Music Video: Emptyset ‘Fragment’ Continues to Fuse Image, Sound [Raster-Noton]

Emptyset: Fragment from The Wire Magazine on Vimeo. Through a thick layer of electronic grunge, “Fragment,” a track from the forthcoming Emptyset album on Raster-Noton, is transformed into hard-edged analog geometries. This is analog generation from some post-apocalyptic civilization, it seems: aggressive, percussive glyphs. The machines seem … angry. But it’s also the latest example in a long tradition at Raster-Noton of perfectly fusing visual and sonic aesthetic, so that one is the mirror of the other. And that makes it consistently more satisfying than a lot of what’s out there. It helps that one act (the Bristol-based duo) is …

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Ableton Goodies: Max for Live Devices for Spectral Effects, Video, Random Rhythms

Our inbox is full of fun stuff Ableton lovers can download, so we’re pronouncing it “Ableton Goodies” day. Enjoy! Open up a platform to making custom tools, and the user can become the upgrade. They can devise new ways of making music – small inventions to spark creativity. And that’s happened in the case of Max for Live, allowing Max patches to run easily inside Ableton Live. Ableton hardly needs to release their own patches, or take much action at all. The Max community has been robust for over two decades now. Sites like maxforlive.com have rich collections of instruments, …

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TouchDesigner 088 Adds Crazy-Awesome Savvy in Mapping, Scripting, Sound and Music, More

Eye Vapor EEG Sonification 1 from Derivative on Vimeo. Smart. Even smart enough to visualize and sonify EEGs. TouchDesigner is not well-known in general circles, even after long-running availability. It’s Windows-only software for specialists. But there’s only one thing you need to know about it: it is consistently used in some of the best work artists are doing right now in multimedia. And in one go, the deceptively-named “088” is adding some massively-important stuff. Little wonder we’re hearing from a number of readers who are already excited. And there’s now a non-commercial license, too, fellow impoverished and overworked but lovable …

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Kinect Goes Analog: Oscilloscope and Digital Depth Map Meet

Rutt Etra Meets Kinect from i.m. klif on Vimeo. There’s a beautiful fusion of analog and digital imagery in comments on yesterday’s story on easy Kinect software solutions. “Post digital” gets bandied about, yes, but really this to me is the perfect example of focusing on the materials of a project without any particular regard for any arbitrary dividing lines; it’s just the freedom of experimentation at work. Description, from Croatia-based reader i.m. klif (who also includes some of his lovely music, rescued from tape):

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Reading List: The Best of the Web, from Vintage Grooveboxes to APC Sequencers to Indeterminism

There’s a beautiful river of information for electronic musicians out there, if you can only navigate its currents. In our new series, we pick out some of the best selections, since we can’t always squeeze in a full article of every terrific gem out there. It’s like a window into our inbox. And for the first edition, we’ve got a lot – resources for Ableton and wireless MIDI and Logic, deep thoughts on production and folk music and indeterminism and robots learning to play in a band. Queue it up for your reading pleasure. (We’re big fans of Pocket for …

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Rouge: The Power of TouchDesigner, Made Ready and Reusable for Live Performance [Free]

The beauty of open-ended, modular environments is the ability to create exactly what you need from the ground up, each time. The problem with open-ended, modular environments is the need to create exactly what you need from the ground up, each time. And that has left some readers of this site utterly baffled when opening the graphical environment TouchDesigner we mention so often. Media artist Mary Franck got tired of creating new modules and mappings for each performance, and wanted to produce a framework that allowed her to create custom shows without having to reinvent the wheel. What she has …

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The Natural World, in Code: Dan Shiffman Talks Genetic Algorithms

Dan Shiffman @ Kickstarter HQ on Genetic Algorithms on April 2nd from Kickstarter on Vimeo. Creative code may, to most people, be as far from the natural world as possible. But in a purely aesthetic way, finding the connection between natural environment and code expression is the mission of Dan Shiffman’s recent tome. And in this talk, it’s the nature of the Nature of Code, as creative code guru Dan Shiffman goes into his approach. The setting is fitting: Dan is at the headquarters of Kickstarter, the platform that managed to fund his book. After mixed success with a conventional …

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Biostagog: Fluid Cellular Architecture Combines Mapping, Responsive Interaction [Gallery]

BIOSTAGOG from Platige Image on Vimeo. When futurists dream of fluid architecture, more digital image than brick and mortar, this is one element of what they mean. From Warsaw, Poland comes a project combining algorithmic design, 3D-printed surfaces, and interactive motion turned into projection-mapped image. Yep, that ticks all the buzzword boxes. But the upshot really does signify something transformative here in all these trends: it shows an architectural surface imagined on computers that takes on new shapes and responds to its environment. So, while some of these particular interactions are familiar – apparently, no one gets tired of waving …

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Creative Coding, Evolved: Processing Nears 2.0 Release With Hot-Looking Beta 9

There’s a reason for Processing’s popularity. By making code simple, elegant, and direct, and catering directly to the kinds of visual ideas creative people have, the environment has made programming accessible to artists and designers in a way nothing else could. Coding no longer has to be a source of fear, or a bad word. But Processing, years into its life, has also badly needed a refresh. 2.0 is more than just a house cleaning. It’s a new direction, with “modes” that mean it’s no longer tied to old desktop Java architectures. (See a tantalizing screenshot below – with the …

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3D Light Painting How-To: iPad + Open Tools + LEGOs with Mickael Le Goff

Monark teaser (How to do 3D light-painting) from Mickael Le Goff on Vimeo. When photography meets generative visuals, where real-for-real techniques come together with digital imagery, some special things can happen. Take the surprisingly-effective technique of 3D light painting. If you don’t closely follow our sister music site, you may have missed NI’s Monark synth. But the teaser for it is worth revisiting for its technique. Combining the iPad as a convenient portable screen with generative visuals and an open source 3D and Arduino control rig, it produces a rich, subtle effect that could be worth adding to your arsenal. …

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