sonocipher-kontakt

Free Plug-in Makes Music from Serial Numbers – And Sounds Awesome

Careful what you joke about on the forums. It just might turn into reality. Somehow, it all started with some discussion about what software serial numbers “sound” best. Apparently developer SzcZ / Fairly Confusing Waveforms decided to take the idea and run with it. The result is a free plug-in that’s good enough that you can safely ignore how it’s working and just have fun creating gorgeous, percussive, granular cinematic soundscapes. You could easily make a whole album out of this stuff. Listen:

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Watch Flappy Bird Make Ambient Music, Billiard Balls Bounce, in Lemur Hacks

If Brian Eno were scoring the dreams of a gaming addiction, it might go something like this. Yes, we already told you previously that Lemur 5 adding a canvas object would mean anything could be a controller. It makes the iPad controller app as much a blank, well, canvas, as your Web browser window, more or less. But with relatively scant documentation, Lemur 5 assumed a lot of its users. I mean, it seems like you’d almost need some ingenious coder/hacker to turn this into something completely ridiculous, right? Okay, that didn’t take long. Someone going by the name “saveas909” …

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A Free and Open Source Compressor, Built in Pd and Perfect for Mobile

Whether you’re building an experimental effect or performance tool or writing the Next Big Thing in Mobile Apps, you might need some signal compression. Working in Pure Data (Pd), it’s easy to create patches that get unruly, especially once you add live audio input. For mobile developers, things get even worse: you have to make your app work anywhere, with a range of devices, acoustic environments, microphones — the list goes on. The folks at Two Big Ears, who are working on their own rather lovely Android synth, have come to the rescue of Pd hobbyists and mobile developers alike. …

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kelp

A Remix Crosses the Globe, 64 Bars at a Time [Ninja Tune forum Release]

Come on in; the water’s fine. A chain of remixers cross oceans as they remix “Oceandrift,” by Kelp. Photo (CC-BY-SA) Derek Keats. The opening track is aptly-named, a diving bell launched into aquatic depths of ambient sound. But on this release, it’s just the beginning of the journey. From Kelp’s track “Oceandrift,” a set of remixers chart very different musical worlds. They connect across geography via the NinjaTune forum. It’s the latest proof that electronic production need not sound like cut-and-paste templates and presets – and the most recent example of the phenomenon known as the remix chain. What’s a …

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Something New is Coming From Elektron; Elektron Fans Getting Restless

Mark of the octopus. The mystery continues. Photo (CC-BY-ND) Allen Elliotte. With Germany’s Messe trade show just a week away, buzz is pretty well focused on Swedish boutique machine maker Elektron, that beloved manufacturer of the Machinedrum. They’re about to launch something, and it’s a product with “octa” in the name, but that’s about all that’s known. Of course, that hasn’t stopped the Elektron fanbase from getting well worked up in an increasingly hilarious set of message threads. (Bless you, fora.) First, the rampant speculation: Are we expecting a new Elektron product at Musikmesse? User Atiko, however, notes in a …

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Details of SONAR 8.5, and the Dystopian Future in Which You Use It

What happens when you mix technical chatter on the Cakewalk forum, Samuel Beckett, and The Matrix? I’d wager you get something like the surreal video above. Prompted by the posting of technical details for a new update to Cakewalk’s SONAR production software for Windows, and empowered by a strange, new tool that generates eerie virtual reality from typed text, we get banter like this: The arpeggiator is now on every track, so you are supposed to use it. It is one of the new rules of recording. Yes, I came from the days of one-finger piano playing. This is a …

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Out of Control APC40 Photoshop Thread on Ableton Forums

I really have no words for this one, other than there’s a hilarious APC40 meme happening on the Ableton forums. Is it love? Disdain? The APC as the new “All Your Base” for the Live warping set? Does it really matter? http://forum.ableton.com/viewtopic.php?f=1&t=116396 It’s good to know that, even as Ableton Live use has spread, us computer music folk are really not normal. Via Tara Busch on Twitter of AnalogSuicide.

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Sonic Sampler: What’s Been Cooking in the CDM Forums?

Some of you might be surprised to learn that people don’t just read this blog, they also make music. Digital music. In fact, the Create Digital Noise forums have a whole active community of musicmakers, encompassing a broad range of styles, sensibilities, and production techniques. Let’s sift through some recent works by the CDM community, shall we? Leading the pack in can-do professionalism is UK’s Creature and his new album Distant Horizon: Creature Audio Creature is the project of Stephen Haunts, who some of you may recognize from last year’s Circuit-Bending Challenge. Stephen is the proprietor of Haunted House records, …

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From the Forums: Post Your Favourite Music Videos

While touring around and using my mobile phone for internet I couldn’t really watch much online video. No DeK, no Motionographer, no VJKungFu, no YouTube! So Atomic Afro’s Post your music video playlists thread on CreateDigitalNoise is a great welcome back to broadband. Afro has an impressive 118 videos in his list right now. I haven’t been on a mission like this, but have a couple accrued in my music videos youtube playlist. I’d love to see what the visual CDM readers are digging, so please hit the forums and link us to your favourites!

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Getting Good Gigs … For Visualists

I got to run a feature yesterday on Create Digital Music with tips for getting good gigs, written by musician and Chicago electronica scenester Liz “Quantazelle.” That story has in turn generated a lot of discussion on CDM and elsewhere. This raises an interesting question, though: how much of this advice applies to visualists and, specifically, standard VJ gigs? We face even more challenges: needing projection surfaces and (in some cases) projectors, having to “accompany” music, and having a new medium that most people still don’t quite “get.” My own gigs have often been nontraditional (modern dance) or mixed with …

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