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Berghain, by the numbers: data on the relentless Berlin techno club

In the era of fake news and big data for corporations, there’s an obvious antidote: getting actual data for yourself. So, it’s a given that too many words have been spilt over Berlin’s Berghain. But in trying to portray the club’s hype or mystique, I notice that there’s not often much discussion of its consistency. And to understand how techno and in a broader sense electronic music and the various fashions about it are projected into the world, understanding that consistency is key. If a club is repeatedly pushing out long queues every Saturday and Sunday night (yes, Sunday), and …

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Former Beatport CEO and now MetaPop founder, Matthew Adell. He wlll join Native Instruments in LA.

What does it mean that NI bought a startup that monetizes remixes?

Native Instruments announced an acquisition that suggests a new area of intended growth for the company. They’ve acquired MetaPop, a firm that clears and monetizes remixes – and with the company, they also get the former CEO of Beatport. To work out what that might mean, you need to first understand MetaPop. It’s safe to say remix culture isn’t what some predicted it would be. Instead of ushering in a bold new age where music is re-imagined by fans and artists find new opportunities to share ideas and earn money to support their art, we get — uh, takedown notices. …

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That $329 iPad looks like an affordable music app machine

Well, if you’ve been waiting to dive into the world of the iPad – or you’re stuck with a machine that’s too old and slow to run the latest software – Apple pretty much has your answer. At US$329 and with 32GB of storage, the new 9.7″ iPad is a nice sweet spot. The A9 processor is more than capable enough for most audio production tasks. It’s got a big-enough Retina display. And that storage will be enough for running synths and other apps. And the pricing is aggressive enough that you might as well go ahead and buy new. …

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Meet the guy you can blame for all those air horn sounds everywhere

The air horn is one of the weirder cultural tropes around today. It’s loud, it’s obnoxious – and it’s also ubiquitous, from radio ads to pop songs. It’s clearly out of its original context, but what was it’s original context, anyway? The answer to that is more clear-cut than you might imagine. But it also points a finger squarely at us cultural consumers and producers – that too much copy-paste could become a literal, repeated warning bell. Author Jeff Weiss actually wrote a beautiful essay for Red Bull Music Academy back in 2013″ In Search of the Air Horn In …

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Read about the state of women in electronic music – in 1977

Protesters in the United States today are introducing “A Day Without a Woman” on International Woman’s Day. I wouldn’t even know where to begin imagining that in electronic music. For all we talk about the absence of more women in electronic music, the field is unimaginable if you were to leave female-identified artists out. And that’s really the point. When we talk about gender equality in music, we’re not simply talking about achieving a balance of the sexes for the sake of doing so. We’re talking about the dangers of suppressing talent and potential. And if we do that, everyone …

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Disc rot. Photo (CC-BY) prwheatley1.

The first generation of CDs is already rotting and dying

Digital media is a double-edged sword. Digital data itself can be duplicated an unlimited number of times without any generational loss – meaning it can theoretically last forever. But digital storage on physical media is subject to failure – and that failure can render the data inaccessible. In other words, archivists (including you) have to transfer data before the media fails. And we’re already entering an age when one of the most popular formats is reaching the start point for common failures. A report by Tedium (republished by Motherboard) demonstrates one of the most alarming failures. Some media, evidently using …

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Why KORG Gadget on the Mac is a big deal

Remember when some pundits thought we were all going to dump our laptops and switch to tablets and iPads? So – not so much. But mobile platforms are having a big impact on music software – and KORG Gadget, now making the leap from iOS to Mac, may be most emblematic of that. Who is KORG Gadget for? Well, sort of for everyone. Beginning users can find it a nice way to play around – and might well try this before desktop software. More advanced users are likely to find it an appealing set of tools, but would want to …

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How a meetup space for female music makers is making a difference

Ed.: If we’re going to see more women or other underrepresented groups in music, one place to start is by creating new spaces. CDM contributor Zuzana Friday is involved in an effort in Berlin that does just that. The idea is an informal one: just have exclusively female-identified artists meet for a couple of hours, to give them an environment all their own, then open up to anyone interested thereafter – covering musicians but also quite a lot of visualists, too. Even the name is simple: “Meetup.” That approach has proven fertile enough that it’s fired up the music network …

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Grieving for Oakland’s lost, imagining what comes next

“Community” is a word we use too much, until it doesn’t mean anything. “The dance music community.” “The electronic music community.” And then in extreme moments, it’s a word whose meaning again becomes plain. That was the sense for a lot of people over the weekend, as news rippled of the people lost in Oakland. Friends grieve their friends and lovers. They grieve lost role models and sources of music and inspiration. These events touch people who were intimate — and touch people who were strangers. A person you played with once, a person you heard once … or your …

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Bob Moog on being thankful

There’s a beautiful quote attributed to Bob Moog on the Moog site today: “What you do with our instruments helps us to be more human too, and I want to thank you all for that.” Sometimes I actually find this very sentiment is hard to express in words. You get into a lot of abstractions. I hear people trying to explain it. Is it being a musician, or is it teaching music? Is it about the musician, or is it about the machine? Is it the music, or is the theory or the technology? But this line, spoken by a …

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