Here’s How To Get Yourself on Apple Music – Even Unsigned

Okay, so you’re not Trent Reznor or Drake, but you do make music. Will you be able to get your music on Apple’s streaming service? And what about these artist pages for connecting with fans? Answer: yes to both, if you like. Apple today gave a lot of lip service to independent producers and “bedroom” music makers – even going as far as showing the latter in their video. (He had a vintage M-Audio Trigger Finger Pro and a new IK Multimedia iRig Pads, no less.) It seems there are specific plans, too, posted for the moment on a page …


unrender: Finding Space Between Gallery and Club [Videos]

There is a well-known divide between visuals as they exist in experimental media and live performance and media in the art world. Transitory electronic media fails to fit the traditional mold of value. Digital media is too ephemeral, too temporary. Light on walls can’t be collected; improvised visual performance is something that fades away. With unrender, we want to embrace just those gaps between worlds, walking along the fractures. We are looking to find the expressive potential of electronic audiovisual media as distinct from what came before. And most importantly, we want to make sure there’s space for all these …


Hack Biology, Body, and Music: Open Call for MusicMakers Hacklab

For the past two winters, CDM has joined with Berlin’s CTM Festival to invite musical participants to grow beyond themselves. Working in freshly-composed collaborations, they’ve built new performances in a matter of days, then presented them to the world – as of last year, in a public, live show. This year, they will work even more deeply inside themselves, finding the interfaces between body and music, biology and sound. And that means we’re inviting everyone from choreographers to neuroscientists to apply, as much as musicians and code makers. Playing with the CTM theme of “Un Tune,” the project will this …

The impressive, futuristic physical form of the 4DSOUND system. Photo: George Schroll.

Spatial Sound, in Play: Watch What Hackers Did in One Weekend with 4DSOUND

You can’t really hear the results of the Spatial Audio Hacklab sitting at your computer – by definition, you had to be there to take in the experience of sounds projected in space. But you’ll probably feel the enthusiasm and imagination of its participants. And that’s why it’s a pleasure to share the video documentation, produced for 4DSOUND by a team from FIBER – the Dutch audiovisual events and art platform – at Amsterdam Dance Event last month. In unleashing a diverse group of artist-experimenters on 4DSOUND’s unique speaker installation, we got a chance to create a sonic playground, a …


Like Music From Another Planet: India’s Exploding Electronic Scene, in Videos, Sounds

Welcome to the 21st Century. One day, you’ve got no radio, and you’re dubbing music onto cassettes – if you’re rich. The next, you’re part of a wired global music phenomenon dancing to avant-garde electronic noises made by machines – and you’re learning how to make those sounds yourself for an audience back on the other side of the planet. (Hey, I’m just a Kentucky boy. I find this all futuristic, too.) Yet it may be the ones in denial about this phenomenon are some of us who have been living in the big cities – New York, Berlin, LA, …


SoundCloud Explains Their New Plans to Us – And How Ads Will Work

Money at SoundCloud has in the past flowed in one direction: you, the uploader, pay for premium plans, and SoundCloud gets the cash. Now, for the first time, money is going the other way – from the service to artists and labels. In the process, that means one significant change: SoundCloud listeners will begin to hear ads. It’s been interesting to watch the reaction – from people losing their minds over ads appearing on the service to more measured responses and genuine interest in the service “growing up” and adding income to become sustainable. This of course collides with worries …


Fork this Chant: GitHub Goes Gregorian, with Open Source Notation

Before there was computer code, there was music notation. And before there was forking code or remixing music, there were centuries of variations to the musical code, stored in notation. So it’s fitting that musicians would begin to use GitHub – built originally as a repository for programmers – to store notation. And that means that in addition to music software and the like, you can find the WWII-era Nova Organi Harmonia organ accompaniments today on GitHub. Adam Wood, Director of Music with St. Stephen’s Episcopal Church in Hurst, Texas, made the addition, with help from a team including Jeff …


unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …


Make Anything: Reaktor User Library Updated; This Week Get Reaktor for $99

It’s time for some Reaktor love. Native Instruments’ Reaktor may not get the attention of tools like Traktor or Maschine. But the software is part of the company’s DNA, still used to prototype devices (like the new drum synths for Maschine), and able to create a vast array of instruments and effects for those willing to plumb its depths. And even if you aren’t ready to tackle Maschine patching yourself, the User Library for Reaktor is one of creative sound’s greatest gems. That Web resource was, unfortunately, looking more than a little long in the tooth, though, for all the …


MusicMakers Hacklab: Next Stop, Tijuana; Attend or Just Listen

From Germany to Mexico – the next location to host a collaborative laboratory of musical invention will be in Tijuana. One of the participants in our MusicMakers Hacklab in Berlin at CTM Festival has decided to take that inspiration with her, and mount her own event in northern Mexico. You can join, too, if you live in Tijuana or can get yourself there. What’s compelling to me is that the mission will blend some of the oldest, most retro tech with new applications and new ideas – see description below. If you can’t get to Mexico, though, we can finish …