How Gestures and Ableton Live Can Make Anyone a Conductor of Mendelssohn [Behind the Scenes]

Digital music can go way beyond just playback. But if performers and DJs can remix and remake today’s music, why should music from past centuries be static? An interactive team collaborating on the newly reopened Museum im Mendelssohn-Haus wanted to bring those same powers to average listeners. Now, of course, there’s no substitute for a real orchestra. But renting orchestral musicians and a hall is an epic expense, and the first thing most of those players will do when an average person gets in front of them and tries to conduct is, well – get angry. (They may do that …

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Eerie Resonance: Listen as a Synth Accompanies Singing Architecture

Dancing about architecture? How about singing about architecture – or architecture that sings? Burnley England’s Singing Ringing Tree is an abstract sculpture that resonates with the wind. Rising above the grassy hills of Burnley, England, it seems to live at some strange intersection between future and past – a sci-fi Stonehenge. And the project, the 2006 work of British architecture firm Tonkin Liu, makes lovely otherworldly sounds. John Keston, sound designer and the writer of audio invention recipe blog Audiocookbook, has been making a set of “duets,” coupling more conventional electronic synthesis with the wind-blown ambiences of the SRT construction. …

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Production, Beyond the Track: Mad Zach on Collaboration, Combining Tech and Technique [Interview]

“Producer”: in electronic music, this used to mean some person who makes tracks. Today, some special electronic musicians go way beyond that role. They’re combining skills partly because it means diversifying income, but also out of a real love for doing a variety of stuff. They’re holed up in the studio making music, sure – but they’re also finding collaborative ways of doing that, often online, and sharing skills and sounds as they develop them. It’s a more open, connected approach to electronic musical practice. And Mad Zach is a great example. He’s a producer and DJ, but he’s also …

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Fork this Chant: GitHub Goes Gregorian, with Open Source Notation

Before there was computer code, there was music notation. And before there was forking code or remixing music, there were centuries of variations to the musical code, stored in notation. So it’s fitting that musicians would begin to use GitHub – built originally as a repository for programmers – to store notation. And that means that in addition to music software and the like, you can find the WWII-era Nova Organi Harmonia organ accompaniments today on GitHub. Adam Wood, Director of Music with St. Stephen’s Episcopal Church in Hurst, Texas, made the addition, with help from a team including Jeff …

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See the Phasing, in a Visualization of Steve Reich’s Piano Phase

Pianophase.com from Alexander Chen on Vimeo. You can already hear it. And now, in a hypnotic, rotating visualization, you can see Steve Reich’s melodies shift out of phase. It’s latest work from Alexander Chen, the Google-employed artist who we’ve seen working with wine glasses and Google Glass, visualizing Bach, and sonifying subway schedules. This time, a radial visualization elucidates the subtle but beautiful play of piano lines in the seminal minimalist work. Live in your browser: http://www.pianophase.com/ More:

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The Bob Ross of the Music Easel: Watch Charles Cohen at the Buchla

Ctm Workshop: Charles Cohen @ Schneidersladen from Andreas Schneider on Vimeo. There’s an easel of sound, and American composer Charles Cohen is its gentle-voiced practitioner. What starts as primitive basic sounds magically becomes sophisticated, expressive, emotionally-charged musical painting. And Charles can show you how. He did just that earlier this year at CTM Festival, at a workshop hosted by Schneidersladen, the storied Berlin synth shop whose fearless captain, Andreas Schneider, was one of the early champions of today’s modular, analog, and boutique maker revivals. He walks through the process, with all the cool methodical pedagogy of Bob Ross himself. “You …

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King Britt pays his dues to Sun Ra. Photo : Keith Hodges.

100 Years of Sun Ra: Space is the Place, Now More Than Ever [King Britt Mix]

In a world of 24-hour news cycles, keynote speeches, new gadgets replacing those from six months ago … dire warnings of melting ice sheets, starving people, the end of energy and food and wildlife … it’s easy to lose site of optimism about the future. Yet there are those sounds that can be futuristic and radical in a way that doesn’t fade. Sun Ra’s records and performances sound as revolutionary today as ever, even though last week the artist would have been one hundred years old. This is a futurism unlimited and un-aging – like space itself. I imagine it …

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Listen: Greg Gives Peter Space, Intimate Vocals Meet Live, Spacey Sound [CDM Presents]

The label Erased Tapes lies perfectly at the crossroads of craft today, from instrument building and modification (electronic and acoustic) to performance and composition (again, electronic and acoustic). And a new collaboration weaves together all those threads. We couldn’t be more pleased to get to share the first exclusive track from that project, as well as announce an event we’ll co-present here in Berlin in June. Peter Broderick and Greg Haines are each multi-instrumentalist composers, at home singing and playing instruments both new and old. Their relationship spans several years, but this year brings the debut of a finished record …

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Pattern and Design: A 2-Day Festival Turns Vintage Type into Musical Scores

It’s time to reinvent the graphical score. With musical practice more international, more broad and varied than ever, and electronics in the mix, conventional notational idioms just aren’t enough. For curator and prolific electronic producer Hanno Leichtmann, the starting point was a collection of vintage Letraset and Letratone type, as pictured above. Leichtmann, a graphic designer himself (and maker of beautiful record covers), is passionate about digital and ink-based design processes alike; even the posters for the event are exquisitely (and expensively) hand-produced. He then invited a who’s who of illustrators and graphic designers from Germany, Austria, France, Great Britain, …

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In Living Rooms, Homes, Beautiful Music as a Ritual: Olafur Arnalds; Matthew Flook; Free

For centuries, music was something made in a living room, made at home. It was a brief fluke of the 20th Century that music came out of a heroic process in a hidden-away studio. But if the gold-plated, magical record is threatened, some artists are trying to bring the daily ritual of home music making back. Ólafur Arnalds and Matthew Flook are each making gorgeous, cinematic-ambient tracks, and each have made projects that involve doing so on a regular basis in their homes. Let’s listen. Arnalds has been making some of the finest scores anywhere, and now has earned the …

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