Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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risset

Jean-Claude Risset, who reimagined digital synthesis, has died

We’re in a strange time, as we big farewell to a great generation of pioneers of electronic music. French composer Jean-Claude Risset’s work can still tickle our perception and challenge what’s possible. He helped expand the frontiers of what digital synthesis can do for our ears, and brought the technology to the European continent. And this week, he left us at the age of 78. The sound for which Risset is best known is perhaps the most emblematic of his contributions. Creating a sonic illusion much like M.C. Escher’s optical ones, the Shepherd-Risset glissando / Risset scale, in its present …

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joue

Joué is a modular touch sensitive controller that changes into anything

Like pressure-sensitive control – but don’t want to commit to one layout? Joué is a fascinating new controller concept that has touch sensitivity but lets you change layouts on the fly – with tactile control. The concept: add physical, modular overlays to the top to change the function of the controller. At its heart, the Joué is a USB-connected controller – much like the ROLI Seaboard, roughly speaking. It transmits data over MIDI. The difference is the physical overlays. Combined with configurable settings in a software editor, they let you add piano-style keys, drum pads, guitar-like frets, or other 3D …

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GD30OB2-N.cdr

The making of a fanciful album imagining a post-apocalyptic future

What would your future clone think of you now, looking back across an apocalyptic reshaping of humanity? That’s the question posed by the 2005 novel The Possibility of an Island, and it resonates in Franz Kirmann’s new album Elysian Park. This might sound bleak, but it isn’t. Kirmann’s new record paints a science fiction sound portrait in dense textures and hyperreal washes of color. There are stuttering and spectacular rhythms making bold shuffles across the music. It’s headphone stuff for sonic dreaming, relentlessly futuristic and endlessly engaging. It’s a world you’ll want to enter and reenter, an addictive time warp. …

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noname

Arturia’s DrumBrute is a $499 hands-on analog drum machine

Boom! No, that’s not the sound of a kick drum – it’s the sound of the analog drum machine getting friendlier and cheaper the same way analog monosynths have. Arturia’s DrumBrute is US$499 (449€), and it’s loaded with hands-on sound controls and extra features. At that price and with all this stuff to play with on the front panel, this is guaranteed big news. The sound DNA come from Arturia’s other Brute instruments – so expect edgy sounds and, naturally, another Steiner-Parker filter. (That particular filter design has shown up on the whole family.) Here’s a demo video sent to …

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bam_cam01_V01

BAM is OTO Machines’ musical, retro reverb box

Reverb: it’s something everyone needs. And yet in hardware, you almost always see the same couple of boxes. It seems about time for a new player. And OTO Machines, known for their BISCUIT 8-bit effect box and filter, might have just the candidate. BAM, coming soon, emulates the reverbs of the 70s and 80s. And in the demo, it sounds amazing.

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ribbon2

Eowave’s Ribbon 2 synth-controller is an updated classic

Amidst a bumper crop of new, multi-dimensional hardware, it’s a wonderful time for the expressive controller. But Eowave’s unique boutique instrument is one in the classic mold: a long, touch-sensitive strip that can act as a synth or controller. It’s now updated in a new model called the Ribbon 2.

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matrixbrute

The new Arturia MatrixBrute is 100% analog, 100% insane

Well, f*** minimalism, apparently. We’ve seen monophonic/duophonic synths. We’ve seen new analog keyboards. What we haven’t seen is analog keyboards that seemed to be designed when an inventory of pads and knobs exploded – in your face. And that’s what the new Arturia MatrixBrute is. It looks like a fake Photoshop mockup you’d see on a forum, perhaps. But it’s real. All real. Close your eyes for a second and let your retinas recover, and let’s sort out what is actually even happening here.

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ircam

IRCAMAX 2 effects put sonic science into your Ableton Live sets

IRCAM is Paris’ legendary research center. It’s the place where the original Max was born, and it’s still a hub for some of the brightest minds in sound in the world. IRCAMAX 2 is a new set of effects and instruments for Max for Live. And it does some amazing stuff – though maybe the best way to demonstrate that is not to explain, but to let you listen. They’ve made not just demos but some beautiful music, via artist Najo:

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skinoftheirlight

Take a beach holiday on an alien planet with these ambient videos

You’re under stress. Trapped in a fluorescent-lit prison of your own making, chained to your desk behind the cold glow of your computer. You dream of being a futuristic cosmonaut-tourist, truly getting away from it all. French-born photographer/filmmaker Diane Drubay has what you need. Her hyperreal, dreamy videos use real seaside footage, warped into acidic colors. To gaze into her sunsets and rippling surfaces is to give yourself the holiday in the Alpha Centuari system you’ll never have. (Okay, it really is all Earth – maybe Earth is space-ier than you thought.)

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