blawanmatrix

Watch artist Blawan go hands-on with the monster Arturia MatrixBrute

The term “beast” may be overused in describing synthesizers, but the massive, heavy, feature-packed Arturia MatrixBrute certainly deserves the term. Now, we get to hear and watch as Blawan takes us on a tour. Blawan is one of my favorites in adventurous techno, not least for his unique skills in playing live – because finding great DJs is still considerably easier than finding artists who can produce on the spot. So he’s a smart match to launch a new series pairing artists with gear, run by Electronic Beats and German-language Bonedo. Now’s a good time – the MatrixBrute has been …

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dadamachines is an open toolkit for making robotic musical instruments

There was a time when using controllers to play music was still novel. Building them was a technically complicated task, limited to a handful of individuals – most of whom had to keep solving the same basic problem of how to get started over and over again. Now, we know, that’s no longer the case. There are controllers everywhere. You can buy a finished one off the shelf. If you want to customize and modify that, it’s easier than ever before. If you want to make your own, that’s easier than before, too. And the result is that musicians separate …

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Photo: Bobby Collins.

Step inside the mystical sound world of Circular Ruins

Circular Ruins’ auditory landscapes are rich and strange, hypnotic rituals of loops and layers. They’re dark, but somehow un-menacing – safely resonating with whatever dangers live there. The artist speaks to us here about process, and zeitgeist, and cassette tapes. And we get to premiere the full release. We have a look round his studio and rig along the way. Circular Ruins happens to be Marijn Degenaar, who also happens to be on the design team at CDM. Oddly, friends and I have each done a double-take there, discovering his music through some other channel only to find out later …

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It's so bad. ()CC-BY-SA) Matt Mechtley.

Dieter Doepfer made the Nintendo Power Glove work for Kraftwerk

German YouTuber “studentsmusic” has come across the Nintendo Power Glove mod used by none other than Eurorack originator Dieter Doepfer. And he had a hell of a client – Kraftwerk. Now, whether you have any desire whatsoever to don some gloves and wave your hands around, the peculiar category of music glove has a long history intertwined with a lot of today’s thinking about music, controllers, and expression. Michel Waisvisz gets a brief mention here, but it’s worth noting that his project “The Hands,” originating in 1984, was one of the first gestural controllers and likely shaped many other devices …

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Offline processing in Nuendo 8.

You can compose entire interactive game scores in Nuendo 8, more

There isn’t one music production tool that fits everybody. What’s special about Steinberg’s Nuendo is that it is uniquely poised for high end production workflows. And maybe more than any other developer, Steinberg seems to be catering to the needs of A-list game scores. That says something not only about Steinberg, but about the changing face of music production. Once, there was the studio world, and “pro” releases meant the Audio Engineering Society (AES) show. You know, for people producing records. Now, odds are, you’re going to laugh when you open the statement from your label showing how much you …

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The man from KORG himself. Thanks for dropping in! We're loving what you're doing.

Visionary Tatsuya Takahashi leaves a huge legacy as he departs KORG

It’s not an exaggeration to say that Tatsuya Takahasi and his team at KORG has changed the face of the modern synth industry. And I can even say that literally. “Tats” has become a household name in the international synth community in a way no other Japanese engineer, designer, or leader has. (Compare, for instance, Hiroaki Nishijima, creator of the MS-20 – a name people rarely know as readily as they do the synth.) Korg products are still the work of big teams, like any large maker, but Tatsuya has been a public figure, outspoken and eloquent in the description …

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Enter the wondrous world of Walter Giers’ electronic sound art

Few people could make circuits into art quite like Walter Giers. He made them into visual objects, into aesthetic and design statements, into loud and even “annoying” performative constructions, into instruments. They aren’t simply utilitarian means to an end, but imaginative medium. Electronic Beats takes a look into Walter Giers’ mind this week in a new film, featuring interviews with family members that reveal some of his way of seeing the world. Off to Schwäbisch Gmünd, we go: The featured works here: 00:20 – Weisser Vulkan (1979) 1:08 – Erotischer Zyklus (1975) 1:14 – Hänge-Kugellautsprecher (1968) 2:14 – PE II …

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Photo (CC-BY) Martin Hearn.

Get the sound of an abandoned US surveillance tower, free

Over fifty years ago, it was built in West Berlin atop a mountain of rubble to listen in on the Communists in the East. And now, the infamous Teufelsberg UA National Security Agency tower can lend its cavernous sound to your tracks. It’s available as a free plug-in for Mac, Windows, and even Linux, and it’s open source. Someone found this idea appealing already, as the impulse samples we wrote about previously became the creators’ most popular download. But now, you get a plug-in you can drop in your host. It’s actually a pretty nice array of stuff here: Lush …

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What if you could touch and feel a score?

What if scores could be touched and felt instead of only read? We’ve just come from a deep, far-ranging discussion with artist Enrique Tomás, a researcher at the Interface Culture Lab in Linz. It’s part of Enrique’s residency with CTM Festival and ENCAC – European network for contemporary av creation, who also support some of our work. And it’s presented as part of another of our MusicMakers hacklabs at CTM Festival. It’s worth sharing some thoughts already. One of his more compelling illustrations of this was his PhD project, tangible scores: Credits: Enrique Tomás – PhD at Interface Culture Lab …

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Photo: Natisha Shpaner.

Videos for Mary Ocher’s moving avant-pop reflect on a violent world

Music can still have something to say. Not just a hackneyed protest song or music that wears politics like dress-up, but – something to tell you. When it hits you, you can sometimes feel a bit weak in the knees. That was the impact for me of Mary Ocher’s new album, two tracks of which get video treatments. The songs themselves have a message, but then their meaning becomes even more stark in the music videos – reason to share them here. I’m slightly self-conscious that the way I knew about this album was initially in being asked through a …

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