Universal Audio has been a name in recreations of classic studio gear for some time. But now, here’s something that will appeal directly to producers. Included in a slew of updates today, you get crunchy, wild 8-bit effects (emulating the now-discontinued boutique OTO BISCUIT hardware), Moog multimode filters paired with powerful modulation and filters, and a subharmonic synth from the disco age you can use to add booty-shaking low end to tracks. In other words, it’s like Christmas for producers with UAD, with a whole bunch of delicious stuff you might want. This isn’t a review, yet – will follow …
These days, there are models of the Moog ladder filter everywhere (hardware and software), but it wasn’t always so. 13 years ago, Bob Moog himself partnered with developer Arturia to model his creations in software form. Now, that developer is giving away the latest iteration of their software filtering tech in a powerful plug-in – and it’s free for a couple of days. The MiniFilter V is more than just a drop-in ladder filter. It’s a bit like having a set of Moogerfoogers in your computer, all patched together. So there’s the all-important ladder filter itself, with 24dB/oct curve and …
Spaceship Delay is a free modeling plug-in for Mac and Windows with some wild effects. And it’s made possible partly thanks to the openness of hardware from KORG (and us). The plug-in itself you shouldn’t miss, and if you’re interested in how it’s made, there’s a story there, too. First, the plug-in — it’s really cool, and really out there, not so much a tame modeling effect as a crazy bundle of extreme sonic possibilities. In fact, it’s as much a multi-effects processor as it is a delay. Here it is in action, just quickly applying some of the sounds …
Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way of adding that same analog business to software signals.
Just in under the wire before Roland hosts their own product shindig next week, Korg are here with a new volca to announce. The latest handheld instrument in that blockbuster line is something of an outlier: called “kick,” it’s more specialized than the rest. But it does look like more than just a box for making bass drum sounds (though it’ll do that if that’s what you’re after).
Okay, enough teasing already. Behringer has a 12-voice polyphonic synth called the DeepMind. And now let’s talk about exactly what to expect, in one place.
I always figure the measure of a good plug-in is, you want to tell everyone about it, but you don’t want to tell everyone about it, because then they’ll know about it. iZotope’s Möbius is in that category for me – it’s essentially moving filter effect. And it’s delicious, delicious candy.
You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.
Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.
Pioneer revealed its Toraiz SP-16 hardware sampler earlier this week, along with the news that analog filters from Dave Smith were baked in. But beyond that, online specs were a bit vague. So we’ve just gotten to meet up with Pioneer (and Dave) and get close to a prototype unit. Firmware isn’t done yet, but we got to learn a lot more – and there’s a lot to like.