Eventide just unveiled an insanely massive bundle of plug-ins

Eventide’s effects over the past four decades have had an enormous reputation – the marketing folks aren’t exaggerating with words like “mainstays” and “classics.” Now, imagine getting basically everything – past, present, and some new stuff – in a bundle of 17 plug-ins for an intro price of US$699. (That price drops to as little as $399 or $199 if you own some Eventide software.) Eventide have done just that with today’s Anthology X. It’s just huge, it covers a lot, and just a fraction of it could make it worth the cost of admission.


Get a $250 Eventide Channel Strip, Free, for Any Platform

You know those infomercials that tell you to call now – though it makes absolutely no difference when you call? This is the opposite of that. Basically, you can buy a new 64-bit channel strip plug-in from Eventide for US$249. Or, act now, and it will cost … nothing. It’s free, through the 8th of July. I had to read this twice; I thought maybe it was an older version or an existing plug-in. It’s not. Their intro price is zero, and then it goes up to two hundred fifty bucks. And coming from Eventide, this is especially big news, …


Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes [Videos]

Yes, it’s a good time to be in love with synths and drum machines. But for all the hype around those instruments lately, adventurous guitar effects are also seeing a new renaissance. While guitarists have always had a lovely palette of oddball stompboxes and grungy distortion and effects, they’ve lately been seeing more affordable, more accessible tools for sound design that had been more associated with synths. And, of course, wherever you see the word “guitarists,” any instrumentalists who need stomp form factor will also benefit – bass guitar, electric violin, experimental accordion, whatever. Say the name “Moog,” and most …


Tech for Guitarists: What’s New, What’s Changing in Digital Guitar Tools [NAMM Report]

Who says guitar technology isn’t advancing? Joe Gore is a guitarist who’s unafraid of the bleeding edge, so he was a natural to report back to us from the hallowed halls of new musical instruments, NAMM. He takes a look at what’s new and what’s evolving through a guitarist’s eyes. And this stuff is interesting, indeed, with effects and controllers that might inspire gear desires in instrumentalists of all stripes, not just guitarists. We guitarists tend to be a technologically conservative bunch, yet there was no shortage of forward-looking products at NAMM 2013. Not that everyone was looking in the …


The Harder Side of St. Vincent’s Live Rig: Custom Rack, Eventide Stompboxes, MIDI

St. Vincent is doing some amazing live shows, so it’s little wonder that a look inside the software rig and approach to computer-enhanced performance got some attention Friday. Eagle-eyed readers, though, weren’t only satisfied hearing from the band about the role of Ableton Live and Reason. That expansive rack of stompboxes, including some of my personal favorites from New Jersey-based maker Eventide, clearly matters, too. In comments, there’s a full explanation of what you’re seeing. As Dan writes: Mike Vegas of Nice Rack Canada (formerly Nice Rack NYC) built that board for Annie. The MasterMind provides switching for the analog …


Eventide for the Rest of Us: A Legendary Effects Processor, Now in Compact Reverb Form

“Reverb” seems too vanilla a word to describe a box from Eventide. Regarded as one of the best hardware effects processors ever, Eventide’s brilliant sounds have sadly been out of reach to most musicians. Eventide’s new stompboxes finally make those effects portable and affordable. The latest is Space. Room, plate, spring, hall. Special effects / combo effects: Shimmer, ModEchoVerb, DualVerb, Blackhole, MangledVerb, TremoloVerb, DynaVerb Mono and stereo operation. Tap tempo, MIDI clock sync. (Yes, that’s right – a tempo syncable reverb.) Instant program change, which makes this ideal for live performance use in a way many reverbs, hardware or software, …


Interview: Jon Hopkins Talks Live, Studio Process, Habit, Instinct

Jon Hopkins performs live at the ICA. Photo (CC-BY-SA) Matt Biddulph. Classically trained as a pianist, musician and producer Jon Hopkins has one of the richest resumes in electronic music. He’s a frequent collaborator with Brian Eno, wand has worked with artists like Coldplay (who featured his music on their last album), Tunng, David Holmes, and Imogen Heap. He worked with director Peter Jackson, and has a sci-fi score on the way. He also has a rich set of solo releases. And we’ve seen him here recently with remix swaps with Four Tet and contributions to Eno’s upcoming Warp record. …