Octave One by Marie Staggat-23

Octave One Are Back, Improvising Grooves with Machines

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One. I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.) Octave One …

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mills

Jeff Mills Strips Bare Electronic Technique, Wants to Liberate DJs

Exhibitionist2TrailerFR from AxisRecords on Vimeo. For all the multi-camera Boiler Room rigs and debates over how vinyl records make music more visible than on a laptop, there’s an elephant in the room. Most electronic music fans don’t have any clue what’s going on. And even if you do, most of the technique behind the records is invisible – doubly so when the prevalence of DJing emphasizes mixing over musical improvisation. So, Jeff Mills’ “Exhibitionist 2” project – a film and performance series following up on the video/music release of a decade ago – seems both compelling and aptly named. It …

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808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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30drop

You Haven’t Heard of 30drop, But You Should Hear This New LP [Techno]

30drop has mysteriously arrived from Detroit Underground (aka “detund”), those purveyors of strange and wonderful techno and experimental music. You may think you’ve heard of 30drop, but apart from the release last week, you almost certainly haven’t. Oh, sure, there have been releases — a second EP showed up in December — but for the most part, this act has flown under the radar. As per usual, detund are digging up precisely what isn’t on trend or rising in popularity, an unknown artist making cooly-weird noises. But the pace is picking up – and this looks to be one of …

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Life is short. We're going to die. Listen to good music. (CC-BY-SA) David Dennis.

For Allhallowtide, Here Are Hours of Brilliant Underground Music to Make You Feel Undead

Happy Hallowe’en, and the entry in the northern hemisphere into short days and long, dark nights – perfect for getting lost in music listening and music making. That means it’s time to start queueing sounds to pass the time, and as it happens the CDM inbox has a selection just arriving. These are mixes unafraid of shadows and adventurous sound, and — well, the best is to let you listen. Leave the cheesy horror Theremin to someone else, and let’s enjoy something that is truly and deliciously evil in music. Lower Order Ethics, aka Szilvia Lednitzky, can send chills up …

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Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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Dark Shadows: Listen to Stroboscopic Artefacts’ Lucy Mix and Reflect on Music and Society

Here, in the season so many associate with sun and sand, the gothic factories of dark techno continue to clang away. So, yes, the results may not be cheery. But the music defining this new generation of adventurous techno is uniquely focused on timbre. It is a soundscape set against the groove, not only about tweaking just the right high hat, but forging some terrain of sonic design, taking the listener on a journey to actually find something new. It makes landfall on undiscovered countries, rather than simply assembling an expected framework for the dancefloor. It also carries with it …

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Live from the Moog Factory, Watch Erika, Teengirl Fantasy, and Survive

CDM here in the Moog Factory, downtown Asheville, North Carolina. I don’t care whether you’re a Boiler Room fan or hater – this one is special. Erika is here from Detroit with her circular sequencer and loads of gear. The wild and wooly Survive are new to me but they’re doing lovely stuff and have a synth museum worth of keyboard racks – fantastic. And in town from New York, hailing from Oberlin, Ohio, are Teengirl Fantasy. It’s already a great lineup, but novel for a second reason – Moog will keep assembling stuff in the factory as they play. …

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Moogfest in the Mix: As CDM Heads to North Carolina, Music, Futurism to Fill Your Week

Moogfest has been many things over the years, from a small get-together of Moog fans to a New York event with a few headliners to a festival that at times veered toward being just another big rock fest. But this year, it’s evolved into something special and new. Amidst a wildly-varied nighttime mix of big-name musical acts, it’s become a hub of futurism and music technology. It suggests a Moogfest that isn’t just about some artists and the Moog of the past. It could be a place to learn about the inventions of the future. And that’s a zeitgeist I’d …

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Erika: Musical Restraint, Space, Future, BBSes, Detroit [Interview]

From being a long-time mainstay of the Detroit scene to, at last, debuting a proper solo LP with Hexagon Cloud, the one word that can sum up Erika for me is, simply, “inspiring.” And if Hexagon Cloud’s perfectly-calibrated analog sounds and imaginative musical frequencies indulge our futuristic sonic fantasies, here we get the chance to talk to Erika a bit about what lies beyond musical parameters, too. That ranges from Detroit (past the fetishization of ruined buildings, please) to the liberation of early-90s BBSing to the appeal of outer space. You can listen to Erika’s work and revisit some reflections …

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