montagekeyboard

Yamaha may have the best workstation synth, now quietly improved

The workstation keyboard hasn’t died in the age of the computer and the analog revival. Instead, it’s just gotten, well, more workstation-y. Advances in embedded computation have gone alongside general purpose computer hardware, making the workstations from Japanese giants like Yamaha, Korg, and Roland do more than before, with expanded functionality, memory, and sound. These instruments do so much that it’s hard to describe them. But I know even some serious synth enthusiasts who have a lot of respect for Yamaha’s Montage. That may come as a surprise, partly because Yamaha’s marketing is aimed squarely at other groups. So yes, …

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refaceback

Web MIDI and More Surprises You Didn’t Expect From Yamaha’s Reface

Yamaha’s Reface synth line are out now, with full details. You can dig through the site rather than have to do it here – but let’s look at what you might find surprising. It has Web MIDI, not just MIDI. Yamaha promises the line will connect to Google Chrome via Web MIDI. Now, theoretically, that’s possible in the latest Chrome builds with any MIDI keyboard, not just the Yamaha. But it suggests that Yamaha are atypically embracing bleeding edge tech (previously seen only at hackdays and such) and making it a standard feature. And there’s more: “Soundmondo is a free …

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reface_cs

Hands-on Video of the Yamaha Reface Series

Extensive videos emerge to give you a hands-on look at Yamaha’s new electric piano / synth / organ keyboard line. They put some of the company’s favorite instruments at your fingertips in an uncommonly compact package. Our take:

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reface_dx

Yamaha Leak Entire Line of Reface Synths; Here They Are

Yamaha’s new keyboards revealed – CP, CS, YC, DX. Small, apparently nice-sounding, and mass market. Who leaked them? Um, Yamaha.

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korgpolysix_pads

Music Made with Korg iPolysix – And Nothing Else: Live Demos to iPad Chip Music

Doing more with less, and embracing limitations: it’s oft-repeated advice in music making. Maybe it’s repeated so often that it ceases to mean anything; I can find no harm in making music using the massive possibilities of a packed studio of gear or the endless depth of a computer. So, instead, doing more with less can be something you do just because it’s liberating. It means you can make music on a budget. It means you can make music when you’re on a bus with nothing but a first-generation iPad and a copy of Polysix. It can mean, psychologically, that …

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