craft-slide-2

Modal’s Craft Synth is a surprising £79.00 monosynth

Imagine if Boeing or Airbus, in the midst of releasing airliners, suddenly unveiled a paper airplane kit for kids. The Modal Craft Synth isn’t that extreme – but maybe it’s close. Unlike their flagship synth, a monster luxury instrument that will set you back about five grand (USD), the Craft Synth is kit priced. £79.00 (about US$100 at the moment) buys you a complete monosynth. It’s labeled a “kit,” but you snap together pre-made circuit boards – think IKEA lay-flat cleverness. Of course, at that price, you don’t get a case or any particularly high-quality or rugged components. But if …

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motherfer

The MotherF***** is the DIY delay-reverb box of your nightmares

If you want a nice, pristine, versatile delay/reverb, then … this isn’t it. It’s called the MotherF***er 2 for a reason. It’s the creation of Ewa Justka, engineer and musician born in Poland and based in London. (Ewa was also nice enough to co-host the MusicMakers Hacklab with us at CTM Festival this year, where she was a patient and inspirational guide for our artists in inventing all manner of new things.) And this pedal is all sorts of crazy in all the best ways. Keep watching, as there are actually a bunch of different possible sounds in there. And …

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bacteria2

Micro-ritmos turns bacteria and machine learning into spatialized sound

In the patterns generated by bacterial cells, Micro-ritmos discovers a new music and light. From the Mexican team of Paloma López, Leslie García, and Emmanuel Anguiano (aka Interspecifics), we get yet another marvel of open source musical interface with biological matter. Micro-ritmos from LessNullVoid on Vimeo. The raw cellular matter itself is Geobacter, an anaerobic bacteria found in sediment. And in a spectacular and unintentional irony, this particular family of bacteria was first discovered in the riverbed of the Potomac in Washington, D.C. You heard that right: if you decided to literally drain the swamp in the nation’s capital, this …

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myriambleau

Watch Myriam Bleau’s beautiful work with glass and discs

The beautiful thing about performance life in the post-digital age is that it opens up what musical practice itself can be. It means an AV artist might draw as much on the tradition of painting or sculpture as on music. It might blur the boundaries in such a way that it’s hard to say which medium you’re looking at at all. SONAR and MUTEK as festivals have grown in their brand to present AV work, but to me they’re at their best in those particular magical moments when you feel as if the performer has invented their own medium. By …

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pdparty

There’s a new way to make your iPhone run any Pd patch, free

You’ve got an instrument or effect running in Pure Data, for free, on your computer. (If you don’t know how to do that, more in a moment.) Leave the computer at home. Play that sound creation on your iPhone (or iPad). The implementation of Pd on iOS and Android started its life with RjDj. But PdParty (and PdDroidParty before it) have gone steadily further. Now you can almost treat the graphical patching environment Pd on the computer as your development environment – patch away on your computer, then duplicate that patch complete with UI on your phone. It also means …

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aira505

Someone custom-skinned a Roland MC-505 to look like an AIRA

Now having let the genie out of the bottle, there’s no saying where Roland will turn next with reboots and reissues. But some people are evidently not content to wait. So, via Twitter via Facebook, we see this lovely image of the 1998 Roland MC-505 groovebox, reimagined for people who love that black-with-Matrixsynth green-trim look of the new AIRAs.

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pideck-spinning

PiDeck makes a USB stick into a free DJ player, with turntables

There’s something counterintuitive about it, right? Plug a USB stick into a giant digital player alongside turntables. Or plug the turntables into a computer. What if the USB stick … was the actual player? In the age of rapid miniaturization, why hasn’t this happened yet? Well, thanks to an open source project, it has happened (very nearly, anyway). It’s called PiDeck. And it radically reduces the amount of gear you need. You’ll still need an audio interface with phono input to connect the turntable, plus the (very small, very cheap) Raspberry Pi. But that’s just about it. Connect your handheld …

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slow

Slow is a super long reverb delay from Tim Exile and it’s free

Well, if you’re on a tight deadline for delivering an ambient/experimental/IDM album, and you’re totally out of money (and even possibly ideas), good news. You’re saved. Tim Exile just released S L O W, for free. To those who don’t know him, Mr. Exile is a professional mad scientist specializing in Reaktor engineering, virtuoso laptop musicinator, electronica personality, and man about town. Tim’s exploits are widely known and buzzed about among nerds and sonic weirdos, but since they won’t reach everyone’s ears that way, he also has a mailing list. Signing up for said mailing list is your key to …

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Andrew Quinn / Nikolay Popov AV performance.

How one community was mapping the future of visuals this summer

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker events emphasize something else: craft. This summer seemed a particularly historic moment for not one but two tools – each of them built by small teams who make art themselves. We already covered the Berlin gathering for Isadora, the visual performance tool that has rich …

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linkjamming

Jamming standard: Ableton is opening Link to everyone, starting today

Ableton Link is coming to desktops, and going completely open source. And that means the best tool for wireless sync and jamming is about to get a lot more popular. On iOS and for Ableton Live users, Ableton Link is already a revelation. It allows any number of different apps to sync up with one another without fuss. That includes two more machines running Ableton Live, of course. But it could also be two apps on an iPad, or an iPhone and an iPad, or an iPad and a copy of Ableton Live. It completely changes live jamming: instead of …

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