There are those things in music making that are just pure joy. There’s finding a particularly nice groove or pattern, or getting that really juicy synth or effect parameter to morph just so. And there’s getting to use all those toys and external gear you really love. So, while Maschine 2.6 is just a “point” release, I think it works out being one of the most welcome updates to come to Maschine’s loyal audience of groove makers yet. It gets at both these points. First, it inherits all the clever stuff added to Maschine Jam for adding variations and randomization …
First, there was software – and mapping it manually to controllers. Then, there was integrated hardware made for specific software – but you practically needed a different device for each tool. Maschine Jam is a third wave: it’s deeply integrated with software workflows, but it can swap from one tool to another without having to change how you work.
Whether or not drum machines have soul, you can bet the LinnStrument does. The creation of Roger Linn couples a grid layout – one that keeps pitch relations consistent for easy playing – with expressive touch sensing. Until now, you could get a US$1499 version with 200 pads. A new version drops the price to $999, and uses a 16 * 8 = 128-pad layout, so it’s both cheaper and more portable. And all the LinnStruments now get step sequencing. But let’s back up. There are two things that make the LinnStrument unique. One is its onboard expressive touch control. …
Ableton Live 9.7 – the final stable download – is available today. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone.
These days, various combinations of faders and touch sensors and grids of pads and buttons and encoders and knobs appear with cyclic regularity. We’re past the point of inventing the automobile – we’re down to tuning particular cars for particular tasks. But what do you want to use if you’re really playing live? Maschine Jam is a combination of software and hardware that focuses on that scenario. We’ve met with the team that built it at Native Instruments and have our own unit in now to test, so here are some first impressions.
It’s tiny. It’s battery powered. It costs just over US$300 street. But Novation’s Circuit sample/drum/synth groovebox has been squeezing in a whole lot of functionality that makes it into a really serious tool, great for starting ideas or jamming or playing live. And we’ve been testing the latest build, version 1.3, for some days now. It’s available to everyone free right now, and it adds some significant changes that make this tool more flexible than ever. Let’s have a look.
Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.
Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us it’s won over. So, why not give it a handsome home?
Ableton Live 9.6.2 is here. Apart from a slew of bug fixes and some improvements to how the Link connection indicator works, there are a lot of improvements to Push, via software and firmware – even down to details like making the potentiometers more jitter free. That’s all well and good. But the important thing is that some of these small details could really change the way you work with Push for the better. The big one: you can now copy and paste clips to any slot on the Push, just by touching the pads. It’s a little thing, but …
The iPad (and iPhone) are starting to look like the ultimate jamming devices – mobile, connected, and ready to play. And it’s doing what laptops can, in a less awkward form factor. Back-to-back updates from Novation are bringing their apps closer to that reality, today. Now, Novation are rubbing shoulders with Ableton in some wireless jam sessions set up at Barcelona’s SONAR Festival today. But what we’re talking about opens up possibilities for both use cases – laptops playing with iPads, and iPads replacing laptops.