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DU-VHS = what TV would be if it were glitchy, nerdy, and underground

Our friends at the hypergeeky, futuristic Detroit Underground have built an app. And it’s full of videos, layered in a VHS-style retro video interface. DU-VHS is available now for iOS (iPad and iPhone both), and as a Web app accessible through any browser, all for free. Step inside, and you’re treated to an explosion of electronic sound and image – burbling, bleeping hyperactive musical textures, and degraded retro-videocorder lo-fi renditions of videos. There are music videos, loads of live performances, and even interviews and synthesizer odds and ends. It’s the work of designer Jean Christophe Naour. If you’re wondering why …

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erika_live

This extended techno mix will get you through any Wednesday

I hear from the Internets that there are some “top 1000 DJ lists” chosen by surveys or something. Suffice to say, I’m tired of letting people vote for things in 2016. So let’s talk about Erika. Do you need a DJ, playing some heavy, long techno set? Do you need an ambient/experimental something-or-other? Do you need it live? Do you need a combination of an Erika with BMG, for Ectomorph, also one of the best live acts out there? In this event, accept no substitutes. So, for anyone who’s been depressed lately about “fashionable” techno and expensive coordinated t-shirts and …

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tresorcage

Tresor at 25 set to prove it’s anything but a museum

Berlin’s Tresor club turns 25 this year, celebrating with a four day festival next week. And the lineup is just completely and totally insane. If you took, say, the Thursday night program out of context, you might be excused for believing it was the headliners for an entire festival. The festival says as much about the healthy state of techno as it does about Tresor – but Tresor is without question one of the venues at the center of that world.

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JIMMY EDGAR - DREAMZ COME TRUE

Quick listen – love the new Jimmy Edgar ULTRAMAJIC sound

In the dark, damp swamp that is the stream of dance music that press get in their inbox, Jimmy Edgar has consistently been a rainbow-colored lighthouse. Apart from the tropically-hued surrealist work of Pilar Zeta literally making that true, Jimmy has been an aesthetic compass at the helm of his ULTRAMAJIC label. Basically, stuff this label puts out is worth listening. (Ditto their label showcases… there’s a Friday morning I found myself at Panorama Bar when they were turning the lights on. Thursday is the new… oh never mind.) What I like about the latest direction is, you get pared-down …

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qvj_du_07

DU-QVJ is a handmade pendant that makes glitchy visuals

Record releases are old and tired. So are jewelry. Let’s solve this: with a wearable 8-bit necklace and pendant that takes audio input and turns it into weird visualizations – of course. DU-QVJ is a collaboration between Detroit Underground, the fantastic tastefully strange label, with Russian engineer Alexander Zolotov. Add a tiny battery, plug in audio input via one minijack, and optionally add headphones on the other end. In between, the object makes gorgeously lo-fi grungy imagery on its 128×64 monochrome OLED display. Forget Apple Watch or even Pebble: here’s the wearable you want. It looks like what Lieutenant Worf …

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liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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moogmother

Here are some space-y solar Moog sounds by Erika

Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully. Oops, sorry, lost my train of thought there. Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description: * Patch performed live * No overdubs * In this short improvisation, Detroit-based electronic artist, Erika, composes a …

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robert_hood

Techno innovator Robert Hood tears up as he recalls younger self

It’s easy to look at music’s superstars, the people on pedestals – regardless of genre – and see them as something beyond human. Yet the reality for most musicians, the lifeblood of what making music is, is people who are vulnerable. It’s wrapped up in the human experience. The thing is, we don’t always get to see famous artists go off-script, especially when getting personal. But that’s what happens in a moving interview with Robert Hood at RBMA Tokyo last year, posted yesterday to their Twitter feed. Robert Hood has been a seminal figure in techno across several decades, still …

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Octave One by Marie Staggat-23

Octave One Are Back, Improvising Grooves with Machines

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One. I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.) Octave One …

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mills

Jeff Mills Strips Bare Electronic Technique, Wants to Liberate DJs

Exhibitionist2TrailerFR from AxisRecords on Vimeo. For all the multi-camera Boiler Room rigs and debates over how vinyl records make music more visible than on a laptop, there’s an elephant in the room. Most electronic music fans don’t have any clue what’s going on. And even if you do, most of the technique behind the records is invisible – doubly so when the prevalence of DJing emphasizes mixing over musical improvisation. So, Jeff Mills’ “Exhibitionist 2” project – a film and performance series following up on the video/music release of a decade ago – seems both compelling and aptly named. It …

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