gruska_web

Finding beauty even in fiery oil refineries: meet Jonáš Gruska

From oil refineries to electromagnetic fields to bats, meet an artist from Slovakia discovering beautiful new sounds. Interview – and CDM events in Berlin.

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skinoftheirlight

Take a beach holiday on an alien planet with these ambient videos

You’re under stress. Trapped in a fluorescent-lit prison of your own making, chained to your desk behind the cold glow of your computer. You dream of being a futuristic cosmonaut-tourist, truly getting away from it all. French-born photographer/filmmaker Diane Drubay has what you need. Her hyperreal, dreamy videos use real seaside footage, warped into acidic colors. To gaze into her sunsets and rippling surfaces is to give yourself the holiday in the Alpha Centuari system you’ll never have. (Okay, it really is all Earth – maybe Earth is space-ier than you thought.)

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fjaederfeather

Discover Nordanvind, and the imaginative woman behind it, Fjaeder

Fans of northern sounds and nordic mythology, cock your ear for another label discovery. Nordanvind is the vinyl imprint of Swedish artist Fjäder. We profile the artist, the label, and then talk to Fjäder herself. Let’s first let her put us in an evocatively occult mood: In the eye of the storm Mithya spears Logos Shattering with a smile Suddenly I see all my faces I have seen the end of all things I slept a dreamless slumber… I have seen the end of all things I have seen the world reborn and crumble I have seen the end of …

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Watch Powell’s genius, glitching music video made from email

If you’ve never heard of UK producer Powell, it’s maybe even more important that you watch this video now. There’s a lot I want to say, but I’d give away the ending. Let’s keep it to this: an adventurous electronic producer, making a raucously stuttering, intense, punk-digital record, talked to his rock idol Steve Albini. And something happened. What happened on email turned into a music video by director Guy Featherstone, and the results are pure poetry. Very large epilepsy warning: this video strobes sickeningly. But, if like us, you rather like that sort of thing, you may … enjoy …

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maxology_physical

Get physical modeling sonic powers, free, in Max starter kit

There is a powerful world of sound exploration in your hands. But sometimes the hardest part is just starting. So the quiet launch of a site called Maxology is very good news. It’s evidently a place to go for tutorials and projects and more. And right now, you can grab a bunch of free and open source objects for physical modeling, built for Max 7 and Max for Live. That opens a window into a world of realistic and impossible sounds, built on algorithms that mimic the way instruments work physically and acoustically.

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Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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pierreschaeffer_grm

If you use samples, then wish Pierre Schaeffer a happy birthday

It’s French composer Pierre Schaeffer’s birthday, and if you’re using any form of sampling, it’s worth pausing to remember him. At 105 years of age, he’s more relevant than ever. Listen, to his Cinq études de bruits : Étude aux chemins de fer. Amazingly, this 1948 piece (made when my Mom was born) sounds like it’d still be a good listen on SoundCloud today (thanks, Yuri Spitsyn):

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redpigflower

female pressure’s techno compilation is heavy, required listening

This is a compilation of female artists, but that’s not – at first – why it’s worth mentioning. I would write about this particular compilation anyway. It’s dark; it’s heavy. It’s full of names you probably don’t know but should. The compilation is out now on Bandcamp from Barcelona’s inventive and adventurous label Different is Different Records. If techno isn’t your thing, skip straight to Electric Indigo’s crackling granular universe, “109.47 b.” Susanne Kirchmyer is a master of turning granular instruments into rich ambient landscapes of sonic color and shape, and this is eight and a half minutes of that. …

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These mics capture sounds from the edge of human hearing – and beyond

Here’s how much Slovak label LOM loves field recordings and strange sounds: they didn’t just stop with releasing a few wild experimental ambient albums. They’ve gotten into the boutique mic business. They’re creating new hardware that lovingly captures electro-magnetic fields. They’re printing t-shirts with custom designs to show their passion in illustrated form. These are people who are really passionate about recording. And you can get bit by the same addiction. Let’s have a look at what they’re offering.

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Inner8_KirilBikov

Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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