Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding

BHOREAL gets ready from MID New Media Design on Vimeo. It’s been almost a decade since the monome first began making appearances. Now, grids are everywhere – and that raises the question, where will the next innovation come from? What’s exciting about Bhoreal is that, far from simply cloning the monome, it realizes potential frontiers that the original monome couldn’t. And as Bhoreal reaches the final hours of crowd funding, the last chance to be first in line for the first hardware, it’s performing a lot of tricks to show off. Think lasers and robots. See the video at top …

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Beatboxing, Crowd-funded Wearable Open Source Beatjazz: Onyx’s Transformation Continues

When we last saw Onyx Ashanti, he was speaking of a grand vision to remake himself into a music-performing Tron. Now, the elements of that vision are coming together, with a crowd-sourced funding campaign that ends today, Friday. Update: Apparently after seeing this story, IndieGogo extended the funding deadline for five days, with the new deadline Thursday, December 1. I knew Onyx back when he was playing more conventional wind controllers. Now, that fingering arrangement is freed from the virtual wind instrument, handheld and movable through space. Because of the plans to open source everything he’s making, you might yourself …

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Urbanized to Join Objectified, Helvetica, as Design Nerds Get Their Ultimate Trilogy Box Set

Filmmaker Gary Hustwit has become the Francis Ford Coppola of design documentaries (I expect a vineyard soon). His documentaries on type (Helvetica) and industrial design (Objectified) are glorious, intimate sources of visual inspiration. Now, he’s taking his quest to release a third film on cities to Kickstarter. And while Kickstarter seems to be the “it” site of this bootstrapping economic dip, the pitch is pretty good. First, Hustwit on exactly where he came from: In 2005 I began work on my first documentary, Helvetica, which looked at the worlds of typography and graphic design through the eyes of one loved/hated/ubiquitous …

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Jaymis at The Edge: Webcast Live Today with Dot.AY, DZ, Simulcast

I’ve been reasonably quiet of late, and for that I apologize. I hope, though, that when you hear the reason, you’ll find it in the cold technological cores of your beings to forgive me. My government has seen fit to create an enormously amazing resource and incubator for technological artists. It’s called The Edge, and it’s located at the State Library of Queensland. I’ve recently taken a job at The Edge as a Catalyst, which means that I’m now getting paid by the government to blog, produce, create, hack, educate and do all of the things that we love on …

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Artists’ Jobs Aren’t Jobs? Will the Real Conservatives Please Stand Up?

Well, someone has pork on the brain, anyway. Photo: Jason Brackins. While I’m discussing the potential to take new directions in the arts and technology worldwide, and about ways in which creative technology can help repair the global economy, I’d be remiss if I didn’t make one sobering concession: To many policy makers, the “arts” don’t count as the economy. If you’re employed as an artist, (and by extension in creative fields), you’re not a worker. Um… thanks? Never mind that in the US alone, nearly 6 million people are employed in the arts – or that that figure itself …

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