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There’s a new wave editor for Mac and Windows, and it looks promising

Most hardware and software for music making has generally gotten better, but not the dedicated audio editor. This once-proud genre of music software has fallen on hard times. Tools have been acquired, discontinued, received too-few updates. Some of the better tools we’re left with look like they came from another decade. And that’s too bad. Because having a tool devoted solely to day-to-day audio chores is a really good thing. Maybe you’ve got a set of samples you want to crop and clean up to load onto your drum machine or into a software sampler. Maybe you’re sorting through a …

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Photo (CC-BY) Martin Hearn.

Get the sound of an abandoned US surveillance tower, free

Over fifty years ago, it was built in West Berlin atop a mountain of rubble to listen in on the Communists in the East. And now, the infamous Teufelsberg UA National Security Agency tower can lend its cavernous sound to your tracks. It’s available as a free plug-in for Mac, Windows, and even Linux, and it’s open source. Someone found this idea appealing already, as the impulse samples we wrote about previously became the creators’ most popular download. But now, you get a plug-in you can drop in your host. It’s actually a pretty nice array of stuff here: Lush …

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Spaceship Delay is an insane free plug-in inspired by hardware

Spaceship Delay is a free modeling plug-in for Mac and Windows with some wild effects. And it’s made possible partly thanks to the openness of hardware from KORG (and us). The plug-in itself you shouldn’t miss, and if you’re interested in how it’s made, there’s a story there, too. First, the plug-in — it’s really cool, and really out there, not so much a tame modeling effect as a crazy bundle of extreme sonic possibilities. In fact, it’s as much a multi-effects processor as it is a delay. Here it is in action, just quickly applying some of the sounds …

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The MotherF***** is the DIY delay-reverb box of your nightmares

If you want a nice, pristine, versatile delay/reverb, then … this isn’t it. It’s called the MotherF***er 2 for a reason. It’s the creation of Ewa Justka, engineer and musician born in Poland and based in London. (Ewa was also nice enough to co-host the MusicMakers Hacklab with us at CTM Festival this year, where she was a patient and inspirational guide for our artists in inventing all manner of new things.) And this pedal is all sorts of crazy in all the best ways. Keep watching, as there are actually a bunch of different possible sounds in there. And …

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If you use NI stuff, get Native Access and Maschine updates

A public service announcement: if you use Native Instruments software, you should probably check out Native Access if you haven’t already. There’s a good chance it could make your life easier, and keep you up to date with software like the Maschine update that dropped last week. Here’s the deal: NI software has in the past been scattered across a set of manual support downloads and two tools, one called Service Center and one called Komplete Downloader. And odds are pretty good you’ve head a headache with one of those tools at one time or another. A new piece of …

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Slow is a super long reverb delay from Tim Exile and it’s free

Well, if you’re on a tight deadline for delivering an ambient/experimental/IDM album, and you’re totally out of money (and even possibly ideas), good news. You’re saved. Tim Exile just released S L O W, for free. To those who don’t know him, Mr. Exile is a professional mad scientist specializing in Reaktor engineering, virtuoso laptop musicinator, electronica personality, and man about town. Tim’s exploits are widely known and buzzed about among nerds and sonic weirdos, but since they won’t reach everyone’s ears that way, he also has a mailing list. Signing up for said mailing list is your key to …

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Elektron’s Analog Heat is a new distortion, filter, computer accessory

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.

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Electro-harmonix owners show love with tattoos

How much do you love that stompbox? Or, more to the point, how long do you expect to love it? Electro-harmonix owners are a rare bunch, apparently tattooing their favorite boxes with some frequency. There are some sophisticated, elaborate tattoos in the bunch, as well. But I have to say, I think my favorite are the circuit diagrams (and there’s more than one – of different models, even). Respect.

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This amp and FX pack shows what you can do with Reason

In music software, you have things that are modular, and things that aren’t. Modular environments like Reaktor and Max/MSP let you build things from scratch with essentially unlimited flexibility. DAWs tend to lock you into fairly rigid options for how you combine different instruments, effects, and other tools. Well, Reason sits somewhere in between. Every virtual synth, effect, and signal tool can be patched into another in a single, integrated environment – even as it still remains a production tool with a timeline and mixer (or mixers). In a great example of why that’s cool, hard-core Reason expert Marco Raaphorst …

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iZotope Mobius and the crazy fun of Shepard Tones

I always figure the measure of a good plug-in is, you want to tell everyone about it, but you don’t want to tell everyone about it, because then they’ll know about it. iZotope’s Möbius is in that category for me – it’s essentially moving filter effect. And it’s delicious, delicious candy.

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