Electro-Harmonix has a Dual Stereo Looper with Layering, USB

Electro-Harmonix have a new looper out, introduced last week in Nashville, that I suspect could be a really big hit. The winners: dual stereo operation, loads of recording space, and then easy connection via USB so a looped improv today could be the beginning of a track tomorrow. Oh, and it’s not expensive, either. When it comes to looping in live performance, most folks haven’t taken to the computer as much as the standalone looper, particularly BOSS’ LoopStation line. And that’s with good reason: you want dead-simple operation so you can focus on playing. The heart of the idea is …


Modular Guitar Stompbox: Coming Soon, Eurorack for Your Feet

The modular craze just won’t stop. But why should keyboardists and sound tweakers have all the fun? Pittsburgh Modular wants to bring the revolution to guitar stompbox effects. The Patch Box, teased over Twitter and due at April’s Musikmesse in Frankfurt, Germany, is an attempt at that solution. Basically, instead of being a Eurorack bay for your shelf or desk, this is one designed for the floor, to be played by a guitarist or bass player. At the bottom, you get the usual switches. But apart from accommodating Eurorack modules (on their side) on the floor, the key appears to …


For Apple, Music Making is For Everybody: New Holiday Ad

We face a challenge in the music technology community. Underlined by a century in which music creation was seen by some as the privilege of a few, in the studio world, and mass music was about records and radio, people might claim music making is niche. It’s seen by those onlookers as the domain of specialists, techies – a weird overlap of superstars and nerds. But some of us believe that musical expression as as essential as singing, and the tools matter just as much. You don’t see much music technology in Apple’s latest ad. I think it might be …


Feeling Sound, Physically: ‘Touch the Sound’ Documents Deaf Percussionist

What is sound? What does it mean, and why does it matter? It’s never too fundamental, too basic a question to ask ourselves again when we make music. So, I’ll leave this trailer otherwise largely without comment, except to say, it’s well worth watching (or re-watching). Touch the Sound, produced by German director Thomas Riedelsheimer in 2004, focuses on the work and world of nearly-deaf percussionist Evelyn Glennie. See a trailer, below, and excerpt, above. Thanks to Morgan Hendry for the tip. IMDB link On this topic, and the inspiration for this link: For a Deaf Artist, The Process of …