functionofmusic

Watch a beautiful meditation on the function of music

As co-host of the American public radio show Radiolab, Jad Nicholas Abumrad is usually in the business of giving you sounds on their own. You provide the mental images. But in a stimulating new film from director Mac Premo, thoughts become images as well as sounds. It’s a fitting conversation. Abumrad (a Lebanese-American, as I am) comes from a background in music composition. Premo, apart from being a filmmaker and commercial director, is an artist. Both live in New York. So what we get is a counterpoint of two imaginations running at once: sonic and visual, musical and optical. And …

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revenant-gallery-13-gallery-image

Sakamoto and Alva Noto again create electronics, scoring masterpiece

I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.

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IDOW Gear 6 (Eurorack)

I Dream of Wires Doc Gets Premiere; Here are Pics and Facts

The modular synthesizer, that wild animal covered in wires, has seen its once-endangered populations flourish and its revival in full swing. And now, it has its own movie. Some years now in anticipation, and with limited screenings here and there at film festivals, I Dream of Wires gets a wide release. The film is surely a landmark, but the launch is likely to be, too, bringing one of the modular synth’s greatest composers (Morton Subotnick) back to Berlin, Germany for a gala release performance, joined by video artist Lillevan. Mr. Subotnick is a rare figure, having made an impact not …

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mills

Jeff Mills Strips Bare Electronic Technique, Wants to Liberate DJs

Exhibitionist2TrailerFR from AxisRecords on Vimeo. For all the multi-camera Boiler Room rigs and debates over how vinyl records make music more visible than on a laptop, there’s an elephant in the room. Most electronic music fans don’t have any clue what’s going on. And even if you do, most of the technique behind the records is invisible – doubly so when the prevalence of DJing emphasizes mixing over musical improvisation. So, Jeff Mills’ “Exhibitionist 2” project – a film and performance series following up on the video/music release of a decade ago – seems both compelling and aptly named. It …

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808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

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jojo

The Human Drummer Battles Drum Machine, in Poetic Film with Jojo Mayer

Between Zero & One from ApK on Vimeo. What does it mean to be human in a world of drum machines? Not just whether drum machines have soul – how do you define your soul? Drummer Jojo Mayer doesn’t shy away from the deep issues around digitality in the brief film meditation that is Between Zero & One. He reflects on the states of being that the computer and machine represent, and then he does what any great drummer would do. He doesn’t get mad. He gets even. He refines drum technique to play what a drum machine can’t, framed …

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Brian Eno, portrait by Ralf Schmerberg.

Watch Artists Talk The Meaning of Life, Musically Speaking, In Free Feature Film [RBMA]

Forget for a moment that Red Bull Music Academy has for a decade and a half assembled some of the world’s greatest-known artists to dish out inspiration. Forget that that’s Brian Eno’s mug staring back at you with cool, blue eyes. Forget that music “careers” can span from finding ranking in Forbes to scraping together extra tips at a bar to own a synth, with a gulf in between that can make people question the value of their work. If you’re reading this, it means that you probably have made music your life. You build music and maybe you build …

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Animating in Light, Hand-Carved Creations: The Stunning, Glowing Effects of Marilyn Myller

MARILYN MYLLER – Mini Making: Light Effects from Mikey Please on Vimeo. Mastering today’s digital media often means expertly melding optical and digital. One of the films that launched modern digital animation as we know it, ironically, developed its signature look primarily via optical effects. And resonances of that film, Tron, are certainly here. The six-minute short Marilyn Myller gets a bit of everything. It’s hand-carved physical forms, stop-animated. It’s light painting with optical effects, captured digitally. And it seems that optical/digital fusion holds a lot of promise for his medium, including live contexts. I’m certainly inspired watching. Description of …

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Your Soul is Glitching: Impulse, a Chilling Visual Poem on Self and Tech

Impulse from gold extra on Vimeo. Don’t wait for the cyborg future. It’s here – embedded more deeply in ourselves than any googles or prosthetic. The words are from 1949 – Max Bense, a Cassandra on technology, talking about “technical existence.” The visuals are part stop motion, part digital effect and glitching edit. And the human actor is glitching, too – their face twitching with electrodes, a la Daito Manabe. (Don’t miss the beautiful, perfect sound score by Juan A. Romero, too.) But the sum of all these components is something chillingly poetic, a visual etude that imagines something hopeful …

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