Pattern and Design: A 2-Day Festival Turns Vintage Type into Musical Scores

It’s time to reinvent the graphical score. With musical practice more international, more broad and varied than ever, and electronics in the mix, conventional notational idioms just aren’t enough. For curator and prolific electronic producer Hanno Leichtmann, the starting point was a collection of vintage Letraset and Letratone type, as pictured above. Leichtmann, a graphic designer himself (and maker of beautiful record covers), is passionate about digital and ink-based design processes alike; even the posters for the event are exquisitely (and expensively) hand-produced. He then invited a who’s who of illustrators and graphic designers from Germany, Austria, France, Great Britain, …


A Naked Man Plays Robots and Finds Love; A Quadriplegic Finds a Voice in Music

Man & Machine: A Naked Robotic Love Story from Jesse Roesler on Vimeo. Making music with machines, we all become somehow more than human. We are people, augmented by technology. Those technologies strip us bare, expose us as naked emotionally … sometimes, literally. Through the eyes of one filmmaker, here are two parallel images that drive that point home. Last week at Berlin’s CTM Festival, we began a week-long hacklab by touring the Generation Z exhibition with curator Andrey Smirnov. One thing Andrey repeatedly emphasizes about the revolutionary Russian artists who came together in the 1920s is their belief in …


Sibelius Core Team Now at Steinberg, Building New Notation Tool

Avid’s Sibelius score writer, seen here, no longer has the team that once led its development. But those veterans are now planning something new – and are now working for Steinberg. In the production of printed scores and traditional notation, two tools have loomed large for over a decade: Sibelius and Finale. So, for publishers, composers, arrangers, and teachers who use scoring software, it was a big deal when it became clear over the summer that a reorganization at Avid pushed the core development team of Sibelius out of the company. That raised some protests among users, and serious doubts …


Pen and Paper as Graphical, Digital Music Score

The latest in a long tradition of transforming hand-drawn graphics into music (see, in particular, Iannis Xenakis and UPIC), we see a computer-vision-powered pen-and-paper music generator. Kovacs Balazs writes: This is a manual sounddrawer. Doesn’t need any sensors, but a camera, paper, colored pens. Doesn’t need sensor glove or reactable as well. What I love about this, though, is that the resulting sounds are utterly crazy, a big collision of notes and sound. By the way, UPIC lives on here in a very advanced program descended from the original tool: http://www.iannix.org/en/index.php From credits: Magyar Eötvös Ösztöndíj Alapítvány, UCSB-MAT, CSALÁD More: …