Want new sounds? Come explore spectral resynthesis

Theoretically, digital sound can sound like anything. And I do mean anything: at the frontier of what is conceptually possible, digital representations can produce any sound. Despite this, so many of the sounds we hear, well, the same. Dealing with that kind of generative freedom is no minor challenge. And that could explain the cult-like dedication of some sonic explorers to the sound environment Kyma. Kyma isn’t the only tool that can do spectral analysis and resynthesis. But it has a special history of working with data in this way, both as one of the first tools to do so …


Bitwig Studio as Instrumental Pack: Cristian Vogel, u-he Deals

Bitwig Studio turns one year old this week, and they’re keen to use the occasion to convince you to try their software. But the pitch takes a different angle, focusing more than ever on the particular bundle of instruments and effects. There’s an artist pack by Cristian Vogel that makes it clear what’s possible (hello, granular) — and, ending on the 7th of April, deals on U-he instruments to sweeten the pot. For soft synth lovers, it might be a haul of Easter candy that convinces you to bite. We’ve already talked about my affection for Cristian Vogel: he’s an …


Kyma 7 Wants You To Discover, And See, New Sounds

Kyma 7 in Four Minutes from Symbolic Sound on Vimeo. Somewhere apart from the general purpose computer, the standalone electronic instrument, the racks of modulars, there is Kyma. For nearly a quarter century, this boutique digital instrument has opened up sonic realms to a scattered illuminati of artists. And this week, it hit a new milestone, with functionality and resources intended to make sound exploration still broader and more accessible. Three years in development, Kyma 7 is here. The buzz around modular often comes back to the same refrain: modular is cool because it’s open ended. That rat’s nest of …


Krake, Killekill, and the Growing Appetite for Experimental Electronic Music [Listen, Pictures]

Summertime may conjure images of Ibiza and middle-of-the-road festivals in Europe and America, “summer jams” and the musical equivalent of the beach book. And there’s nothing wrong with that; anyone who would deny people the pleasure of listening and dancing to music they love is kind of a jerk. But this stereotype can also obscure a simple fact: music at the edges, music falling under the broad umbrella of “experimental” is actually becoming remarkably popular. What’s beautiful about “big tent” experimentalism is that it can encompass a broad range of music. Musicians playing clubs no longer fear angular sounds and …


Cristian Vogel, Still Dazzling Ears, Two Decades On [Listen]

There are few artists as thoroughly credentialed across dance music and Classical new music as Cristian Vogel. But what’s astounding about Vogel is, having ventured out on the precipice of those bleeding edges of both worlds, he still stands on tiptoe there now. Chilean-born, UK-raised and academically-trained in the 80s, and now a leading voice in Berlin’s scene for the past 20 years, he’s no less prolific today than in the past. But let’s not just wax poetic – let’s have a listen to the latest. We can love the fact that Jamie Lidell, Vogel’s former mate in Super Collider …