gabrielananda

A strikingly honest interview about music and happiness

Does great music come from pain, or should happiness and caring for yourself come first? We don’t talk about that a lot in music. Indeed, from music gear news to dance music lifestyle publications, we peddle fantasies of success. We do that even when it’s clear most of our audience – most of us – will never have that sort of success. But even more so, there’s little consideration of whether that actually makes anyone happy. So I find this interview strikingly refreshing and encouraging. It’s from the documentary collective Blitzkickers, who have a knack for going past the usual …

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PushPull is a crazy futuristic squeezebox instrument you can make

PushPull will blow apart your idea of what a typical controller – or an accordion – might be. It’s a bit like a squeezebox that fell from outer space, coupling bellows with colored lights, sensors, mics, and extra controls. And you can now make one yourself, thanks to copious documentation. You may have seen the instrument in action in the last couple of years ago – gasping in the dark. PushPull Balgerei 2014 from 3DMIN on Vimeo. But with more complete documentation, you get greater insight into how the thing was made – and you could even follow the instructions …

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Franck's work Flesh. Courtesy the artist.

Interview – Franck Vigroux is celebrating technology but resisting normality

Can you look deep into dystopias, and the darkest uses of technology for surveillance, and come away optimistic? Can you work across every medium imaginable, eschewing any particular style or genre, yet retain a voice? For the answer to these questions through an artist with a unique level of experience and a long-standing body of work, CDM’s Zuzana Friday talks to Franck Vigroux. It’s a vision of a dark future that might just encourage you. -Ed. Looking at Franck Vigroux’s resume, you’d never imagine he’d fly under the radar. Yet this award-winning, endlessly touring, prolific collaborator of a musician only …

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A call for emotion in musical inventions, at Berlin hacklab

Moving beyond stale means of framing questions about musical interface or technological invention, we’ve got a serious case of the feels. For this year’s installment of the MusicMakers Hacklab we host with CTM Festival in Berlin, we look to the role of emotion in music and performance. And that means we’re calling on not just coders or engineers, not just musicians, and performers, but psychologists and neuroscientists and more, too. The MusicMakers Hacklab I was lucky enough to found has now been running with multiple hosts and multiple countries, bringing together artists and makers of all stripes to experiment with …

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Dasha Rush at Futurum.

Voyage into Dasha Rush’s inspiring ambient sonic worlds

Assemble, cosmonauts: Dasha Rush is an artist whose musical worlds merit repeat visits. She represents the best of what an artist straddling techno and ambient can be – with ambient sets that pulse and live, with timbral and structural freedom rather than resorting to dreary droning grays. So let’s take a break from her better-known techno side and get to experience some of her ambient personality. Now, just in the past months, I’ve watched her hold down the cavernous abandoned Kraftwerk power plant for Tresor’s birthday with a techno set, but also explore imaginative techno on Boiler Room alongside Dino …

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Mixes of the moment: dark techno, diverse records

News and information is important, but it won’t focus you on what matters. Checking Facebook might distract you, but it won’t calm you. Only music is wired directly into our mood when we’re alone. And leave the algorithms; there’s nothing like a human mix. So it is that we bring you regular mixes as windows into the work of music we love. To start, no one puts the banging in banging techno quite like Paula Temple. Her sets, like her productions, can reach a level of cathartic violence without ever losing a feeling of groove. Hers is a ritual of …

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Google explores how machine learning could navigate the history of art

You might have some art history under your belt. Now experimental artists are giving the machines a chance to do the same. It’s called Google Arts & Culture Experiments, and it takes a new angle on machine learning. The concept: let those algorithms find new ways of venturing through the history of art and human culture. This isn’t just about the machines, either. Continuing the Chrome Experiments series, the search giant is enlisting artists and creative coders to try an inventive take on what this might mean. After all, while the machine learning may be for the AI, it’s the …

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The making of a fanciful album imagining a post-apocalyptic future

What would your future clone think of you now, looking back across an apocalyptic reshaping of humanity? That’s the question posed by the 2005 novel The Possibility of an Island, and it resonates in Franz Kirmann’s new album Elysian Park. This might sound bleak, but it isn’t. Kirmann’s new record paints a science fiction sound portrait in dense textures and hyperreal washes of color. There are stuttering and spectacular rhythms making bold shuffles across the music. It’s headphone stuff for sonic dreaming, relentlessly futuristic and endlessly engaging. It’s a world you’ll want to enter and reenter, an addictive time warp. …

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We’ve started a record label – here’s the first release

I’m lucky to be part of a community of people who both make things and share things, who learn by doing but also learn by teaching. CDM is of course about creating music as it is about creating tools for music. So, this year I’m extending what we do to sharing music. We live in an age of growing populations of music producers and expanding access to more music than ever before. Running something like a record label thus becomes even more insane — if also more essential. So just as I understand how a DAW or DJ app works …

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The view from Tresor.

Come on an entrancing ambient techno journey with Milena Kriegs

Somewhere in the shadowy forest between ambient and techno sounds, you’ll find the inventive world of Warsaw’s Milena Kriegs. It’s the sort of music you can get lost in, but it manages to be teeming with life rather than bleakly gloomy. And I think there’s a strong analog between Milena’s live PA sets and her recorded music – somehow, she’s working out a sense of free flow in each, a feeling that you can float along with the music.

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