GAZE (18)

‘Gaze’ is a surreal, face-melting AV mirror for your browser

The interactive mirror has been a long-running staple of digital art, but its form came in galleries – Mac minis and the like stuck to walls. Now, transposed to the browser, the form becomes oddly personal and intimate. We stare into our computer screen all day. For a fleeting moment, it can look back.

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unrender: Finding Space Between Gallery and Club [Videos]

There is a well-known divide between visuals as they exist in experimental media and live performance and media in the art world. Transitory electronic media fails to fit the traditional mold of value. Digital media is too ephemeral, too temporary. Light on walls can’t be collected; improvised visual performance is something that fades away. With unrender, we want to embrace just those gaps between worlds, walking along the fractures. We are looking to find the expressive potential of electronic audiovisual media as distinct from what came before. And most importantly, we want to make sure there’s space for all these …

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unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …

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unrender: Celebrating Visual Expression as Something Live; Online and in Berlin Friday

There’s not a word yet for visuals as event. We know it when we see it. And we know it in other media. With music, there’s no question when something becomes performative, when the human element is something you can’t subtract. But in electronic visuals, in light and image, the awareness of what is emerging in the medium seems latent. The narrow view of VJing and club visuals is dated. And disconnecting those media from generative and interactive work misses an explosive and dynamic new craft. Whether it’s clever work with optical analog and overhead projectors, or a delicately-constructed piece …

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Light Art, Music, and Audiovisual Creations, Stacked Vertically in 19 Floors: TodaysArt [Video]

Art in light and sound is routinely spread across venues, or sprawling through buildings in the horizontal. Not at TodaysArt. The festival in The Hague, Netherlands went vertical. Taking to the nineteen-floor tower of the former Ministry of Interior and Kingdom Relations (Binnenlandse Zaken) and the Atrium of the City Hall, the festival established their own space, even going as far as building a custom club (to house the likes of Clark, 2562, and Untold). In images and a beautiful documentary video, you can take a tour of the range of work they curated. It reveals that the latest trend …

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Mapping Berlin’s Project Spaces Against Transformation, Rebuilding Old Rockets in 3D

Through political change, people keep making art – whether overtly political or not, finding some home in the landscapes that shift around them. We now find ourselves able to map the work and ideas of artists across space and time, to a greater extent than ever before. Amidst international obsession on Berlin, for instance, it’s worth seeing a quantifiable picture of change. A project from Severine Marguin maps just how many of those project spaces for performance and art have appeared, vanished, and been replaced over the past decades, before and after reunification. You’ll find a proliferation of spaces that …

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Mapping Berlin's Project Spaces Against Transformation, Rebuilding Old Rockets in 3D

Through political change, people keep making art – whether overtly political or not, finding some home in the landscapes that shift around them. We now find ourselves able to map the work and ideas of artists across space and time, to a greater extent than ever before. Amidst international obsession on Berlin, for instance, it’s worth seeing a quantifiable picture of change. A project from Severine Marguin maps just how many of those project spaces for performance and art have appeared, vanished, and been replaced over the past decades, before and after reunification. You’ll find a proliferation of spaces that …

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At NODE, A Community of Digital Artists Meets to Discuss Transforming the Future

NODE13 – Forum for Digital Arts, Documentary from NODE Forum for Digital Arts on Vimeo. Here’s some ambition in an event description: NODE, the Frankfurt digital arts festival, is interested in how circuits and code are transforming the world around us. And unsatisfied with just talking about it, they get a group of people together who are doing it. NODE is built around vvvv and includes a lot of technical content around that Windows graphical programming tool, but it also incorporates work from a variety of techniques and tools – even some analog ones. This video from out of the …

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A Delicate Web in White Lasers: Robert Henke’s ‘Fragile Territories’

Mastery of technology need not be an end in itself, a showcase for mechanical sophistication. It can mean finding the point at which you push a medium to be its most expressive. And I suppose that’s why so many can admire the ongoing work of musician and media artist Robert Henke. The lasers in ‘Fragile Territories’ are not the crude, awkward beams you probably know from kitschy planetarium shows. Instead, they form a spidery lace so exquisite, you could imagine them as being part of something crackling with organic life – or the workings of a fanciful undersea electro-luminescent metropolis. …

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A Delicate Web in White Lasers: Robert Henke's 'Fragile Territories'

Mastery of technology need not be an end in itself, a showcase for mechanical sophistication. It can mean finding the point at which you push a medium to be its most expressive. And I suppose that’s why so many can admire the ongoing work of musician and media artist Robert Henke. The lasers in ‘Fragile Territories’ are not the crude, awkward beams you probably know from kitschy planetarium shows. Instead, they form a spidery lace so exquisite, you could imagine them as being part of something crackling with organic life – or the workings of a fanciful undersea electro-luminescent metropolis. …

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