horselords

Enjoy the sweet sound of guitar just intonation on this album

Sorry. I’m terrible at writing headlines, actually. I’m also mostly terrible at writing reviews. So let me just say that if you haven’t heard Horse Lords, the Baltimore-based indie band, since their 2010 founding, you deserve to. And they make a great argument for why alternative tunings really do matter in music.

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Whoa looking at this on my MacBook WHERE IS REALITY? Photo: UA.

The 1955 Fender Tweed amp now lives in software

The art of modeling at a handful of the best software shops continues to progress. And so it is that Universal Audio say they’ve simulated every tiny detail, “from speaker paper and heat dissipation, to filter caps and transformers,” of one of the world’s best-known amplifiers – the Fender Tweed. It’s the cranked sound of Neil Young; it’s the clear lead of Larry Carlton. It’s a lot of other things. It’s now on a computer, too.

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(CC-BY) Gilga Mesh.

Fender are teaming up with Universal Audio; More UAD USB too

It’s no longer an either/or proposition: physical, digital, choose both. It’s now a natural for something like a guitar brand to expand both in the physical and virtual realms, and for the name to matter in both. So in the same week we saw synth legend Dave Smith connected with DJ brand Pioneer, Universal Audio is adding Fender to their signal processing lineup.

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battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

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ehback

Electro-Harmonix has a Dual Stereo Looper with Layering, USB

Electro-Harmonix have a new looper out, introduced last week in Nashville, that I suspect could be a really big hit. The winners: dual stereo operation, loads of recording space, and then easy connection via USB so a looped improv today could be the beginning of a track tomorrow. Oh, and it’s not expensive, either. When it comes to looping in live performance, most folks haven’t taken to the computer as much as the standalone looper, particularly BOSS’ LoopStation line. And that’s with good reason: you want dead-simple operation so you can focus on playing. The heart of the idea is …

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dp9-hero

DP9: Looks Great, Does More, Does Scores

This is the way DP – Digital Performer – looks in version 9. The tried-and-true Mac DAW now has Retina Display support on that platform, and looks like a viable option on Windows, too. DP9 may not get the amount of attention on the forums and such as some rival DAWs (Logic, Cubase, Ableton), but it has a hugely loyal user base and dominates in film and TV production. The DP9 release seems mainly about giving that loyal user base the stuff they want. The big features: Retina UI on the Mac, lots of workflow improvements (including score export), and …

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marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

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apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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Reason 8 Overhauls UI, Adds New Softube Amp Models [Video, Gallery]

Let’s face it: Reason has started to look a little bit crowded lately. What began as a small rack of virtual effects and instruments has grown to add an enormous mixing console. Sequencing features have, since the beginning, been squeezed to tiny lanes at the bottom of the UI. And a browser floated around in a window. Reason 8’s individual parts aren’t so different from Reason versions you’ve seen before. But it’s the way they fit together that has changed – rather radically.

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As My Guitar Gently Weeps with a Japanese Politician

While my elected representative gently weeps? Yes, don’t miss this video, going social today, from Japan, in which a guitarist perfectly times playing to a politician’s sob story. You might assume this isn’t relevant to CDM. But let’s say it hits the whammy bar — on your MIND. Earlier this month, I attended the NIME2014 conference – New Interfaces for Musical Expression. Year after year, groups like these discuss the merits of instrumental interfaces for expression. Generally, instruments like the guitar – good. Instruments like the piano – bad. No ability to add nuance after you hit a note, no …

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