Transcendental Glitchy Drones, as the Standuino Crew Assemble an Ensemble of Electronics [Videos, Gallery]

Standuino π [pi] synced with frauAngelico + microGranny from standuino on Vimeo. Once the stuff of noise art oddity — isolated electronic experiments staying mostly on the test table — the DIY instrument is starting to find friends and form ensembles. And so it is that Czech instrument design mad scientists Standuino have assembled a clever little suite of open boards, happily chirping and glitching and droning together in musical harmony. So, before we start delving into the esoteric number theory of the new “π” drone synth, behold as their three creations play together in the video at top. There’s …

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Deckadance 2 Hits Beta; FL’s DJ Cousin is Packed With FX and Envelopes, VST Support

What would happen if Traktor DJ and a KAOSS Pad had a love child, who went to school at Ableton and came home full of automation envelopes and triggers? Well, maybe something like this. Certainly, the results would be a DJ tool the likes of which only FL “Fruity Loops” Studio maker Image Line would dream up, in a demo video only they would make. It’s beta 2 of Deckadance, the underdog Mac/Windows DJ app that’s surprisingly full of functionality. And while this isn’t the first DJ software to do sampling and effects, those features are now tied to some …

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hopecover

Hope: In Piano Gestures and Glitches, a Gorgeous Free Compilation from Japan

kaiwa; from mitsuru shimizu on Vimeo. Quietly melancholic piano gestures and reversed piano hammer strokes collide like waves against glitch-infused rhythms in hope3.0, the output of elementperspective. The “sound & design label” from Osaka weaves together a diverse group of promising Japanese artists, showing in many cases sonic maturity that belies their young average age. The balance between minimal, glittering piano prettiness and raw, digital rhythms is perfectly on evidence in the music video at top, for Mitsuru Shimizu’s triumphant “kaiwa;” – a real highlight of the set. The photographer and self-described “sound proposer” produces visuals and sounds alike here. …

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Glitch: Exquisite Textiles, Made from a Circuit-Bent Point-and-Shoot Camera

As winter’s chill sets in, any self-respecting lover of digital visual distortions will no doubt be curling under the protective warmth of a glitch blanket. New York-based artist Phillip David Stearns, himself a kind of guru of glitch, has produced detailed, organic patterns spun out of camera hacks. Via machine knitting and weaving, complex, non-repeating patterns from the cameras produce landscapes of color. While produced by machine malfunction, the results seem strangely natural, cascades of interwoven hues sweeping through the cloth. Stearns, for his part, describes the results as ironic, “a platform for fashioning corrupted memory,” but I think that …

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See Like a Bug on Acid: Visual Smash Ups, From Cameras, Simpsons + Family Guy, YouTube

Visual Smash Up from Parag K Mital on Vimeo. What happens when you distort a video with a video? It’s what artist and coder Parag K Mital calls a “visual smash up,” which he says “takes existing content and mashes it up to create new content.” Huh? Well, have a look above for an example with a live video feed – or below, combining Simpsons and Family Guy in unholy animated sitcom matrimony. But here, Parag explains what he’s doing to CDM:

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glitch_apclayout

Glitch Factory: A Complete Performance Environment for APC40 + Ableton Live

Some people release remixable stems. Some people release little tools or utilities. Glitch Factory is a complete tool set for live performance, combining performance presets, an Ableton Live set, and even remixable track stems. It’s like getting to borrow someone else’s computer to see how they play – after they first cleaned everything up and made it usable for you. It’s a chance to break out of your performance world and walk in someone else’s shoes for a bit, then use that starting point to warp things into your own musical aims. The work of Mr. Bill and Will Marshall, …

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Voltage into Generative Pixels, and Other Lo-Fi, Recycled Art

Today on Create Digital Music, we examine DeFunct/ReFunct, the latest installment of a touring (Ireland, France, Germany) collective working with repurposed, rescued refuse technology: Art From Trash, as ReFunct Media Makes a Symphony from Obsolete Gear [Videos] The group works both in sounds and image, so here I’ll echo what I say there in visual form. (I feel, far from conflicted, that I’ve done my job if I find things that fit into both sites.) Benjamin Galoun [aka Recyclism] makes work that, of all of these, is perhaps the most elemental. It’s just voltage applied to a screen, but in …

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Com Truise, Set to DOS Nostalgia, Turned into Music Video Gold

The pace of technology has made past and future fold in on themselves, to the point where old things can look futuristic, what was once techno-shock can become nostalgic warmth, and the future can look dated. Our own Matt Earp waxed poetic on music’s take on these aesthetics by connecting them to worn VHS tapes. Com Truise’s music follows a similar pattern. Here, in an evidently-unofficial video, one Myk Dawg takes a straightforward approach: he just puts together a whole bunch of DOS visuals, animating screens from real software tools and generating new motion from text characters. Of course, that …

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3D Modular Sound Gets Real: Stunning AudioGL Demos, Crowd Funding, Beta Coming to You Soon

Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs and switches. There was the digital synth, in code and graphical patches. And there was the two-dimensional user interface. We may be on the cusp of a new age: the three-dimensional paradigm for music making. AudioGL, a spectacularly-ambitious project by Toronto-based engineer and musician Jonathan Heppner, is one step closer to reality. Three years in the making, the tool is already surprisingly mature. And a crowd-sourced funding campaign …

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Shuffling, Slicing, and Glitching Audio, and Other Modular Max for Live Devices

For fans of slicing, dicing, glitching, reversing, and shuffling incoming audio streams, this Max for Live Device is for you. Shuffler 2.0 is the latest in a series of “modular” Max for Live devices from developer Isotonik Studios. Mappable to MIDI, the suite of Devices focuses on simpler tasks in ways that can be combined. There are interactive Follow Actions, for instance — a feature I’ve long argued should be native to Ableton Live — plus tools for more easily mapping MIDI to envelopes. There’s a convenient Looper. From last week, there’s a module called Smart, capable of mapping some …

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