How might the Brexit impact music?

As in other industries, the UK referendum to leave Europe has sent shockwaves through the music community. My friends at Das Filter, a superb German-language online magazine about music and culture, wanted to respond. And so they invited a number of us to talk last week. I’ve found myself awkwardly running my mouth about UK politics, which, quite frankly, is not something I am in any way qualified to do, in the way that I would be able to talk about things on the American side. So, British friends – accept my advance apologies, please, and I’m keen to hear …


7 Ways SONAR+D is Asking Bigger Questions About Music Tech

Lineup Sónar+D 2015 from Sónar on Vimeo. There’s nothing inherently wrong with asking the same questions repeatedly. Cyclical inquiries are necessary in any practice. And over time, you refine answers. But this year’s SONAR+D program promises something different. SONAR+D is the younger, digital discourse alongside Barcelona’s massive electronic music festival. SONAR itself deserves a lot of credit for helping create the template a lot of digital music and media festivals follow today. And as that has since blurred into a parade of headliners, SONAR+D added a lot of dimension. There were good talks, hacklabs, workshops, and a showcase of makers. …


A Toe-Tapping, Dancing 3D-Printed Robot Plays Music

Making Music With Poppy from Pierre Rouanet on Vimeo. It can “learn” to tap its toe and bob its head. And then it can make sounds as you move its arms. It’s a robotic interface for music – a bit like playing with a very smart toy doll. To show off its interactive/interfacing abilities, the team behind Poppy used music. Poppy is a robot that can be produced with a 3D printer. All the hardware and software are fully open source. The idea – fused with cash from the EU’s European Research Council for funding science and creativity – is …


Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …