irig_pro_io_iph7_gtr_mic

IK’s iRig Pro I/O comes close to being a perfect mobile music accessory

Let’s be honest: audio interfaces are one of the pieces of gear most likely to make your eyes glaze over. That might even be doubly so for the many, many options available for iPhone and iPad – each, somehow, almost but not quite really solving what you want. So, great, IK Multimedia have yet another gadget for iOS th– Hold on a second. I did a double-take digging through product releases today when I saw the somewhat blandly-named iRig Pro I/O (try saying that ten times fast). Here’s the thing. This could be the interface you keep in your bag …

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ambeo-smart-surround

Sennheiser wants to bring 3D audio recording to the masses

The consumer electronic drive to high definition and virtual reality is having a curious, parallel impact on sound. And so it is that Sennheiser now want to market binaural recording to your average smartphone owner – really. Now, of course, the normal human perception of reality includes both visual depth perception and the ability to localize sound in a 360-degree sphere around the head. That is, provided only one’s eyes and ears are fully functional and each pair is intact, the human brain adapts to these perceptions. But “3D” visuals and “3D” sounds aren’t themselves directly connected in terms of …

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The big'n.

Akai’s standalone MPCs revealed – and they could replace your laptop

Welcome to the post-PC drum machine age. After years of leaving fans of standalone MPCs in the cold, Akai have unveiled machines that promise the flexibility of computer software – minus the computer. Specs and photos went live on the Sweetwater website this morning with complete specs, and now are also live on Akai’s site. (I’m unaware of whether or not today was the date Akai intended to lift embargo, as CDM was never under one.)s http://www.akaipro.com/product/mpc-x http://www.akaipro.com/product/mpc-live The MPC Live is probably the one you want, in a compact form factor and with a not-insane US$1,199 street price. And …

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namm

What to expect from 2017’s first wave of new music gear

Happy New Year? Not yet. In the universe of music gear, the NAMM show in California is a sort of unspoken new year’s holiday – home to the biggest wave of music tech announcements of the year. It doesn’t cover everything, as many music producer-specific makers have fled the pricey trade show booths for more focused events. But there’s still rather a lot. Here’s a look at what to expect. Year of the drum machine The monosynth has made its comeback; now it might be the drum machine’s turn. Behringer and Akai are likely to join recent product launches from …

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amulets

AMULETS shows how to make a tape loop out of a cassette

AMULETS is Randall Taylor, a one-man experimental looping ambient artist out of Austin, Texas who works with tape loops and guitar. And to start off the year, Randall wants to show you a key element of his technique – making tape loops from cassette tapes. Tape loops, as associated with the likes of Steve Reich, began mainly on reel-to-reel decks. Using a cassette means some more precise surgery. There’s the cassette housing to contend with, mainly – which means disassembling and then (importantly) re-assembling a delicate plastic case. And the tape itself is smaller, too – 0.15 inches rather than …

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discman

A patchable, circuit bent Sony Discman turns into a glitch instrument

It’s happened: CD players are officially retro/vintage. (Heck, so is the iPod at this point.) But that means it’s time to open them up and glitch them out – at least for some intrepid inventors, that is. Actually, this video is itself vintage, coming from the innocent days of 2012. (Ah – remember then? If only we knew what world awaited us in 2017. We’d… probably have hidden in a basement and all started circuit bending Sony CD players.) Anyway, I digress. Sony Discman. Renamed “Discbitch” – complete with laser-etched name on the case. Patchable. Glitching. Watch: Somehow, it’s trending …

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0-coast

Two videos show why the Make Noise 0-COAST modular is cool

2016 was the year when people said, hey, I want to get in on some of that modular goodness, but … maybe I don’t want to buy a rack and spend thousands of dollars to do that. So it’s great to finally see desktop semi-modular becoming a thing – and an affordable thing at that. There’s the best note entrant, Moog’s excellent Mother 32. But I also like the much odder, but still affordable Make Noise 0-COAST (that’s a zero, not the letter o). It’s got a far more idiosyncratic front panel, but that shouldn’t put you off: it’s still …

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ultralite-mk4-iso-right

Here’s how MOTU says they’re improving latency on their new interfaces

You’d be forgiven for not noticing, but the top audio interfaces are one of the things that have been steadily getting better. That is, the handful of makers really focused on service musicians (and other audio and audiovisual applications) have improved interface quality, added a lot of features and connectivity, and improved driver performance. MOTU is one of those makers on a short list that I hear good experiences with. But this fall when a press release crossed my desk saying they had more low latency performance, I wanted a bit more detail than the marketing language was offering. So …

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cloudpiano2

A piano, played by clouds and sky

We can reinvent the instruments we already have; we can try to steer a pathway to something new. Or we can sometimes imagine a known instrument in a new context. This new short film covers a robotic piano that’s got an unusual angle. Using image analysis, those mechanical fingers transpose patterns of cloud and sky onto the keys. This poetic take on cloud gazing comes from media artist David Bowen. It’s a nice take, I think, on sonification, in that it isn’t just about a stream of data that’s abstracted from its source. It’s really as though the drifting clouds …

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rolandmeeblip

We added MeeBlip to TB-03 and TR-09 for really too much bass

You can now really have a ridiculous amount of fun playing live without a ridiculous amount of gear. That’s certainly the sense I get with Roland’s Boutique series, among other recent entries. In just a fraction of the size of the original AIRA, you can add a synth, a bassline, or a drum machine. And it’s not just Roland. In the under-$500 category, there’s loads of desktop gear from Korg, Waldorf, MFB, Novation, and Arturia, plus even compact modular/semi-modulars like the Make Noise O-Coast and Moog Mother-32. It’s all affordable, and all really easy to port around. What I like …

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