EFF, in Response to ASCAP, Says They Want to Find Ways of Getting Artists Paid

What’s the future of musician income? Crispin guitarist AJ looks on. Photo (CC-BY-ND) billaday/Bill Selak. An ASCAP Political Action Committee fundraising letter that seeks to vilify advocacy positions of organizations like Creative Commons has been circulating the Web. As I noted in a separate story, it’s not exactly news that ASCAP has taken issue with […]

ASCAP Attacks Creative Commons, Advocacy Groups as Anti-Copyright, Anti-Artist

Vintage image (CC-BY-SA) Ioan Sameli, as licensed by us pinko commies at CDM. An ASCAP legislative fundraising letter revealed last week that the American performing rights organization is invoking fears of the Electronic Frontier Foundation, Public Knowledge, and Creative Commons in order to raise money. ASCAP appears to be repeating, now in the more heated […]

Roger Linn Imagines a New, Multi-touch Instrument, And — HELP!

We’ve lived so long with a musical world dominated by the piano keyboard that it can be hard to look beyond it. But for some time, musicians have desired a set of common requirements for what might replace it: The ability to hit specific pitches in a convenient layout, perhaps one more convenient than the […]

Updated: MPEG LA Pool Planning to Torpedo OGG Theora, Says Jobs

RichardL notes some potentially major news this afternoon. Shortly after my post, Steve Jobs himself reportedly answered an open letter written by free software advocate Hugo Roy. Hugo’s letter contained suggestions about whether a standardized unencumbered video codec needed to accompany the video tag in order to be truly “open.” The original post, on “hugo’s […]

Of MIDI, iPhones and iPads, and a Restrictive Future for Hardware?

For years, in music technology and computing, we’ve relied on an idea so ubiquitous, we take it for granted. That notion is that you can use things together, and they work. At its soul, MIDI gives us the power to assemble different sounds, to record ideas. It means the investment you make in one device, […]

CDM and Creative Commons “Non-Commercial” Images

(CC) Giulio Zannol. Sampling and online reuse are enormously common in our culture today. But if you really believe in making some of that culture freely accessible, it follows you must also make free licenses explicit. Simply taking something because it’s there isn’t fair to the person who created the content, whose rights should come […]

Meet the Digital Vinyl Systems That Predated N2IT’s Patent

It’s something we take for granted now, but not so long ago, the only way to scratch and cue records was with analog vinyl. Now, of course, simulating those behaviors using digital records on turntables connected to computers is commonplace. But that hasn’t stopped the question of who owns the technology from spawning legal disputes. […]

As the Turntable Turns: Digital Vinyl Survives, Real Technics 1200 Dies (Or Not)

Rick Harrison. The legal wrangling over patents and who owns digital vinyl technology continues. The latest development: the court has dismissed N2IT’s claim against M-Audio, as covered by djtechtools. Before you strike this as a victory in the M-Audio column, it’s possible the parties settled out of court. Based on my limited legal background, I […]

Help EFF Save Web Content: Prove Podcasting and Media Patent is Wrong

Act now, or this puppy is in grave danger. Podcasting pug photograph (CC) zoomar. Patenting the use of all episodic media on the Web might sound absurd, but the US Patent and Trademark Office has granted just such a patent, to a company called VoloMedia. It’s a significant issue, one that could threaten the freedom […]