In Living Rooms, Homes, Beautiful Music as a Ritual: Olafur Arnalds; Matthew Flook; Free

For centuries, music was something made in a living room, made at home. It was a brief fluke of the 20th Century that music came out of a heroic process in a hidden-away studio. But if the gold-plated, magical record is threatened, some artists are trying to bring the daily ritual of home music making back. Ólafur Arnalds and Matthew Flook are each making gorgeous, cinematic-ambient tracks, and each have made projects that involve doing so on a regular basis in their homes. Let’s listen. Arnalds has been making some of the finest scores anywhere, and now has earned the …

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See the Max Patch Robert Henke Built Before Ableton Live; Hear the Music it Made

This is what a Monolake live set sounded like in 1999. And in the days before Ableton Live was a finished product, running patterns was a job for self-built software in Max. Robert describes the music thusly: This is a live recording, captured at Ego club in Düsseldorf, June 5 1999. The music has been created with a self written step sequencer, the PX-18, controlling a basic sample player and effects engine, all done in MaxMSP, running on a Powerbook G3. The step sequencer had some unique features, e.g. the ability to switch patterns independently in each track, which later …

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Learn from the Master: Diego Stocco Makes Music with Sound Design, Then Shows You How

Is it sound design, or is it composition? Is it musicianship, or is it technical control? Is it live, or is it Ableton Live? Yes. Diego Stocco is simply one of the best bleeding-edge musicians, composers, and sound designers – all in one. And that has made him rightfully in-demand in the media of technology (Spectrasonics), movies (Sherlock Holmes), TV (The Tudors), and games (Assasin’s Creed). He’s of course also a big hit around sites like this one. Now, he’s sharing his secrets. He revealed about a week ago that he would be offering the first of his sound design …

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Robert Henke Hacklab + RA Exchange: Hard Work, Solving Creative Crises, and Lasers

We get to continue the conversation around Robert Henke’s process and his magnum opus laser-show that closed CTM Festival on Sunday. Will Lynch from Resident Advisor joined us in the MusicMakers Hacklab to sit down with Robert. Here, Will talks to Robert about his music, his approach, and how he tackled the challenge of making laser shows more than just a gimmick. Robert is an incredibly-disciplined person – he basically took just this time off from the studio to come talk to us. And that showed in the extraordinarily prolific, detailed work in Lumière. Punctuated by visual rhythms, each split-second …

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A Naked Man Plays Robots and Finds Love; A Quadriplegic Finds a Voice in Music

Man & Machine: A Naked Robotic Love Story from Jesse Roesler on Vimeo. Making music with machines, we all become somehow more than human. We are people, augmented by technology. Those technologies strip us bare, expose us as naked emotionally … sometimes, literally. Through the eyes of one filmmaker, here are two parallel images that drive that point home. Last week at Berlin’s CTM Festival, we began a week-long hacklab by touring the Generation Z exhibition with curator Andrey Smirnov. One thing Andrey repeatedly emphasizes about the revolutionary Russian artists who came together in the 1920s is their belief in …

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Robert Henke on Lasers, Structure, and Musical Choices; Intuition and Limitations

Give Robert Henke a computer, some lasers, and some time to make his own tools as well as his own music, and wonderful things result. In a new video (German, with English subtitles), he gives a master class not so much in technology as the philosophy of using that technology. Robert Henke – now increasingly in the public eye under his full name and not “co-founder, Monolake” or “co-founder, Ableton” attached with it – has for years gone way beyond the club floor. Even apart from experimental club music or elaborate multichannel audio experiments, you see his work accompanied by …

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Glass Music: Google Glass Meets Wine Glasses, Chamber Music Conductor

Google Glass continues to see musical ideas. Alexander Chen, whom we saw composing violin ensembles with Google’s wearable tech, now turns his attentions to literal glass – wine glasses. In “Glass through Glass,” we hear a beautiful, ethereal ensemble of wine glasses resonating in harmony. Yes, you could do this with other devices, but glass does make the recording experience seamless, as would any wearable camera. Cornell conductor and professor Cynthia Turner, too, is beginning with Google Glass primarily as a point-of-view camera. But she intends to go further, reported The Verge earlier this fall. She’s streaming the conductor’s perspective …

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Techno as Science: Nicolas Bougaïeff Explains Max for Live, Meta-Music, Steve Reich [Video, Theory]

Got a doctorate? Got a doctorate in techno? Got a techno track with a 12-tone row? Artist and researcher Nicolas Bougaïeff (also of developer Liine) shares his latest work with CDM. It’s about the track, yes, about the music video, about techno and dancefloors in some sense. But it’s also about process: Nicolas shares some of the way the machinery of his track was built, in its realization in software, in musical composition, and underlying research. And we also get a terrific music video that helps render some of this geometric theoretical thinking, courtesy Berlin-based motion graphics artist Vicetto. (See …

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You’re Doing it Backwards: REV Builds Sound Library Around Reversing Stuff

Soundware remains a massive market. Products fall in the CDM inbox daily. There’s just not so much to talk about – even when the quality is exceptional. There are good products out there, and sampled libraries are especially essential for anyone working on tight deadlines – no matter the joy of recording material, anyone working for markets like TV or film likely needs some assistance satisfying clients in a hurry. It’s just that there’s so much out there, there isn’t always a story. Output is a new sound house out of Los Angeles that found a way to tell a …

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Part Sculpture, Part Sound: New Work by Tristan Perich, Lesley Flanigan [Videos, Listening]

From top: Tristan Perich’s new piano with 1-bit masterpiece, Lesley Flanigan surrounded by her creations. All images courtesy the artists. Sound may be invisible, setting the air around us aquiver with little visible evidence. But the objects that make sound are physical, and no electronic music is virtual. Composer/musician/sound artists Lesley Flanigan and Tristan Perich continue to explore that material substance of sound, calling attention to the stuff of the media in its purest form. Lesley’s work focuses on the basic technique of amplification; Tristan’s on digital electronics in their rawest sense, 1-bit songs of microcontrollers in chorus. The two …

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