Vuo in Beta: A New Hope for Visual Development? [Resources]

So, without a line of code, you want to make something new, visually. You’ve got Max, you’ve got Pd, you’ve got vvvv. But for quickly cooking up generative visuals, dynamic interaction, live animation, and more from a clean slate, the other option had been Apple’s Quartz Composer, a tool that has lost a lot of steam (and acquired quite a few bugs) lately. Somehow, many people want some fresh blood on this scene. And that’s where Vuo comes in. From the creators of the Kineme plug-ins, it’s a chance to start anew. We’ve been eyeing Vuo with interest for a …

READ MORE →

aleph Soundcomputer: Interview with monome creator Brian Crabtree and Ezra Buchla

aleph is something of a curiosity: it’s a dedicated box uniquely designed for sonic exploration that isn’t a conventional computer. It comes from the creator of the monome, but while dynamic mapping is part of the notion, it is the first monome creation capable of making sound on its own. The monome is a controller that uses a grid for whatever you want; aleph is a self-contained instrument that makes any sound you want. In review: aleph, from monome: Programmable Sound Computer That Does Anything But this isn’t only a story about some specialist, boutique device. It’s a chance to …

READ MORE →

Music Video: Emptyset 'Fragment' Continues to Fuse Image, Sound [Raster-Noton]

Emptyset: Fragment from The Wire Magazine on Vimeo. Through a thick layer of electronic grunge, “Fragment,” a track from the forthcoming Emptyset album on Raster-Noton, is transformed into hard-edged analog geometries. This is analog generation from some post-apocalyptic civilization, it seems: aggressive, percussive glyphs. The machines seem … angry. But it’s also the latest example in a long tradition at Raster-Noton of perfectly fusing visual and sonic aesthetic, so that one is the mirror of the other. And that makes it consistently more satisfying than a lot of what’s out there. It helps that one act (the Bristol-based duo) is …

READ MORE →

Music Video: Emptyset ‘Fragment’ Continues to Fuse Image, Sound [Raster-Noton]

Emptyset: Fragment from The Wire Magazine on Vimeo. Through a thick layer of electronic grunge, “Fragment,” a track from the forthcoming Emptyset album on Raster-Noton, is transformed into hard-edged analog geometries. This is analog generation from some post-apocalyptic civilization, it seems: aggressive, percussive glyphs. The machines seem … angry. But it’s also the latest example in a long tradition at Raster-Noton of perfectly fusing visual and sonic aesthetic, so that one is the mirror of the other. And that makes it consistently more satisfying than a lot of what’s out there. It helps that one act (the Bristol-based duo) is …

READ MORE →

Ableton Goodies: Max for Live Devices for Spectral Effects, Video, Random Rhythms

Our inbox is full of fun stuff Ableton lovers can download, so we’re pronouncing it “Ableton Goodies” day. Enjoy! Open up a platform to making custom tools, and the user can become the upgrade. They can devise new ways of making music – small inventions to spark creativity. And that’s happened in the case of Max for Live, allowing Max patches to run easily inside Ableton Live. Ableton hardly needs to release their own patches, or take much action at all. The Max community has been robust for over two decades now. Sites like maxforlive.com have rich collections of instruments, …

READ MORE →

TouchDesigner 088 Adds Crazy-Awesome Savvy in Mapping, Scripting, Sound and Music, More

Eye Vapor EEG Sonification 1 from Derivative on Vimeo. Smart. Even smart enough to visualize and sonify EEGs. TouchDesigner is not well-known in general circles, even after long-running availability. It’s Windows-only software for specialists. But there’s only one thing you need to know about it: it is consistently used in some of the best work artists are doing right now in multimedia. And in one go, the deceptively-named “088” is adding some massively-important stuff. Little wonder we’re hearing from a number of readers who are already excited. And there’s now a non-commercial license, too, fellow impoverished and overworked but lovable …

READ MORE →

Kinect Goes Analog: Oscilloscope and Digital Depth Map Meet

Rutt Etra Meets Kinect from i.m. klif on Vimeo. There’s a beautiful fusion of analog and digital imagery in comments on yesterday’s story on easy Kinect software solutions. “Post digital” gets bandied about, yes, but really this to me is the perfect example of focusing on the materials of a project without any particular regard for any arbitrary dividing lines; it’s just the freedom of experimentation at work. Description, from Croatia-based reader i.m. klif (who also includes some of his lovely music, rescued from tape):

READ MORE →

Reading List: The Best of the Web, from Vintage Grooveboxes to APC Sequencers to Indeterminism

There’s a beautiful river of information for electronic musicians out there, if you can only navigate its currents. In our new series, we pick out some of the best selections, since we can’t always squeeze in a full article of every terrific gem out there. It’s like a window into our inbox. And for the first edition, we’ve got a lot – resources for Ableton and wireless MIDI and Logic, deep thoughts on production and folk music and indeterminism and robots learning to play in a band. Queue it up for your reading pleasure. (We’re big fans of Pocket for …

READ MORE →

Rouge: The Power of TouchDesigner, Made Ready and Reusable for Live Performance [Free]

The beauty of open-ended, modular environments is the ability to create exactly what you need from the ground up, each time. The problem with open-ended, modular environments is the need to create exactly what you need from the ground up, each time. And that has left some readers of this site utterly baffled when opening the graphical environment TouchDesigner we mention so often. Media artist Mary Franck got tired of creating new modules and mappings for each performance, and wanted to produce a framework that allowed her to create custom shows without having to reinvent the wheel. What she has …

READ MORE →

The Natural World, in Code: Dan Shiffman Talks Genetic Algorithms

Dan Shiffman @ Kickstarter HQ on Genetic Algorithms on April 2nd from Kickstarter on Vimeo. Creative code may, to most people, be as far from the natural world as possible. But in a purely aesthetic way, finding the connection between natural environment and code expression is the mission of Dan Shiffman’s recent tome. And in this talk, it’s the nature of the Nature of Code, as creative code guru Dan Shiffman goes into his approach. The setting is fitting: Dan is at the headquarters of Kickstarter, the platform that managed to fund his book. After mixed success with a conventional …

READ MORE →