Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.
Reason has cooly, quietly evolved into the thing it said it wasn’t – namely, a DAW. (Okay, we won’t call it that – let’s just say it’s one tool that lets you do all your production for a wider audience.) And it’s done it in a way that retains its Reason character. And that’s given it a uniquely dedicated core audience. How dedicated? Well, dedicated enough that they shoot their own videos showing you what’s new. And actually, the best video series demonstrating what’s changed in Reason 9 didn’t come from Propellerhead at all. Instead, it comes from YouTube user …
Reason 9 is here, updating that singular virtual rack of instruments and effects combined with song recording and arrangement. And a quick look at the features will likely have some people saying “fine, sure, but my DAW can already do that.” But – exactly. And also – can it, really? Because Reason has a of doing things in a, well, Reason-y way – one that keeps its die-hard fans uniquely loyal. And it sometimes has a way of doing things best.
The funny thing about Ableton Link is that it doesn’t require Ableton Live. It isn’t even an app. It’s a sync technology, one that allows software to jam together, wirelessly, without any one clock having to be the source or “master.” But as of today, if you do use Ableton Live, that wireless magic is built-in – and requires almost no configuration.
With a little setup, you can integrate a hardware synth with Reaper as if it’s a software plug-in. Check out the video tutorial from The Reaper Blog to see how. Reaper is a terrific “indie” DAW for the budget-conscious. Just $60 buys you an individual personal license with a bunch of free upgrades. (“Commercial” use is described as anyone making more than $20k a year – plenty of very serious musicians make less than that.)
You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.
The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.
Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?
Eventide’s effects over the past four decades have had an enormous reputation – the marketing folks aren’t exaggerating with words like “mainstays” and “classics.” Now, imagine getting basically everything – past, present, and some new stuff – in a bundle of 17 plug-ins for an intro price of US$699. (That price drops to as little as $399 or $199 if you own some Eventide software.) Eventide have done just that with today’s Anthology X. It’s just huge, it covers a lot, and just a fraction of it could make it worth the cost of admission.
We’ve seen apps made exclusively for touch devices like the iPad. And we’ve seen very basic touch support in desktop apps. But Bitwig Studio 1.3 is both. So, on the same day we find out about a proper touch laptop, we also get a DAW that’s ready, today, to take advantage of it. (See also FL Studio below, though Bitwig brings specific support for Microsoft’s new displays, and some new ideas.) Also, is Bitwig actually trolling Mac fans, or Apple? Because Bitwig is touting the fact that OS X will at least get its new “E-Cowbell device.” (I’m not making …