Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …
There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.
There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.
It’s a marvelous time to be a musician. You can imagine a musical instrument, a compositional invention, and then realize that idea in short order. So I was glad to get the chance to emcee an evening of discussion with Reaktor experts, including the folks who built the tool, last month in the software’s hometown Berlin. That discussion ultimately was partly about Reaktor, but partly about the act of instrument building itself – meaning there were insights for anyone interested in working with electronics or software to dream up new musical tools.
He’s one of the most prolific people in DIY synths – but now he faces crippling healthcare bills. Help Ray Wilson’s family help their Dad fight back.
Ableton’s Push 2 has a big, beautiful, color display. But what goes on that display is limited to what Ableton has built in – or, rather, it was, until now. London-based producer/hacker sigabort has already built a Max object that lets you access the display directly as a high-res, color texture. Max boffins, this means you can even use Jitter objects directly. And for those who have no idea what the previous sentence just meant, think of it this way: Max patches will now be able to create their own full-color visual outputs, for practical or entertainment purposes. (Max for …
Once, weird instruments only made the rounds at exclusive academic conferences. Now, they go viral on Facebook. Such is the case with Collidoscope, the creation of a UK-based mixing and mastering service (out of London label Sunlightsquare Records) and Queen Mary researchers – Ben Bengler and Fiore Martin. It’s a massive tangible table-top interface to a granular instrument.
We have seen the future. And it’s strange – in a good way. Bizarre Sound Creatures was an exhibition late last month held in Eindhoven in the Netherlands, accompanied by workshops and performances. The theme wasn’t just new instrument design and music making, but imagining a future world with peculiar evolutionary twists. These are musical objects with odd appendages and surprising interfaces. Let’s take a look.
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.
Touchplates are so in this year. Yes, it’s a testament to the legacy of synthesizer pioneer Don Buchla: electronic musicians evidently long for something new. And the latest is a glimpse of something found in our news tip inbox. It’s called “HYVE” and it’s a hybrid synthesizer, combining a number of ideas about pitch arrangement into a single touch-plate layout. There’s a keyboard. There’s a hexagonal pitch array. And there’s a heck of a lot of polyphony. And… well, it’s best to just watch the video: