Grab a free secret sauce channel strip for Ableton DJ and live sets

The beautiful thing about software is that it’s flexible. You can reconfigure an entire live rig on the fly. But it’s still necessary to channel that flexibility into consistency, especially playing live. Reuse the stuff you need most so it’s always there. And train your hands and muscle memory so you can play fluidly. Savages – the Chicago/Dallas duo of Ted “TJ” Pallas and Alexandra Hartman – have shared their go-to channel strip full of all their favorite tools. And while they were at it, they recreated a unique EQ. EQ differently PLAYdifferently’s Model 1 mixer takes a different approach …


Finally, a different EQ model – and it’s free from Soundtoys

Vanilla. I love vanilla. But I don’t want to eat vanilla ice cream all the time. EQs lately have been like vanilla ice cream – you get the same old model over and over and over again. You can get really amazingly accurate models in digital form, enough that you might reasonably skip hardware. But it’s too much of one thing. The folks at Soundtoys apparently felt the same. And they’re giving us something different. Now, I’m happy with my Oxford plug-ins and my Pulteqs and so on – don’t get me wrong. Really; I use them all the time …


Elektron’s Analog Heat is a new distortion, filter, computer accessory

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.

Right in your browser, listen to equalization by band and amount with actual recordings.

Learn audio skills as a game, free, with your ears as guide

You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.


Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …


Tell Us About Yourself For a Chance at $2500 in Free Brainworx Plug-ins

CDM quietly turned ten years old last year. And that means it’s time to get a fresh picture of who you are. We need to know who’s reading, what you do, what you want to see on the site, and what devices we need to target. So, we’ll ask a couple of short questions – it’ll just take you about two minutes to fill out. And you can sign up for something new called CDM List, to stay informed via email and get free stuff and deals: We also want to give you a chance to get a big reward …


Get a $250 Eventide Channel Strip, Free, for Any Platform

You know those infomercials that tell you to call now – though it makes absolutely no difference when you call? This is the opposite of that. Basically, you can buy a new 64-bit channel strip plug-in from Eventide for US$249. Or, act now, and it will cost … nothing. It’s free, through the 8th of July. I had to read this twice; I thought maybe it was an older version or an existing plug-in. It’s not. Their intro price is zero, and then it goes up to two hundred fifty bucks. And coming from Eventide, this is especially big news, …


Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …


Logic Pro X 10.0.5: Improved EQs, 450 Bug Fixes, Drummers, More

Alongside starting orders for the Mac Pro, Apple this week released updates for all its pro apps, including Logic Pro X. And, showing ongoing attention to MainStage – which Cupertino says is used by a number of high-profile celebrities in their tours – the live performance companion app gets some attention, too. The banner feature of 10.0.5 is “450 bug fixes,” which is not necessarily what I’d want to advertise, as it suggests 450 bugs shipped in the previous releases. But in a crucial contrast to what has been the norm for their other updates, Apple shares details of what …


Grid Tricks: Make Ableton Push Display Meters, Pulsing Heart – Without Max for Live

Ableton’s Push, like other colored, light-up grids, may sometimes seem like just a big, flashy Lite-Brite. So – heck, why not use it that way and have a good time? Tama Rhodes writes us to let us know about a project that exploits the shiny colors to visualize live sound data. The results are screaming for a live performance in which the Push is tilted toward the audience as you play, a technique Daedelus has long used with the monome. What’s doubly impressive – and why you should download this to learn from it even if you don’t want to …