Marcel Dettmann: When Sci-Fi Futurism and Continuity Meet, in Sound [Video]

Techno icon Marcel Dettmann has just released a second full-length. While associated with insistent-symmetrical dancefloor rhythms and phrases, it may be sound and timbre that are worth appreciating here. Dettmann did a wonderful interview for Electronic Beats (released in the summer, shot last winter, below). And the timing of that release makes it a perfect moment to listen to what he has to say. (You do have to get past a distracting faux film effect, an odd choice for the usually-tasteful video productions from EB.) Dettmann’s perspective: Techno “still is music for the future, it’s science fiction.” But to get …

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Playlist: 21 Hours of Music, on the Eve of a Female-Organized Fest in Berlin; Sarah Farina Mixes

There’s talking, there’s showing, and there’s doing. And there’s listening, too – but we’ll get to that in a moment. When female:pressure put some numbers behind the relative absence of women in festivals, the long-running discussion about the role of females in the scene was accelerated. Suddenly, the entire music press seemed to be talking about the issue again. There is plenty to debate in terms of female:pressure’s statement and its take on cause, significance, and remedy. Anecdotally, I’ve found that female artists and friends I’ve talked to are strongly divided around those questions and how they wish to be …

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Playlist: The Best Music Mixes, Jams, and Releases to Queue Up Now

Our cup runneth over. And just as we’re adding our favorite stories to read to the new Reading List feature, we bring you some of our favorite listening. This is what’s playing through my cans as I’m working and meditating. Releases Ras G – Back On The Planet is, simply, out of this world. Forget what you know about Brainfeeder and LA; this is earning Afrofuturism comparisons to Sun Ra and George Clinton with good reason. Dense, jazzy, and splendidly improvisatory, it’s some of the most dynamic hip hop/electronic music to come out this summer. Gregory Shorter, Jr. is doing …

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Boiling-Hot Summer: nd_baumecker in 3 Hours of Boiler Room Music

To take us out this weekend, we turn to a wonderfully obsessive DJ and producer, Berlin’s nd_baumecker. It’s hard to introduce Andi without sounding a bit like you’re doing the lead-up to The Stig on Top Gear. “They say he owns more than 20,000 records*…” …and hones a new needle for each, using only his teeth. They say the Ostgut Ton label veteran* has a secret lair inside Panorama Bar accessible only by kayak in which he keeps an impressively-complete selection of home organs. “All we know is…” nd_baumecker puts together one hell of a three-hour mix. 200 albums along, …

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Note from the Editor: Music for Dance, Music and Movement

“Dance music” is a term that has lately become maligned all over again. And the press is often fond of deriding the music of machines, as if drum machines and computers are sentient alien technology that climbed out of the smoldering remains of a wrecked UFO rather than the handiwork of someone’s imagination. For me, though, these two materials – movement and machines – are the reason I do what I care about this field, exploring new sounds in a way that is human and gestural, whether the music is in an experimental concert at 8p or a party in …

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A Quick Jam in Arcade Music Gaming, Making Synchronized Beats

So, electronic musicians and dance music makers just push buttons, huh? Actually… why not? There are certain parallels between the synchronized, quantized grids of computer music and video games. Rhythms, aesthetics, and even interface have evolved in tandem. Early games even hard-coded synthesizers and scores into the same circuitry that made the music, and each has made its impact on the other. Game designers keep toying with this concept in game design. I gave a talk on interactive music in gaming last week at Berlin’s A MAZE Indie Connect. But here’s one person at that same festival who did one …

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thoughtless77

Loss for Words: Noah Pred’s Stuttering Vocal Beats, in Video, Release of the Day

From a completely different musical pole, it’s nice to follow up Jelena Glazova’s thoughts about vocals, poetry, and Dada with a dance track, Noah Pred’s “Loss for Words.” Transplanted from Toronto to Berlin, Thoughtless Music’s Noah Pred has helmed one of the smarter dance labels out there, channeling energies to and from the German capital and Canadian scene (Noah himself is American-born). Now, he’s back with a solo release I’ve been eagerly anticipating, having taken a side trip to Get Physical for the False Image project with Tom Clark. Tim Xavier and Hrdvsion join, two other friends to watch, join. …

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Good Listening: You Need More Mute Speaker In Your Life [Interview]

Music with beats can get some people down in the mouth, as the demands of the commercial dance floor wedge music into narrow genres and expectations, awash in nostalgia. And that’s just the time CDM turns to our regular columnist Matt Earp, not only to help us find the artists dancing to their own drummer, but to get to know the people behind the music. Next stop: Brighton, for a Brixton boy. -Ed. Sometimes you just need a little boom bap in your life. I don’t care if you consider your tribe to be techno or house, trap or ambient, …

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From Empty Bookshelves, Music Video Composes in Form: Chat with Harald Haraldsson

Baarregaard & Briem – “Love With You” from Harald Haraldsson on Vimeo. It begins with the hopping groove of a house track, and it’s shot using only light, projection, and an array of empty bookshelves. But somehow in the volumes of those shelves, Icelandic director Harald Haraldsson creates an abstract expressionist composition, rotating in fragmented spaces. The black-and-white narrative behind then takes on a kind of architecture – stereotyped emotions, confined in structures like a sort of neon-colored neuro-scientific portrait. It adds a new layer of drama to the dancefloor-friendly ballad, the work of Baarregaard & Briem, a collaboration between …

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Kidsuke, the joint project of Kidkanevil And Daisuke Tanabe on PROJECT: Mooncircle, was one big highlight for us. Matt Earp walks us through other discoveries of 2012 that could be worth a permanent place in your early 2013 listening.

Under-the-Radar Music From 2012 Starts Your 2013 Right [Round-up, Listen]

The beginning of 2013 is as good a landmark as any to begin a return to music making and creativity. But the top-ten lists that crowded the Web in the last couple of weeks may not be your best guide. Instead of working out what’s “best,” we invited CDM’s music contributor Matt Earp, aka artist Kid Kameleon, to let us know what music found a permanent home in his music library – not just streaming, not just a one-time listen, but repeat performances. That seems an ideal way to give yourself some listening inspiration to fight the darkness (in some …

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