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How Dutch archives turned into a Lakker AV show about water

Wade in the water, indeed. Set the Irish duo Lakker loose in a Dutch film archive, and what you get is a dense, heavy experimental techno album and a live show exploring the Netherlands’ ongoing battle with the sea. It’s a 2016 album, but even if you caught it before, now we get some insight into its evolution into a live audiovisual show. Even before you get the sense of the historical narrative behind it, the music itself is evocative, dark, and rich. I actually like that we’re calling all this music “techno” now – this isn’t in the four-in-the-floor …

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Demian Licht on transmitting knowledge, being a demon of the light

Demian Licht is building a portal – one connecting us to a new future, one scrapping the parts of society holding people back, one linking the world. She’s not just making techno – she’s making a statement about the future with her music and practice, one that resonates with Detroit’s pioneers and the bleeding-edge aspirations of a new generation today. Oh, and there’s some strange physical portal involved, too, one purportedly located at the geographic center of Mexico – uh, maybe. But you might want to watch that spot. So, not only did we want to hear more about Demian …

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From the artist, here's a Female Criminal illustrating the two-volume music she's shared.

Don’t miss Demian Licht’s wonderfully terrifying new release

Demian Licht’s music is frenetic and frightening, but precise, cinematic sonic thriller with an insistent pulse. And the Mexico City-based artist has done it again, following up in less than a year the first installment of her Female Criminals with Female Criminals, Vol. 2. CDM is talking to Demian this week, but I wanted to give you extra time with the music first, in case you’d missed it. as premiered on Crack Magazine At a moment in techno when so much music falls back on the same tropes, Female Criminals is film noir and not just dark. Club drum sounds …

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The view from Tresor.

Come on an entrancing ambient techno journey with Milena Kriegs

Somewhere in the shadowy forest between ambient and techno sounds, you’ll find the inventive world of Warsaw’s Milena Kriegs. It’s the sort of music you can get lost in, but it manages to be teeming with life rather than bleakly gloomy. And I think there’s a strong analog between Milena’s live PA sets and her recorded music – somehow, she’s working out a sense of free flow in each, a feeling that you can float along with the music.

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Listen to Holly Herndon’s ‘Platform’ and the Emotional Content of the Laptop

I’m remiss in not posting this last week when it debuted, and I suspect many CDM readers have heard already, but if not – drop everything, and have a listen (in full) to ‘Platform,’ the new LP from composer/producer Holly Herndon. The full LP is now on Spotify, etc., or NPR First Listen. There’s a lot to discuss here. “Platform,” as the name implies, is intended as a first step toward other interactions. There’s the process and technique behind the music itself. A fearless champion of the laptop’s instrumental and compositional potential, Holly has made the album itself and the …

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You Haven’t Heard of 30drop, But You Should Hear This New LP [Techno]

30drop has mysteriously arrived from Detroit Underground (aka “detund”), those purveyors of strange and wonderful techno and experimental music. You may think you’ve heard of 30drop, but apart from the release last week, you almost certainly haven’t. Oh, sure, there have been releases — a second EP showed up in December — but for the most part, this act has flown under the radar. As per usual, detund are digging up precisely what isn’t on trend or rising in popularity, an unknown artist making cooly-weird noises. But the pace is picking up – and this looks to be one of …

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Paula Temple. Photo: Julia Gunther.

A Pounding Free Download, A New Label, and Lots of Other Reasons to Love Paula Temple

For me, one of the best things about 2014 was, simply, Paula Temple. The artist, on R&S Records, consistently demonstrates that you can combine a dedication to heavy, left-field but traditional techno with an expansive appetite for experimentation. And then there are her signature, over-the-top-in-a-good way bass detonations. Her DJ sets were each highlights – check out the GoĆ»te Mes Mix below, heavily featuring her regular collaborations Dadub, Eomac, and Lakker (the latter whom I got to join Friday in Amsterdam, lovely lads). And then there was her audiovisual show with Jem the Misfit, a shining beacon at this year’s …

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Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …

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Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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Watch Mechanical Techno, Dance Music Made Organic, Physical by Graham Dunning

Even in hardware, the repetitive patterning of dance music remains invisible to the eye. Sure, you might get a blinking light here and there, but otherwise, the process is virtual, whether the sound process is analog or digital. Graham Dunning’s Mechanical Techno project is different. Every pattern is made physical and tangible, every machine rhythm mechanically constructed rather than abstract. As such, the UK-based experimental musician, composer, and sound artist makes sounds that evolve organically from the devices that make them. As contact mics brush against physical objects, those rhythms are often slightly imperfect, emerging from a kind of kinetic …

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