“Electronic music needs to be wilder” was the challenge issues by Matt Black (NinjaTune, Coldcut) last year at Ableton Loop at a talk I moderated. But maybe this could be interpreted as “into the wild” in a difference sense. At the moment, I’m part of an ongoing series of residencies that takes that in a different direction – taking music performance (electronic, electro-acoustic, and acoustic) into unexpected natural environments.
It’s time to get beyond the geographic bubble – without resorting to narrow expectations of “world music” – and really appreciate the wide-open world of music making in which we now live. To take us there, CDM’s Zuzana Friday talks to Cedrik Fermont, who is evangelical when it comes to breaking apart old stereotypes and digging deep into the underground. -Ed.
It’s called the Circuit-Bent Digital Waveguide™ 扰动数字波导. Or the DU™ DU-KRPLS. And straight out of the “that’s not a bug, it’s a feature” files, it’s got intentionally wrong code in it. But that’s a good thing.
“It’s almost like there’s an echo of the original music in the space.” After years of music being centered on stereo space and fixed timelines, sound seems ripe for reimagination as open and relative. Tim Murray-Browne sends us a fascinating idea for how to do that, in a composition in sound that transforms as you change your point of view.
raster-noton is already a beloved imprint for those who care about out-there sounds. But if you thought you’d heard every click and oscillation that name could bring, you probably haven’t heard Kyoka – the Japanese-born artist who always manages to wander out into new territory. And even before we had a chance to get the least bit tired of her last outing, she’s fresh from a trip to Stockholm’s EMS with something altogether different. CDM’s Zuzana Friday invites Kyoka over to charm and wow us all over again.
Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.
There’s no oscillator quite like your voice. And sometimes the simplest techniques can yield elaborate textures. Lesley Flanigan has built a body of work out of an elemental approach to electronics, and her new release Hedera is to me the most beautiful yet, transporting us somewhere truly sublime. The source, in addition to singing, includes feedback, a broken cassette player – but evolves into mists of sound and space, shifting from the delicate to the raw.
Ed.: There’s a record release entirely in etched glass, shaped like a pyramid. There’s an artist who is not only post-genre, but post-gender, and trans-… human. There’s a collective that steps calmly from grimy basement to global festival, talks about occulture and “magick,” and juggles queer partys and zines. For anyone sick of the predictable grinding machinery of the music industry running business as usual, this should be irrefutable evidence that UnReaL, and the artist Born In Flamez, are something different. We arranged a rare interview with the collective and BIF to enter that world – a science-fiction now that …
With galaxies of new sounds out there, we return to certain hubs to point us in stimulating new directions. And Daniele has done it again. We’ve heard some of the upcoming noises from Holotone, a label whose name (no kidding) draws from particle physics, and we have reason to be excited. CDM’s Zuzana Friday goes all in for an in-depth interview with plenty of music to go with the words. Apart from his work as a half of Dadub and his mastering output with Artefacts Mastering studio, Daniele Antezza produces personal and spiritual musical experiments under his Inner8 moniker. Recently, …
Much can be said and felt with the human voice without words – and that’s where Robert AA Lowe comes in. With his solo drone/improvisational project Lichens, or lending his talents as a singer, synthesist, and instrumentalist to the likes of OM, Lowe has carved out a unique and powerful space as an artist with a deep focus on vocal exploration.