ambeo-smart-surround

Sennheiser wants to bring 3D audio recording to the masses

The consumer electronic drive to high definition and virtual reality is having a curious, parallel impact on sound. And so it is that Sennheiser now want to market binaural recording to your average smartphone owner – really. Now, of course, the normal human perception of reality includes both visual depth perception and the ability to localize sound in a 360-degree sphere around the head. That is, provided only one’s eyes and ears are fully functional and each pair is intact, the human brain adapts to these perceptions. But “3D” visuals and “3D” sounds aren’t themselves directly connected in terms of …

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Photo: Aoki Takamasa. Courtesy the artist.

raster-noton’s elusive Grischa Lichtenberger on creative sound

Grischa Lichtenberger is working with felt and stencils as well as sound. He’s speaking in hyperlinks, and misusing gear and feeding computers into other computers to form feedback loops. In short, he’s finding a unique and creative materialism in everything he does – and that means we really have to talk to him. So we sent Zuzana Friday to join in a delightfully esoteric conversation with the raster-noton artist. -Ed. Grischa Lichtenberger is a German musician and sound and installation artist, known for his releases on raster-noton. His immersive live performances oscillate between abrasive, aggressive compositions and intricate structures of …

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train

Get some inspiration in the magic of field recording

Field recording isn’t just an empty exercise. It can change how you think. Just listen to Chris Watson, who records nature for a living: “Listening in a positive way – that is, actively taking the decision to focus on certain things and reject others … stimulates my thought process. It makes me think more laterally about problem solving. It makes me think in a different way.”

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gruska_web

Finding beauty even in fiery oil refineries: meet Jonáš Gruska

From oil refineries to electromagnetic fields to bats, meet an artist from Slovakia discovering beautiful new sounds. Interview – and CDM events in Berlin.

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These mics capture sounds from the edge of human hearing – and beyond

Here’s how much Slovak label LOM loves field recordings and strange sounds: they didn’t just stop with releasing a few wild experimental ambient albums. They’ve gotten into the boutique mic business. They’re creating new hardware that lovingly captures electro-magnetic fields. They’re printing t-shirts with custom designs to show their passion in illustrated form. These are people who are really passionate about recording. And you can get bit by the same addiction. Let’s have a look at what they’re offering.

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Grab Free Drum Kits for Ableton Live and Other Tools: Vintage, Vinyl, Synth, Pine Cone

Sometimes, it takes just that one set of sounds to unfreeze your creativity and get a song started. And that’s why freebies are sometimes such fun: they’re even a bit more odd, a handful of offbeat sounds that just begs to be turned into … something. The folks at Puremagnetik have been posting some gems to their Tumblr account. This just in: “Wicked Kits” is a collection of five drum kits pre-configured for Ableton Live. (As with any Live kit, there are raw samples you can use in any tool you like – Renoise, MPC, whatever.) The emphasis here is …

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AudioCopy, Updated for iOS 7, Now Includes Handy Free Pasteboard App for Sounds

In the long run, iOS 7 should be a step forward for audio. There are some pretty superb new features for routing audio between apps, better selecting from different mics, and other features. But as in many of these sorts of updates, we have to first navigate some compatibility issues first, and get the bugs ironed out. (Inter-app audio is coming to apps now, but there are still some bugs that mean it doesn’t behave perfectly yet – watch for updates from Apple.) AudioCopy and AudioPaste, the popular technologies for seamlessly “copying” sounds between different iOS apps, requires the use …

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Zoom H6 Handheld Recorder, Now with Shotgun, Starts at US$399 [Preview]

Zoom has done a lot to popularize field recording, but perhaps equally impressive is how its products have improved. The first H4, for instance, earned the name “handy” recorder, but it was the successor H4N that finally provided dedicated controls, a body that better handled noise and that felt more professional, that didn’t require diving into menus just to set level. Some of the video recording options reverted to more annoyances – I was once in a cab in Philadelphia in which the driver volunteered that he couldn’t stand the Q3’s interface because he couldn’t properly set levels for his …

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Peter Cusack, recording sounds at Chernobyl in 2007. All photos courtesy the artist.

“You learn a lot about the city by asking about its sound”: Peter Cusack Interview, Sounds

He calls it “sonic journalism.” From the Chernobyl site to inside London, Peter Cusack has been turning his ear to the world’s most interesting places. A leading practitioner of sound art at the intersection of ecology and music, Peter Cusack is a uniquely inspiring voice in music making. So we’re keen to welcome Czech-born writer Zuzana Friday Prikrylova to bring her conversation with the artist, for the first time in English here on CDM. We bring with that exclusive sounds for you to hear from the artist. -Ed. Peter Cusack is a musician and a sound artist with a long …

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Mobile Studio: iMaschine And Making Drum Kits in the Sun [Tips]

Where I live, at least, the darkest winter on record has given way to spring. The trees outside my flat have sprouted leaves in the past 48 hours. And so, the idea of making electronic music out in the sun suddenly has a lot of appeal. This spring and summer, we’ll be featuring some ways to make music en plein air – even with technology. There are now a number of drum machines for iOS, and Native Instruments’ iMaschine hasn’t seen much of an update since its release. But iMaschine is my choice here for several reasons: It’s built for …

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