risset

Jean-Claude Risset, who reimagined digital synthesis, has died

We’re in a strange time, as we big farewell to a great generation of pioneers of electronic music. French composer Jean-Claude Risset’s work can still tickle our perception and challenge what’s possible. He helped expand the frontiers of what digital synthesis can do for our ears, and brought the technology to the European continent. And this week, he left us at the age of 78. The sound for which Risset is best known is perhaps the most emblematic of his contributions. Creating a sonic illusion much like M.C. Escher’s optical ones, the Shepherd-Risset glissando / Risset scale, in its present …

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pierreschaeffer_grm

If you use samples, then wish Pierre Schaeffer a happy birthday

It’s French composer Pierre Schaeffer’s birthday, and if you’re using any form of sampling, it’s worth pausing to remember him. At 105 years of age, he’s more relevant than ever. Listen, to his Cinq √©tudes de bruits : √Čtude aux chemins de fer. Amazingly, this 1948 piece (made when my Mom was born) sounds like it’d still be a good listen on SoundCloud today (thanks, Yuri Spitsyn):

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Reconnect with Electronic Music’s Revolutionary Roots, in Stunning Images [Gallery, Videos]

“On a western device, you push a button and get a result. On a Soviet instrument, you push a button and get something.” -Benzo When music was first electrified, it was nothing short of a revolution – literally. And as today’s technologies again attempt to fuse human and machine, there’s no better time to connect with past visions again. “Discontinuity” is the theme of the this year’s CTM Festival in Berlin. But it sets the stage for an unprecedented movement to put today’s machines back in context, across the barriers of time, and – increasingly, in a closer European/west Asian …

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From Wires: Keith Fullerton Whitman’s Modular Music, Conversation with CDM, 12 Hours of Music

We make music through objects, whether instruments or machines. And so we have this relationship between our ideas and those objects, between our imagination and the imagination of the people who built them. Talking to Keith Fullerton Whitman about his suitcase of modular gear, then, wasn’t just geeking out. It was a chance to understand how he relates his music to those bits of gear, and the community of people who make them. (For another glimpse of that community, see our tour of a booth of a passionate distributor at Musikmesse.) Keith joined us at CTM Festival, Berlin, over the …

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