Suren's Circuit, in the studio.

This editor unlocks all the power of Circuit as synth and groovebox

Novation’s Circuit is a budget marvel. As a drum machine alone, it’s a steal – particularly with the ability to load your own samples. But also hidden inside are two synths based on the Novation Nova. There’s one piece of software that really lets you maximize all these capabilities: the Circuit Editor plug-in from Isotonik. It’s got two major advantages. One, it lets you get inside all the hidden powers of the synths and drum machine locked into the Circuit hardware, not only as an editor but with extras like randomization and morphing. The upshot of that: you can use …

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Novation’s Circuit tools now work without needing the Internet

Just in time for all of us to retreat into a bunker and cut ourselves off from the world — erm, uh, I mean just in case you don’t have an Internet connection in your studio, now Novation’s Web-based editor for Circuit works offline. We’ve waxed rhapsodic about the Circuit Components before – as it turns Novation’s simple, cute, cheap, lovely drum machine into a more customizable tool. You can load samples, save presets, and make backups quickly and easily. But there’s been one very annoying inconvenience: you need to run the tool in your browser, and you need to …

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Your Web browser now makes your MeeBlip synth more powerful, free

Open a tab, design a new sound. Now you can, with a free Web editor for the MeeBlip. And it shows just how powerful the browser can be for musicians. Watch: And if you own a MeeBlip (triode or anode), give it a try yourself (just remember to plug in a MIDI interface and set up the channel and port first): https://editor.meeblip.com/ Don’t own a MeeBlip? We can fix that for you: https://meeblip.com/ Why a browser? Well, the software is available instantly, from anywhere with an Internet connection and a copy of Chrome or Opera. It’s also instantly updated, as …

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Sony have sold ACID, Sound Forge, more to MAGIX

It’s the end of an era – but maybe not such a golden era. Once upon a time, ACID and Sound Forge were each industry-leading software tools, originally developed by Sonic Foundry. Now, languishing alongside their stablemate, video editor Vegas, they’re seeing ownership pass from Sony (via its creative software division) to German software house and holding company MAGIX.

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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Auxy Is The Best Piano Roll Editor for iPad Yet – And Not Much Else – By Design [Free]

It’s been asked over and over again: can a simpler software tool attract more people to music making? But the next question is, invariably – what’s the right stuff to leave out? Auxy, released today, is an extreme exercise in app minimalism. It radically reduces what’s in the UI by focusing on making and cueing patterns — and leaving out the rest. It’s also free. Built exclusively for iPad, Auxy centers on a grid as its main screen. You’ve got four tracks in which you can create, edit, then trigger different patterns. Tap on one rectangle, and you draw in …

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Chip Grooves: SID 8-bit Hardware Groovebox Preview, Works with iPad Editor [Videos]

German maker Mode Machines has been busy in the cloning laboratory. The latest hardware melds the classic chip sounds of the SID chip with an x0x sequencer a la the Roland TB-303. That surely qualifies as the synth nerd equivalent of combining chocolate and peanut butter.

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BIAS, Makers of Peak, Cease Operations; Mac Audio Editor Alternatives

Remember me? Peak in its last release had a cleaner look, but I imagine something like this is what popped to mind when you heard Peak. Photo (CC-BY) Chas Redmond. Peak is dead; long live Peak. Small music tool makers don’t always last forever, the victim of any number of circumstances that can cause them to fold. There do seem to be a lot of casualties of favorite Mac waveform editors over the years, however. To that group, you can add perhaps the most famous and long-lasting Mac audio editor of them all: BIAS’ Peak. BIAS’ site now redirects to …

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Final Cut Pro X 10.0.3 Adds Missing Multicamera, Sync, File Management and Migration Features

To skip to the punchline: Final Cut Pro X appears to at last do multi-camera editing, and do it right, as seen in the video posted by our friend Nilay at The Verge. To anyone who read deep conspiracy theories into the release of Final Cut Pro X, perhaps it’s time for a gentle reminder. When building massive, complex tools, sometimes developers get it wrong – even if they happen to be Apple. Final Cut Pro was desperately in need of a rebuild, constructed as it was on deprecated, 32-bit-only libraries. That rebuild, charitably, didn’t go as smoothly as some …

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Between iMovie and Pro Apps, Premiere Elements 10 as Budget Buy: Macworld Review

Click “Timeline” instead of “Sceneline,” and Premiere Elements 10 becomes a more conventional editor. Macworld has published the review I wrote of Premiere Elements 10. Windows users for some time have enjoyed budget-priced video editors from Sony and Adobe; the Mac user base has had only Final Cut Express. Then, Adobe brought their Premiere Elements to the Mac, complete with native AVCHD editing – something Apple’s editors lacked (at the time requiring time-consuming transcoding). Now, Apple has ditched Final Cut Express – Final Cut Pro X is its only option. If you weren’t sold on FCPX, or if you don’t …

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