It’s called the Circuit-Bent Digital Waveguide™ 扰动数字波导. Or the DU™ DU-KRPLS. And straight out of the “that’s not a bug, it’s a feature” files, it’s got intentionally wrong code in it. But that’s a good thing.
Can you whistle? Can you hum? Sing? Dance? Let’s assume for a moment that the problem isn’t your musicality, because you have something to express. The point of technology and music skill is really to express that inner musicality. For a beautiful demonstration of that, watch one guy roam the streets of Berlin’s Kreuzberg neighborhood with one piece of gear – and make an amazing song just from looping.
Richard Devine’s Vimeo account is something special. It’s certainly partly theater – there’s something entirely alien about seeing a nest of gear, tangled in cables and blinking, as if modules have achieved sentience and starting interconnecting themselves. But behind that facade of nerdy chaos is some real thought about how to make sounds by creating unexpected combinations of signal processors. It’s something I’ve been discussing with a lot of people lately – this interplay between stability and instability, automaton and entropy.
Behringer continues to leak out teaser videos about its upcoming analog synth – and with the rest of the industry out on summer vacation, they’ve got pretty much everyone’s full attention. There’s a few things you can learn from their latest video – not least that I was dead wrong, and this is a polysynth, not a monosynth. (Oops.)
Time to start singing about how we’re the operator with our pocket calculator again. The ZONT Synthesizer is an upcoming handheld instrument. And it’s what one designer imagines for the synths of the future. Apart from being tiny, you can change its function by snapping cartridges in and out – Game Boy style. And whereas we think of synths now as big, clunky boxes with wires coming out of them, the ZONT can either plug into a desktop dock for connectivity or connect wirelessly. We’ve had a chat with its designer to see what’s in store.
Wheels were never as big as grids. Well – in this context, anyway. The arc was the spiritual successor to the monome from designer Brian Crabtree – ultra-high resolution encoders for turning, with lights, as continuous as the monome grid was binary. But despite some poetic, meditative videos the monome project produced, the arc was always mostly quiet on the scene. And then it disappeared, supplanted by other projects (like an entry into Eurorack). Now it’s back, on preorder.
Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us it’s won over. So, why not give it a handsome home?
Backpack-friendly rigs on the cheap are yours – if you know how to put them together. Fortunately, we’ve got some expert help. For starters… fancy tools? No. Sync? Who needs it. Just a Korg Kaossilator and the Propellerhead Figure app are part of a little jam here from our friend Jakob Haq.
In the march to fancy dedicated controllers and standalone hardware, something was lost – what if you just want a whole bunch of faders (and maybe some encoders with them)? German boutique maker Faderfox (the clue is in the name) seems to understand our craving. And they even appreciate our fantasy to show up at a gig, superspy style, with a metal briefcase. Wish granted: the Faderfox UC44, 16 faders and eight push encoders in a box.
The Internet has seen obsolete disk drives play tunes from Star Wars before – but not like this. Hacker Paweł Zadrożniak of Poland has outdone himself with a maximalist rendition of John Williams’ iconic music. Just how big is it?