnected touch displays: this is no iPad. Toronto-based freelancer Amanda Connon-Unda headed to Toronto’s hottest interactive conference for CDM to catch Obscura’s Steve Mason, revealing what it’s like to design a massively-multiplayer “spatial” OS. It’s been a long journey as the SF firm went from thinking big with projection mapping to rethinking touch interaction. Here’s what Amanda learned. -PK Steve Mason is brimming with enthusiasm. The VP of innovation at San Francisco’s Obscura Digital is describing the new design of their spatial operating system, before a crowd gathered at the North by Northeast Interactive …

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