Photo: Bobby Collins.

Step inside the mystical sound world of Circular Ruins

Circular Ruins’ auditory landscapes are rich and strange, hypnotic rituals of loops and layers. They’re dark, but somehow un-menacing – safely resonating with whatever dangers live there. The artist speaks to us here about process, and zeitgeist, and cassette tapes. And we get to premiere the full release. We have a look round his studio and rig along the way. Circular Ruins happens to be Marijn Degenaar, who also happens to be on the design team at CDM. Oddly, friends and I have each done a double-take there, discovering his music through some other channel only to find out later …

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From the artist, here's a Female Criminal illustrating the two-volume music she's shared.

Don’t miss Demian Licht’s wonderfully terrifying new release

Demian Licht’s music is frenetic and frightening, but precise, cinematic sonic thriller with an insistent pulse. And the Mexico City-based artist has done it again, following up in less than a year the first installment of her Female Criminals with Female Criminals, Vol. 2. CDM is talking to Demian this week, but I wanted to give you extra time with the music first, in case you’d missed it. as premiered on Crack Magazine At a moment in techno when so much music falls back on the same tropes, Female Criminals is film noir and not just dark. Club drum sounds …

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Inside Zeno van den Broek’s raw immersive AV architectures

Strap on headphones, and the sixteen minutes of Shift Symm is a brain-tickling assault. Even just within the stereo field, raw textures rumble and dance until you feel the sound’s structures inside your head. I was attracted to Zeno van den Broek’s work partly because that sense of patterning in sound and visual formed a work I thought deserved special integrity as a release. This is to me an encouraging sign that there are new frontiers for archaic, exposed AV minimalism in the post raster-noton age. Shift Symm by Zeno van den Broek Shift Symm therefore saw a digital release …

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Avalon Emerson's name keeps coming up - top tip. Photo by Tonje Thilesen.

Musical resolutions – hand-picked music to start 2017

Just as mixes need transitions, humans need pauses. So while some of the divisions of time are arbitrary, we need moments to step back and recollect. So CDM asked a cross-selection of producers and DJs to choose music from 2016 to begin our year. Maybe now – as the vacation spirit is wearing off and task lists are looming – maybe now is the time we need those most. This particular group of humans generally resisted the idea of making charts, as an empty exercise. But I suppose some of those individuals are the very people whose music selections I …

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Raindrops inspire mesmerizing video by Max Cooper, Maxime Causeret

It’s good to be Max Cooper. The artist’s richly crafted sound designs are paired now with a series of music videos commissioned by motion designers. And the most mesmerizing of these is the stunning creation by Maxime Causeret. Driven by the organic sounds of recorded rain, spun into percussion, Causeret’s animations follow emergent systems of colored particles as they merge and swim across the screen. I could say more, but … Max sort of says it all. Here: I’m really excited about this video project, after the first live show it was the part that everyone was asking about – …

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Forte festival - Portugal, 2016. Photo by Dina Brudi-Pascal.

Inside Orphx’s terrific live technique, mixing modular and computer

Orphx are simply enchanting – doubly so live. Veteran experimentalists and master virtuosos of live performance, their music is heavy and industrial, but endlessly imaginative and groovy. Onstage, they genuinely improvise – there’s spontaneity and interplay. And that creative energy plays out both in their imposing live schedule and in their prolific studio output. The duo, consisting of a clever matching of skills of Canada’s Rich Oddie and Christina Sealey, had a devastatingly good year in 2016. There was the masterful full-length Pitch Black Mirror. There were remixes and collaborations (like Eschaton, with Ancient Methods). And there were those face-melting …

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Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

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Adult Swim has a free noise album you don’t want to miss

It’s that time of the year again: weeks of hearing Christmas songs on repeat plus the untimely death of George Michael, and your ears are probably oozing peppermint goo while you cry yourself to sleep. This calls for some seriously aggressive noise album. You know – like a palette cleanser. Well, here’s one, and it’s free – from Adult Swim. “Noise” album? Cartoon Network? Okay, the combination sounds unlikely. But if you were expecting some lame hipster compilation that sounds like “noise music” just means someone fell asleep on their guitar pedalboard, think again. It’s actually damned good. And it’s …

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How a meetup space for female music makers is making a difference

Ed.: If we’re going to see more women or other underrepresented groups in music, one place to start is by creating new spaces. CDM contributor Zuzana Friday is involved in an effort in Berlin that does just that. The idea is an informal one: just have exclusively female-identified artists meet for a couple of hours, to give them an environment all their own, then open up to anyone interested thereafter – covering musicians but also quite a lot of visualists, too. Even the name is simple: “Meetup.” That approach has proven fertile enough that it’s fired up the music network …

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This group of practitioners is imagining the future of the accordion

I can see that look in your eyes. That thirst. “Please, Peter, regale us with esoteric information about contemporary accordion playing technique.” Absolutely. Let’s do this. You see, for all the extremist ideologies social media and the Internet are amplifying, well, at least experimental accordion practitioners are finding each other, too. And maybe it’s worth listening to them. The keyboard is dominant now in electronic music, after all. And they make keyboard-based music sound different. For instance, there’s this beautiful work by Martin Lohse and Bjarke Mogensen, “Passing 1,” set to Hubble imagery: And one 2013 gathering pulled artists and …

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