fieldkitfilm

KOMA’s Field Kit, connecting contacts pickups, and motors, is now reality

So much of the idea of signal and the definition of an audio “mixer” is fixed, we’ve begun to take these concepts for granted. Microphones plus line level, into some faders — that’s what a mixer is. But why does it have to be that way? By creating a new instrument around connecting to contact mics and electromagnetic pickups, and even making output to DC motors and solenoids, KOMA Elektronik leapt out of the mainstream – and turned the concept into a runaway hit. Here’s a beautiful video showing how one artist is making use of the instrument: The artist, …

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saxforlive

The best music tech April Fools – and some of them are real

April Fools may have become a wasteland of bad jokes and actually-misleading news items, but our ever-inventive music tech community has come up with some stuff that’s rather clever. And then some of that, in turn, is actually real. Here are our favorites from this year: Ableton Sax for Live easily wins April Fools 2017 – on the quality of its demo video alone. (Those are some well-known Ableton figures delivering these stellar performances, too.) But the best part of Sax for Live is, it is actually a real, free download. And the instrument, designed by Ableton’s ace sound designer …

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modulator_zoo_6c

Bitwig Studio 2 is here, and it’s full of modulators and gadgets

Go go gadget DAW. That’s the feeling of Bitwig Studio 2, which is packed with new devices, a new approach to modulation, and hardware integration. Just a few of these on their own might not really be news, but Bitwig has a lot of them. Put them together, and you’ve got a whole lot of potential machinery to inspire your next musical idea, in the box, with hardware, or with some combination. And much as I love playing live and improvising with my hands, it’s also nice to have some clever machinery that gets you out of your usual habits …

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Image: Licht Pfad.

TouchDesigner 099 does everything with live visuals – now on Mac, too

It makes things look prettier, with something called “physically based rendering.” It has crazy compositing and capture powers. It’s networked with Web support, talks to DMX gear, and intelligently handles all your MIDI gadgets and capture cards and everything else. It handles VR with HTC Vive. And that’s just a few examples of what is new or improved in version 099. TouchDesigner is a name you’ll see coming up regularly mentioned in projects. It’s an all-encompassing visual development environment, using a patching (or “dataflow”) metaphor, like Pd, Max/MSP/Jitter, vvvv, and others. That interface is one of the best looking zoomable …

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euro808

System 80 is a control-for-control 808 clone in Eurorack

Wait… I don’t think I’ve ever basically said everything I needed to say in a story right in the headline before, but… yeah. This is a control-for-control 808 clone in Eurorack. And for anyone disappointed that Roland didn’t do a TR-08 Boutique Series at NAMM, here’s one that is probably exactly as analog fans would want it. You get the layout of the original 808, if a bit miniaturized and squashed, but control-for-control an image of the original. You get independent outs for each part. You get CV I/O for connecting to other modules. It’s Eurorack. It’s 60HP. It looks …

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bitwig2

Bitwig Studio 2 lets you modulate and control like a bandit

Bitwig gets its first blockbuster upgrade since launch, in beta now. And the first look at this software suggests it’s continuing to deliver what an enthusiast audience wants – even if some of the revolutionary promise of the tool remains over the horizon. So, first, what it isn’t: it isn’t a complete modular environment. Underneath all the goodies Bitwig offers is a set of modules that provide its functionality. Bitwig’s developers have said eventually they’ll open that up to users, not just for their own development. And that’s be exciting indeed. But forget about big ambitions for a moment. The …

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The big'n.

Akai’s standalone MPCs revealed – and they could replace your laptop

Welcome to the post-PC drum machine age. After years of leaving fans of standalone MPCs in the cold, Akai have unveiled machines that promise the flexibility of computer software – minus the computer. Specs and photos went live on the Sweetwater website this morning with complete specs, and now are also live on Akai’s site. (I’m unaware of whether or not today was the date Akai intended to lift embargo, as CDM was never under one.)s http://www.akaipro.com/product/mpc-x http://www.akaipro.com/product/mpc-live The MPC Live is probably the one you want, in a compact form factor and with a not-insane US$1,199 street price. And …

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motherfer

The MotherF***** is the DIY delay-reverb box of your nightmares

If you want a nice, pristine, versatile delay/reverb, then … this isn’t it. It’s called the MotherF***er 2 for a reason. It’s the creation of Ewa Justka, engineer and musician born in Poland and based in London. (Ewa was also nice enough to co-host the MusicMakers Hacklab with us at CTM Festival this year, where she was a patient and inspirational guide for our artists in inventing all manner of new things.) And this pedal is all sorts of crazy in all the best ways. Keep watching, as there are actually a bunch of different possible sounds in there. And …

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noname

Arturia’s DrumBrute is a $499 hands-on analog drum machine

Boom! No, that’s not the sound of a kick drum – it’s the sound of the analog drum machine getting friendlier and cheaper the same way analog monosynths have. Arturia’s DrumBrute is US$499 (449€), and it’s loaded with hands-on sound controls and extra features. At that price and with all this stuff to play with on the front panel, this is guaranteed big news. The sound DNA come from Arturia’s other Brute instruments – so expect edgy sounds and, naturally, another Steiner-Parker filter. (That particular filter design has shown up on the whole family.) Here’s a demo video sent to …

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analogheat_angle

Elektron’s Analog Heat is a new distortion, filter, computer accessory

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.

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